Die Einheit von Theologie und Astronomie: Zur Visuellen Auseinandersetzung mit dem Kopernikanischen System bei Jesuitischen Autoren in der Ersten Hälfte des 17. Jahrhunderts
Identifieur interne : 000480 ( PascalFrancis/Checkpoint ); précédent : 000479; suivant : 000481Die Einheit von Theologie und Astronomie: Zur Visuellen Auseinandersetzung mit dem Kopernikanischen System bei Jesuitischen Autoren in der Ersten Hälfte des 17. Jahrhunderts
Auteurs : Volker R. Remmert [Allemagne]Source :
- Archivum historicum Societatis Iesu [ 0037-8887 ] ; 2003.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Astronomie.
English descriptors
- KwdEn :
Abstract
Among the central themes of the so-called scientific revolution was the debate over the correct cosmological system. The Ptolemaic system, which had been the dominating explanation until the 16th century, was challenged in the 17th century principally by the heliocentric model proposed by Copernicus, and by the Tychonic model of Tycho Brahe which combined elements of the heliocentric and the geocentric systems. To facilitate comprehension, the different planetary theories were often depicted pictorially. During this period, frontispieces of astronomical publications fought the same debate visually. Jesuit astronomers had rejected the geocentric theory even before the prohibition of Copernicus's teachings in 1616. Frontispieces of three treatises, specifically Christoph Clavius's Opera mathematica (1612), Christoph Scheiner's Rosa Ursina (1630), and Giovanni Battista Riccioli's Almagestum novum (1651), testify to this rejection through the depiction of the unity of theological and astronomical argumentation. The author sets his interpretation of these frontispieces in the context of Biblical exegesis, a prerequisite for an understanding of the frontispiece of Clavius's Opera mathematica and of Riccioli's Almagestum novum.
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