| Ident. | Authors (with country if any) | Title |
|---|
| 000278 |
Linda Parati [Italie] ; Nicola Prodi [Italie] ; Roberto Pompoli [Italie] | Computer model investigations on the balance between stage and pit sources in opera houses |
| 000487 |
Toshiyuki Okano [Japon] | Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections |
| 000543 |
Noriko Nishihara [Japon, États-Unis] ; Takayuki Hidaka [Japon] ; Leo L. Beranek [Japon] | Mechanism of sound absorption by seated audience in halls |
| 000545 |
Hiroyuki Sakai [Japon] | Acoustic measurements and the individual subjective evaluation for sound fields |
| 000568 |
Takayuki Hidaka [Japon, États-Unis] ; Noriko Nishihara [Japon] ; Leo L. Beranek [Japon] | Relation of acoustical parameters with and without audiences in concert halls and a simple method for simulating the occupied state |
| 000617 |
Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon] | Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas |
| 000618 |
Leo L. Beranek [États-Unis] ; Takayuki Hidaka [Japon] ; Sadahiro Masuda [Japon] | Acoustical design of the opera house of the New National Theatre, Tokyo, Japan |
| 000619 |
Takayuki Hidaka [Japon, États-Unis] ; Leo L. Beranek [Japon] ; Sadahiro Masuda ; Noriko Nishihara ; Toshiyuki Okano | Acoustical design of the Tokyo Opera City (TOC) concert hall, Japan |
| 000650 |
| Workshop on opera house acoustic, Seattle, June 1998 |
| 000660 |
D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Singer responses to sound fields with a simulated reflection |
| 000663 |
S. Hase [Japon] ; A. Takatsu [Japon] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Reverberance of an existing hall in relation to both subsequent reverberation time and SPL |
| 000667 |
T. Halmrast [Norvège] | Orchestral timbre : Comb-filter coloration from reflections |
| 000671 |
C. Semidor [France] ; A. Barlet [France] | Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux |
| 000679 |
H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon] | Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields |
| 000685 |
A. Cocchi [Italie] ; M. Garai [Italie] ; C. Tavernelli [Italie] | Boxes and sound quality in an italian opera house |
| 000695 |
M. Sakurai [Japon] ; S. Aizawa [Japon] ; Y. Suzumura [Japon] ; Y. Ando [Japon] | A diagnostic system measuring or thogonal factors of sound fields in a scale model of auditorium |
| 000751 |
M. Lannie [Russie] ; L. Makrinenko [Russie] | Acoustics of Russian classical opera houses |
| 000755 |
Leo L. Beranek [États-Unis, Japon] ; Takayuki Hidaka [États-Unis] | Sound absorption in concert halls by seats, occupied and unoccupied, and by the hall's interior surfaces |
| 000B50 |
| Musique |
| 000B56 |
| Acoustique des lieux scéniques |
| 000B76 |
J.-P. Vian | Traitement acoustique de l'Opéra Bastille |
| 000C02 |
A. Sartre | Opéra Bastille: l'acoustique de l'extrême |
| 000C08 |
J.-P. Vian | L'acoustique du nouvel opéra de la Bastille |
| 000C14 |
D. Commins | Dossier acoustique: l'acoustique des salles de spectacle |
| 000C59 |
W. Reichardt | Die akustische Projektierung der SEMPER-Oper in Dresden |
