4355 And NotA. Takizawa
List of bibliographic references
Number of relevant bibliographic references: 37.Ident. | Authors (with country if any) | Title |
---|---|---|
000501 | Concert hall acoustics and opera house acoustics | |
000504 | J. Sarwono [Royaume-Uni, Indonésie] ; Y. W. Lam [Royaume-Uni] | The preferred initial time delay gap and inter-aural cross correlation for a Javanese Gamelan performance hall |
000507 | H. Sakai [Japon] ; Y. Ando [Japon] ; N. Prodi [Italie] ; R. Pompoli [Italie] | Temporal and spatial acoustical factors for listeners in the boxes of historical opera theatres |
000509 | S. Sato [Japon] ; H. Sakai [Japon] ; N. Prodi [Italie] | Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house |
000510 | D. Takahashi [Japon] ; R. Takahashi [Japon] | Sound fields and subjective effects of scattering by periodic-type diffusers |
000513 | P. Fausti [Italie] ; N. Prodi [Italie] | On the testing of renovations inside historical opera houses |
000517 | D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Melisma singing and preferred stage acoustics for singers |
000524 | J. Atagi [Japon] ; R. Weber [Allemagne] ; V. Mellert [Allemagne] | Effect of modulated delay time of reflection on autocorrelation function and perception of echo |
000525 | T. Hotehama [Japon] ; S. Sato [Japon] ; Y. Ando [Japon] | Dissimilarity judgments in relation to temporal and spatial factors for the sound field in an existing hall |
000527 | Y. Ando [Japon] | Correlation factors describing primary and spatial sensations of sound fields |
000529 | A. Takatsu [Japon] ; H. Sakai [Japon] ; Y. Anuo [Japon] | Blending architectural and acoustical factors in designing a round event hall |
000650 | Workshop on opera house acoustic, Seattle, June 1998 | |
000654 | F. W. Bianchi [États-Unis] ; R. H. Campbell [États-Unis] | The virtual orchestra: Technical and creative issues |
000658 | S. Sato [Japon] ; Y. Ando [Japon] ; S. Ota [Japon] | Subjective preference of cellists for the delay time of a single reflection in a performance |
000660 | D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Singer responses to sound fields with a simulated reflection |
000661 | M. Vorl Nder [Allemagne] | Room acoustical simulation algorithm based on the free path distribution |
000662 | G. Iannace [Italie] ; C. Ianniello [Italie] ; L. Maffei [Italie] ; R. Romano [Italie] | Room acoustic conditions of performers in an old opera house |
000663 | S. Hase [Japon] ; A. Takatsu [Japon] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Reverberance of an existing hall in relation to both subsequent reverberation time and SPL |
000665 | K. Mouri [Japon] ; K. Akiyama [Japon] ; Y. Ando [Japon] | Relationship between subjective preference and the alpha-brain wave in relation to the initial time delay gap with vocal music |
000667 | T. Halmrast [Norvège] | Orchestral timbre : Comb-filter coloration from reflections |
000669 | J. Atagi [Japon] ; Y. Ando [Japon] ; Y. Ueda [Japon] | On the effects of time-variant sound fields on subjective preference |
000670 | G. Iannace [Italie] ; C. Ianniello [Italie] ; L. Maffei [Italie] ; R. Romano [Italie] | Objective measurement of the listening condition in the old italian opera house "Teatro di San Carlo" |
000671 | C. Semidor [France] ; A. Barlet [France] | Objective and subjective surveys of opera house acoustics : Example of the Grand Theatre de Bordeaux |
000673 | D. Stanzial [Italie] ; D. Bonsi [Italie] ; N. Prodi [Italie] | Measurement of new energetic parameters for the objective characterization of an opera house |
000674 | M. Barron [Royaume-Uni] | Measured early lateral energy fractions in concert halls and opera houses |
000679 | H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon] | Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields |
000680 | R. Pompoli [Italie] ; N. Prodi [Italie] | Guidelines for acoustical measurements inside historical opera houses: Procedures and validation |
000681 | Y. Ando [Japon] ; H. Sakai [Japon] ; S. Sato [Japon] | Formulae describing subjective attributes for sound fields based on a model of the auditory-brain system |
000685 | A. Cocchi [Italie] ; M. Garai [Italie] ; C. Tavernelli [Italie] | Boxes and sound quality in an italian opera house |
000688 | Y. Suzumura [Japon] ; M. Sakurai [Japon] ; Y. Ando [Japon] ; I. Yamamoto [Japon] ; T. Iizuka [Japon] ; M. Oowaki [Japon] | An evaluation of the effects of scattered reflections in a sound field |
000690 | M. I. Biggi [Italie] ; R. Pompoli [Italie] | Acoustics in the competition for the construction of the opera house "La Fenice" : 1789-1790 |
000691 | A. Takatsu [Japon] ; S. Hase [Japon] ; H. Sakai [Japon] ; S. Sato [Japon] ; Y. Ando [Japon] | Acoustical design and measurement of a circular hall, improving a spatial factor at each seat |
000692 | M. Strada [Italie] ; R. Pompoli [Italie] | Acoustic program in the competition for the reconstruction of the "La Fenice" opera house after the fire of 29 January 1996 |
000693 | P. Fausti [Italie] ; A. Farina [Italie] | Acoustic measurements in opera houses : Comparison between different techniques and equipment |
000695 | M. Sakurai [Japon] ; S. Aizawa [Japon] ; Y. Suzumura [Japon] ; Y. Ando [Japon] | A diagnostic system measuring or thogonal factors of sound fields in a scale model of auditorium |
000751 | M. Lannie [Russie] ; L. Makrinenko [Russie] | Acoustics of Russian classical opera houses |
000834 | Dana Hougland [États-Unis] | Concert and opera halls: How they sound, by Leo Beranek |
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