| Ident. | Authors (with country if any) | Title |
|---|
| 000007 |
Yu-Wei Lin [Royaume-Uni] ; Alan E. Williams [Royaume-Uni] | Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera |
| 000024 |
M. Buehler [États-Unis] ; A. Bross [États-Unis] ; C. Hess [États-Unis] ; D. Orris [États-Unis] ; R. Pilipenko [États-Unis] ; R. Preece [Royaume-Uni] ; C. Sylvester [États-Unis] ; M. Tartaglia [États-Unis] ; J. Tompkins [États-Unis] ; S. Virostek [États-Unis] | Magnetic Measurements for a MICE Spectrometer Solenoid |
| 000028 |
Paul Atkinson [Royaume-Uni] ; Richard Watermeyer [Royaume-Uni] ; Sara Delamont [Royaume-Uni] | Expertise, authority and embodied pedagogy: operatic masterclasses |
| 000031 |
Maria Lamuedra [Espagne] ; Hugh O'Donnell [Royaume-Uni] | Community as context: EastEnders, public service and neoliberal ideology |
| 000053 |
Alon E. Faraggi [Royaume-Uni] | Superluminality and the equivalence postulate of quantum mechanics |
| 000054 |
Tim R. Morris [Royaume-Uni] | Superluminal velocity through near-maximal neutrino oscillations or by being off shell |
| 000059 |
Jean Alexandre [Royaume-Uni] ; John Ellis [Royaume-Uni, Suisse] ; Nick E. Mavromatos [Royaume-Uni, Suisse] | On the possibility of superluminal neutrino propagation |
| 000074 |
Stuart Matthews [Royaume-Uni] ; Pascale Dupuy [France] ; Robert Scovell [Royaume-Uni] ; Antoine Kergomard [France] ; Bernard Urban [France] ; Asko Huuskonen [Finlande] ; Alison Smith [Royaume-Uni] ; Nicolas Gaussiat [Royaume-Uni] | EUMETNET OPERA Radar Data Centre: providing operational, homogeneous European radar rainfall composites |
| 000121 |
Michael Manns [Allemagne] ; Henk Reesink [Pays-Bas] ; Thomas Berg [Allemagne] ; Geoffrey Dusheiko [Royaume-Uni] ; Robert Flisiak [Pologne] ; Patrick Marcellin [France] ; Christophe Moreno [Belgique] ; Oliver Lenz [Belgique] ; Paul Meyvisch [Belgique] ; Monika Peeters [Belgique] ; Vanitha Sekar [États-Unis] ; Kenneth Simmen [Irlande (pays)] ; Rene Verloes [Belgique] | Rapid viral response of once-daily TMC435 plus pegylated interferon/ribavirin in hepatitis C genotype-1 patients: a randomized trial |
| 000123 |
Derek Connon [Royaume-Uni] | NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX |
| 000151 |
Guy Dammann [Royaume-Uni] | Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism |
| 000155 |
Pierre Manil [France] ; Federico Regis [Suisse] ; James Rochford [Royaume-Uni] ; Paolo Fessia [Suisse] ; Simon Canfer [Royaume-Uni] ; Elwyn Baynham [Royaume-Uni] ; François Nunio [France] ; Gijs De Rijk [Suisse] ; Pierre Vedrine [France] | Magnetic Design and Code Benchmarking of the SMC (Short Model Coil) Dipole Magnet |
| 000169 |
Ann H. Kelly [Royaume-Uni] ; David Ameh [Gambie] ; Silas Majambere [Tanzanie, Royaume-Uni] ; Steve Lindsay [Royaume-Uni] ; Margaret Pinder [Royaume-Uni, Gambie] | 'Like sugar and honey': The embedded ethics of a larval control project in The Gambia |
| 000171 |
Matei Candea [Royaume-Uni] | "I fell in love with Carlos the meerkat": Engagement and detachment in human-animal relations |
| 000186 |
John Studd [Royaume-Uni] ; Anneliese Schwenlchagen [Allemagne] | The historical response to female sexuality |
| 000228 |
Edward Nye [Royaume-Uni] | L'ALLÉGORIE DANS LE BALLET D'ACTION : MARIE SALLÉ À TRAVERS L'ÉCHO DES PARODIES |
| 000234 |
B. Henricot [Royaume-Uni] ; C. Gorton [Royaume-Uni] ; G. Denton [Royaume-Uni] ; J. Denton [Royaume-Uni] | Studies on the Control of Cylindrocladium buxicola Using Fungicides and Host Resistance |
| 000241 |
Jennifer M. Rampling [Royaume-Uni] | Establishing the Canon : George Ripley and his Alchemical Sources |
| 000261 |
Edward Nye [Royaume-Uni] ; Fanny Thepot | Dramaturgie et musique dans le ballet-pantomime "Médée et Jason" de Noverre et Rodolphe |
| 000271 |
Lucile Desblache [Royaume-Uni] | Music to my ears, but words to my eyes? Text, opera and their audiences |
| 000307 |
John Storey [Royaume-Uni] | Inventing opera as art in nineteenth-century Manchester |
| 000309 |
Amy Wygant [Royaume-Uni] | Fire, sacrifice, "Iphigénie" |
| 000337 |
David T. Evans [Royaume-Uni] | Speaking over and above the plot : Aural fixation, scopophilia, opera and the gay sensibility |
| 000344 |
Christine A. Kirkman [Royaume-Uni] | From soap opera to science : Towards gaining access to the psychopaths who live amongst us |
| 000391 |
Sean Hand [Royaume-Uni] | Reveiling the woman: Passion, presence, and intertextuality in Michel Leiris's "Fourbis" |
| 000392 |
Paul Atkinson [Royaume-Uni] | Performance, culture and the sociology of education |
| 000400 |
Moira Mccormack [Royaume-Uni] ; Janet Briggs ; Alan Hakim ; Rodney Grahame | Joint laxity and the benign joint hypermobility syndrome in student and professional Ballet dancers |
| 000402 |
Tina K. Ramnarine [Royaume-Uni] | Imperial legacies and the politics of musical creativity |
| 000403 |
A. Mike Burton [Royaume-Uni] ; Lesley Bonner [Royaume-Uni] | Familiarity influences judgments of sex: The case of voice recognition |
| 000440 |
Margaret Maden [Royaume-Uni] ; Christine De Tarr-Michel | La réforme de l'éducation en Angleterre : Quinze ans de révolution permanente ? : La réforme de l'éducation en Grande-Bretagne |
| 000460 |
John Storey [Royaume-Uni] | The social life of opera |
| 000468 |
Oliver D. Crisp [Royaume-Uni] | Jonathan Edwards on divine simplicity |
| 000475 |
Terence Chong [Royaume-Uni] | Chinese opera in Singapore: Negotiating globalisation, consumerism and national culture |
| 000478 |
Sara Rubinelli [Royaume-Uni, Italie] | Tóπo e ïδiα nella retorica di Aristotele |
| 000504 |
J. Sarwono [Royaume-Uni, Indonésie] ; Y. W. Lam [Royaume-Uni] | The preferred initial time delay gap and inter-aural cross correlation for a Javanese Gamelan performance hall |
| 000514 |
Colin Huehns [Royaume-Uni] | Old and new paintings of Huqin in Imperial and New China |
| 000519 |
Jonathan P. J. Stock [Royaume-Uni] | Learning Huju in Shanghai, 1900-1950: Apprenticeship and the acquisition of expertise in a Chinese local opera tradition |
| 000526 |
John B. Kostis [États-Unis] ; Stuart Cobbe [Royaume-Uni] ; Colin Johnston [Australie] ; Ian Ford [Royaume-Uni] ; Michael Murphy [Irlande (pays)] ; Michael A. Weber [États-Unis] ; Henry R. Black [France] ; Pierre Francois Plouin [France] ; Daniel Levy [États-Unis] ; Guiseppe Mancia [Italie] ; Pierre Larochelle [Canada] ; Rainer E. Kolloch [Allemagne] ; Michael Alderman [États-Unis] ; Luis Miguel Ruilope [Espagne] ; Björn Dahlöf [Suède] ; John M. Flack [États-Unis] ; Robert Wolf [États-Unis] | Design of the Omapatrilat in Persons with Enhanced Risk of atherosclerotic events (OPERA) trial |
| 000556 |
Robert W. Harris [Royaume-Uni] | Methods to quantify opera houses acoustics-Changes to why, what, and how? |
| 000587 |
Jean Bacon [Royaume-Uni] ; Michael Lloyd [Royaume-Uni] ; Ken Moody [Royaume-Uni] | Translating role-based access control policy within context |
| 000598 |
Nicholas White [Royaume-Uni] | Paternal perspectives on Divorce in Alphonse Daudet's "Rose et Ninette" (1892) |
| 000600 |
Robert G. Dryden [Royaume-Uni] | John Gay's Polly : Unmasking pirate and fortune hunters in the West Indies |
| 000604 |
John Wheatley [Royaume-Uni] | A scene type categorization for soap opera |
| 000605 |
Catharine Creswell [Royaume-Uni] | A case of Soap Therapy': using soap operas to adapt cognitive therapy for an adolescent with learning disabilities |
| 000645 |
Philip Robinson [Royaume-Uni] | Beaumarchais et la nostalgie de la foire : Un autre Beaumarchais |
| 000674 |
M. Barron [Royaume-Uni] | Measured early lateral energy fractions in concert halls and opera houses |
| 000677 |
Debbie Hindle [Royaume-Uni] | L'enfant et les sortilèges revisited |
| 000687 |
Simon P. Keefe [Royaume-Uni] | Antoine Reicha's dialogue : The emergence of a theoretical concept |
| 000727 |
M. Davies [Royaume-Uni] | The three electras : Strauss, Hofmannsthal, Sophocles, and the tragic vision |
| 000729 |
A. G. D. Maran [Royaume-Uni] ; C. Watson [Royaume-Uni] | The importance of fast glottic closure in the Wagnerian voice |
| 000730 |
L. Henderson [Royaume-Uni] ; J. Kitzinger [Royaume-Uni] | The human drama of genetics : "hard" and "soft" media representations of inherited breast cancer |
| 000733 |
D. Webb [Royaume-Uni] | St James in Tuscany : The Opera di San Jacopo of Pistoia and Pilgrimage to Compostela |
| 000807 |
D. K. Reeve [Royaume-Uni] ; J. P. Aggleton [Royaume-Uni] | On the specificity of expert knowledge about a soap opera : an everyday story of farming folk |
| 000819 |
C. Barker [Royaume-Uni] | 'Cindy's a slut' : Moral identities and moral responsibility in the 'soap talk' of British Asian girls |
| 000836 |
Christopher P. Riley [Royaume-Uni] | Enhancements to the opera-3d suite |
| 000864 |
M. Kerr [Royaume-Uni] | Universal access, by design |
| 000868 |
C. Barker [Royaume-Uni] | Television and the reflexive project of the self : soaps, teenage talk and hybrid identities |
| 000873 |
Y. Gabriel [Royaume-Uni] | Meeting God : When organizational members come face to face with the supreme leader |
| 000878 |
T. Crayford [Royaume-Uni] ; R. Hooper [Royaume-Uni] ; S. Evans [Royaume-Uni] | Death rates of characters in soap operas on British television: is a government health warning required? |
| 000881 |
D. E. Jr Dimla [Royaume-Uni] ; P. M. Lister [Royaume-Uni] ; N. J. Leighton [Royaume-Uni] | A multi-sensor integration method of signals in a metal cutting opera tion via application of multi-layer perceptron neural networks |
| 000899 |
P. Robinson [Royaume-Uni] | Remarques sur les valets de comédie et la foire |
| 000904 |
P. Robinson [Royaume-Uni] | Les vaudevilles : Un médium théâtral |
| 000926 |
R. Graham-Brown [Royaume-Uni] | Soaps and detergents in the elderly |
| 000938 |
R. Dawber [Royaume-Uni] | Hair : Its structure and response to cosmetic preparations |
| 000974 |
C. A. Gerstle [Royaume-Uni] | Amateurs and the theater : the so-called demented art Gidayū |
| 000A19 |
M.-C. Canova-Green [Royaume-Uni] | Psyché: from tragédie-ballet to opera (1671-1678) |
| 000A78 |
N. Cronk [Royaume-Uni] | Molière-Charpentier's "Le Malade Imaginaire" : the first opéra-comique |
