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'Little Hans': from his phobic episode to becoming an opera director.

Identifieur interne : 000A14 ( Ncbi/Merge ); précédent : 000A13; suivant : 000A15

'Little Hans': from his phobic episode to becoming an opera director.

Auteurs : Jean-Michel Vives [France]

Source :

The International journal of psycho-analysis ; 2012.

RBID : pubmed:22900553

English descriptors

KwdEn :
- Adolescent, Adult, Career Choice, Castration (psychology), Child, Child, Preschool, Creativity, Father-Child Relations, Freudian Theory, Humans, Leadership, Male, Music, Personality Development, Phobic Disorders (psychology), Phobic Disorders (therapy), Psychoanalytic Therapy (methods), Repression, Psychology, Sublimation, Transference (Psychology), Young Adult.
MESH :
- methods : Psychoanalytic Therapy.
- psychology : Castration, Phobic Disorders.
- therapy : Phobic Disorders.
- Adolescent, Adult, Career Choice, Child, Child, Preschool, Creativity, Father-Child Relations, Freudian Theory, Humans, Leadership, Male, Music, Personality Development, Repression, Psychology, Sublimation, Transference (Psychology), Young Adult.

Abstract

'Little Hans' is one of the most highly commented cases in the psychoanalytic literature. His work as an opera director from 1925 in Europe and then in the United States of America is much less well known. This may seem especially surprising given that Freud very soon detects Hans's emerging interest in this subject. Yet Freud does not mention it either in 1909 when he reports the case, or when Hans visits him in 1922, even though Hans had already decided to become an opera director at this point. The author of this article endeavours to show how this artistic choice could be understood as a way of accommodating, in a double transference relationship with Freud and with his father, the unanalysed residue of the 'Krawall' (a term invented by Hans) and 'the black thing', both of which appeared during the phobic period.

DOI: 10.1111/j.1745-8315.2012.00614.x
PubMed: 22900553

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pubmed:22900553

Le document en format XML

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<author><name sortKey="Vives, Jean Michel" sort="Vives, Jean Michel" uniqKey="Vives J" first="Jean-Michel" last="Vives">Jean-Michel Vives</name>
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<term>Creativity</term>
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<front><div type="abstract" xml:lang="en">'Little Hans' is one of the most highly commented cases in the psychoanalytic literature. His work as an opera director from 1925 in Europe and then in the United States of America is much less well known. This may seem especially surprising given that Freud very soon detects Hans's emerging interest in this subject. Yet Freud does not mention it either in 1909 when he reports the case, or when Hans visits him in 1922, even though Hans had already decided to become an opera director at this point. The author of this article endeavours to show how this artistic choice could be understood as a way of accommodating, in a double transference relationship with Freud and with his father, the unanalysed residue of the 'Krawall' (a term invented by Hans) and 'the black thing', both of which appeared during the phobic period.</div>
</front>
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<DateCreated><Year>2012</Year>
<Month>08</Month>
<Day>20</Day>
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<DateCompleted><Year>2013</Year>
<Month>01</Month>
<Day>17</Day>
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<Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1745-8315</ISSN>
<JournalIssue CitedMedium="Internet"><Volume>93</Volume>
<Issue>4</Issue>
<PubDate><Year>2012</Year>
<Month>Aug</Month>
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<Title>The International journal of psycho-analysis</Title>
<ISOAbbreviation>Int J Psychoanal</ISOAbbreviation>
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<Abstract><AbstractText>'Little Hans' is one of the most highly commented cases in the psychoanalytic literature. His work as an opera director from 1925 in Europe and then in the United States of America is much less well known. This may seem especially surprising given that Freud very soon detects Hans's emerging interest in this subject. Yet Freud does not mention it either in 1909 when he reports the case, or when Hans visits him in 1922, even though Hans had already decided to become an opera director at this point. The author of this article endeavours to show how this artistic choice could be understood as a way of accommodating, in a double transference relationship with Freud and with his father, the unanalysed residue of the 'Krawall' (a term invented by Hans) and 'the black thing', both of which appeared during the phobic period.</AbstractText>
<CopyrightInformation>Copyright © 2012 Institute of Psychoanalysis.</CopyrightInformation>
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<AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Vives</LastName>
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<MeshHeading><DescriptorName MajorTopicYN="N" UI="D013359">Sublimation</DescriptorName>
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<MeshHeading><DescriptorName MajorTopicYN="N" UI="D014167">Transference (Psychology)</DescriptorName>
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'Little Hans': from his phobic episode to becoming an opera director.

'Little Hans': from his phobic episode to becoming an opera director.

Source :

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki