Phobic Disorders < Phonation < Phonetics

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 26.
[0-20] [0 - 20][0 - 26][20-25][20-40]

Ident.	Authors (with country if any)	Title
000020 (1999)	M. Thomasson [Suède] ; J. Sundberg	Consistency of phonatory breathing patterns in professional operatic singers.
000045 (2000)	M. Bunch [Royaume-Uni] ; J. Chapman	Taxonomy of singers used as subjects in scientific research.
000170 (1953)	L. Matha De Parrel	[Neuromotor and psychomotor circuits linked with phonation with application to the psychophysiology of expression in the art of the opera].
000299 (2004)	V. Pettersen [Norvège] ; R H Westgaard	Muscle activity in professional classical singing: a study on muscles in the shoulder, neck and trunk.
000316 (2004)	V. Pettersen [Norvège] ; R H Westgaard	The association between upper trapezius activity and thorax movement in classical singing.
000327 (2005)	Viggo Pettersen [Norvège] ; Rolf H. Westgaard	The activity patterns of neck muscles in professional classical singing.
000333 (2005)	Mei Zhu [République populaire de Chine] ; Dao-Xing Zhang ; Yong-Xiang Liu ; Xiao-Ju Yang	[Singing formant analysis of KunQu actors in their mutation and grown-up].
000366 (????)	Viggo Pettersen [Norvège]	Muscular patterns and activation levels of auxiliary breathing muscles and thorax movement in classical singing.
000367 (????)	Harm K. Schutte [Pays-Bas] ; Donald G. Miller ; Mark Duijnstee	Resonance strategies revealed in recorded tenor high notes.
000374 (2007)	Stephen F. Austin [États-Unis]	Jaw opening in novice and experienced classically trained singers.
000376 (2007)	Katherine L P. Reid [Australie] ; Pamela Davis ; Jennifer Oates ; Densil Cabrera ; Sten Ternström ; Michael Black ; Janice Chapman	The acoustic characteristics of professional opera singers performing in chorus versus solo mode.
000430 (2008)	Eva Björkner [Suède]	Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.
000431 (2008)	Hans Larsson [Suède] ; Stellan Herteg Rd	Vocal fold dimensions in professional opera singers as measured by means of laser triangulation.
000573 (2009)	Gillian Johnson [Nouvelle-Zélande] ; Margot Skinner [Nouvelle-Zélande]	The demands of professional opera singing on cranio-cervical posture
000642 (2010)	Anick Lamarche [Suède] ; Sten Ternström ; Peter Pabon	The singer's voice range profile: female professional opera soloists.
000644 (1991)	E. Yanagisawa [États-Unis] ; J. Estill ; L. Mambrino ; D. Talkin	Supraglottic contributions to pitch raising. Videoendoscopic study with spectroanalysis.
000706 (2010)	Matthias Echternach [Allemagne] ; Johan Sundberg ; Michael Markl ; Bernhard Richter	Professional opera tenors' vocal tract configurations in registers.
000720 (2011)	Densil Cabrera [Australie] ; Pamela J. Davis ; Anna Connolly	Long-term horizontal vocal directivity of opera singers: effects of singing projection and acoustic environment.
000823 (2010)	J P Epron [France] ; B. Coulombeau ; F. Fussi	[Partiturogram: (new) tool in the evaluation of an opera roles].
000860 (2011)	Matthew J. Schloneger [États-Unis]	Graduate student voice use and vocal efficiency in an opera rehearsal week: a case study.
000880 (2011)	Matthias Echternach [Allemagne] ; Johan Sundberg ; Tobias Baumann ; Michael Markl ; Bernhard Richter	Vocal tract area functions and formant frequencies in opera tenors' modal and falsetto registers.

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