The internal world of Don Giovanni.
Identifieur interne : 000480 ( Ncbi/Curation ); précédent : 000479; suivant : 000481The internal world of Don Giovanni.
Auteurs : Richard Rusbridger [Royaume-Uni]Source :
- The International journal of psycho-analysis [ 0020-7578 ] ; 2008.
English descriptors
- KwdEn :
- MESH :
- psychology : Bipolar Disorder.
- Guilt, Humans, Medicine in Art, Music, Narcissism, Oedipus Complex, Psychoanalytic Interpretation.
Abstract
The author tries to account for the disturbing impact of Mozart's opera Don Giovanni. Some writers idealize Don Giovanni's power and vitality. The author view is that Mozart's music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part-objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.
DOI: 10.1111/j.1745-8315.2007.00004.x
PubMed: 18290798
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pubmed:18290798Le document en format XML
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<author><name sortKey="Rusbridger, Richard" sort="Rusbridger, Richard" uniqKey="Rusbridger R" first="Richard" last="Rusbridger">Richard Rusbridger</name>
<affiliation wicri:level="1"><nlm:affiliation>27 Normanby Road, London NW10 1BU, UK. rjr27@waitrose.com</nlm:affiliation>
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<term>Music</term>
<term>Narcissism</term>
<term>Oedipus Complex</term>
<term>Psychoanalytic Interpretation</term>
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<term>Medicine in Art</term>
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<front><div type="abstract" xml:lang="en">The author tries to account for the disturbing impact of Mozart's opera Don Giovanni. Some writers idealize Don Giovanni's power and vitality. The author view is that Mozart's music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part-objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.</div>
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