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Serveur d'exploration sur l'opéra - Checkpoint (Ncbi)

Index « Mesh.i » - entrée « Auditory Perception »
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List of bibliographic references

Number of relevant bibliographic references: 12.
Ident.Authors (with country if any)Title
000349 (2006) Jennifer M. Oates [Australie] ; Belinda Bain ; Pamela Davis ; Janice Chapman ; Dianna KennyDevelopment of an auditory-perceptual rating instrument for the operatic singing voice.
000375 (2005) Sten Ternström [Suède] ; Densil Cabrera ; Pamela DavisSelf-to-other ratios measured in an opera chorus in performance.
000493 (2008) Julie Jaffee Nagel [États-Unis]Psychoanalytic perspectives on music: an intersection on the oral and aural road.
000498 (2008) Jin Yong Jeon [Corée du Sud] ; Yong Hee Kim ; Densil Cabrera ; John BassettThe effect of visual and auditory cues on seat preference in an opera theater.
000567 (2008) Jong Kwan Ryu [Corée du Sud] ; Jin Yong JeonSubjective and objective evaluations of a scattered sound field in a scale model opera house.
000615 (2010) Séverine Morange [France] ; Danièle Dubois ; Jean-Marc FontainePerception of recorded singing voice quality and expertise: cognitive linguistics and acoustic approaches.
000865 (2011) Felicia Rodica Balte [Roumanie] ; Julia Avram ; Mircea Miclea ; Andrei C. MiuEmotions induced by operatic music: psychophysiological effects of music, plot, and acting: a scientist's tribute to Maria Callas.
000940 (2012) Andrei C. Miu ; Felicia Rodica BalteEmpathy Manipulation Impacts Music-Induced Emotions: A Psychophysiological Study on Opera
000A03 (2012) Nicola Spotorno [France] ; Eric Koun ; Jérôme Prado ; Jean-Baptiste Van Der Henst ; Ira A. NoveckNeural evidence that utterance-processing entails mentalizing: the case of irony.
000B35 (2014) David M. Howard [Royaume-Uni] ; Jenevora Williams [Royaume-Uni] ; Christian T. Herbst [Autriche]"Ring" in the solo child singing voice.
001071 (1994) N. Scotto Di Carlo [France]Internal voice sensitivities in opera singers.
001089 (1995) H. Siegwart [Suisse] ; K R SchererAcoustic concomitants of emotional expression in operatic singing: the case of Lucia in Ardi gli incensi.

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