Object relations perspectives on "Phantom of the Opera" and its demon lover theme: the modern film.
Identifieur interne : 000616 ( Ncbi/Checkpoint ); précédent : 000615; suivant : 000617Object relations perspectives on "Phantom of the Opera" and its demon lover theme: the modern film.
Auteurs : Susan Kavaler-Adler [États-Unis]Source :
- American journal of psychoanalysis [ 0002-9548 ] ; 2009.
English descriptors
- KwdEn :
- Creativity, Father-Child Relations, Female, History, 20th Century, History, 21st Century, Humans, Male, Mother-Child Relations, Motion Pictures as Topic (history), Object Attachment, Personality Disorders (psychology), Psychoanalytic Interpretation, Self Concept, Sex Factors, Women (education), Women (psychology).
- MESH :
- education : Women.
- history : Motion Pictures as Topic.
- psychology : Personality Disorders, Women.
- Creativity, Father-Child Relations, Female, History, 20th Century, History, 21st Century, Humans, Male, Mother-Child Relations, Object Attachment, Psychoanalytic Interpretation, Self Concept, Sex Factors.
Abstract
This study of the modern film version of "Phantom of the Opera" employs a mythic theme to illustrate how women can involve themselves with charismatic and eroticized narcissistic men, who are unavailable for true relationship within the conscious world of societal connection. How can the healthy-heroic woman extricate herself from the seductive web of such men, men who seek to own the women--not through sexual relations--but through ownership and control of the women's creative talents? What are the developmental, internal world, dynamics that spell out the muse turned demon/lover theme in British and American Object Relations terms? Similar to the mythic vampire who entrances women to suck their blood, the male muse haunts the female artist to possess her talents. The "demon lover" creates himself to woo the unsuspecting female with potential but yet unrealized creative talents. He woos through entrancement, like so many psychologically wounded narcissistic characters who require mirroring to have any sense of existence!
DOI: 10.1057/ajp.2009.5
PubMed: 19536180
Affiliations:
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pubmed:19536180Le document en format XML
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How can the healthy-heroic woman extricate herself from the seductive web of such men, men who seek to own the women--not through sexual relations--but through ownership and control of the women's creative talents? What are the developmental, internal world, dynamics that spell out the muse turned demon/lover theme in British and American Object Relations terms? Similar to the mythic vampire who entrances women to suck their blood, the male muse haunts the female artist to possess her talents. The "demon lover" creates himself to woo the unsuspecting female with potential but yet unrealized creative talents. He woos through entrancement, like so many psychologically wounded narcissistic characters who require mirroring to have any sense of existence!</div></front></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>État de New York</li></region></list><tree><country name="États-Unis"><region name="État de New York"><name sortKey="Kavaler Adler, Susan" sort="Kavaler Adler, Susan" uniqKey="Kavaler Adler S" first="Susan" last="Kavaler-Adler">Susan Kavaler-Adler</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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