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Seminario Mat. e. Fis. di Milano < Semiotica < Sex Roles  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 11.
Ident.Authors (with country if any)Title
000B48 (2011) Raymond Monelle [Royaume-Uni]Strauss's Capriccio and the terror of time
000B65 (2011) Robert Ignatius LetellierOld and new covenants: Historical and theological contexts in Scribe's and Halévy's La Juive
001186 (2009) Music and other arts
001189 (2009) You-Zheng LiIngarden’s ‛strata-layers’ theory and the structural analysis of traditional Chinese Kunqu opera
001209 (2009) Martin LrvineA guide to the sources of medieval theories of interpretation, signs, and the arts of discourse: Aristotle to Ockham
001449 (2008) Dinda L. Gorlée [Pays-Bas]Wittgenstein as Mastersinger
001451 (2008) Panagiotis Pantidos [Grèce] ; Kostas Valakas [Grèce] ; Evangelos Vitoratos [Grèce] ; Konstantinos Ravanis [Grèce]Towards applied semiotics: An analysis of iconic gestural signs regarding physics teaching in the light of theatre semiotics
001455 (2008) Liu Shisheng [République populaire de Chine]The voice of ten years of history: A narrative-semiotic approach to the Eight Revolutionary Model Plays
001815 (2006-01-23) Rita HontiTone patches, mosaics, and motives in Béla Bartóks Duke Bluebeards Castles sixth door scene The Lake of Tears
001817 (2006-01-23) John WheatleyA scene type categorization for soap opera
001882 (2006) Bertha Spies [Afrique du Sud]The temporal musical sign: In search of extrinsic musical meaning

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