En Russe
Identifieur interne : 002441 ( Main/Merge ); précédent : 002440; suivant : 002442En Russe
Auteurs : Eda Dobrovetsky [Israël]Source :
- Studia Rossica Posnaniensia [ 0081-6884 ] ; 2001.
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Abstract
This paper examines three different approaches to the reflection of the Old Testament plots in Russian music of 1860-70s from the viewpoint of the national art conception. In their attempt to write secular music based on religious themes, A. Rubinstein and A. Serov revealed a new trend in opera dramaturgy, while M. Musorgsky invented a new type of choral music - choral pictures. These works enriched the means of musical expression and discovered the new ways to create the eastern images in Russian music.
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Francis:527-02-12258Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="RUS" level="a">En Russe</title><author><name sortKey="Dobrovetsky, Eda" sort="Dobrovetsky, Eda" uniqKey="Dobrovetsky E" first="Eda" last="Dobrovetsky">Eda Dobrovetsky</name><affiliation wicri:level="1"><inist:fA14 i1="01"><s1>University of Haifa, Department of General Studies, Mount Carmel</s1><s2>31 905 Haifa</s2><s3>ISR</s3><sZ>1 aut.</sZ></inist:fA14><country>Israël</country><wicri:noRegion>31 905 Haifa</wicri:noRegion></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">527-02-12258</idno><date when="2001">2001</date><idno type="stanalyst">FRANCIS 527-02-12258 INIST</idno><idno type="RBID">Francis:527-02-12258</idno><idno type="wicri:Area/PascalFrancis/Corpus">000627</idno><idno type="wicri:Area/PascalFrancis/Curation">000859</idno><idno type="wicri:Area/PascalFrancis/Checkpoint">000606</idno><idno type="wicri:Area/Main/Merge">002441</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="RUS" level="a">En Russe</title><author><name sortKey="Dobrovetsky, Eda" sort="Dobrovetsky, Eda" uniqKey="Dobrovetsky E" first="Eda" last="Dobrovetsky">Eda Dobrovetsky</name><affiliation wicri:level="1"><inist:fA14 i1="01"><s1>University of Haifa, Department of General Studies, Mount Carmel</s1><s2>31 905 Haifa</s2><s3>ISR</s3><sZ>1 aut.</sZ></inist:fA14><country>Israël</country><wicri:noRegion>31 905 Haifa</wicri:noRegion></affiliation></author></analytic><series><title level="j" type="main">Studia Rossica Posnaniensia</title><title level="j" type="abbreviated">Stud. Ross. Posn.</title><idno type="ISSN">0081-6884</idno><imprint><date when="2001">2001</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">Studia Rossica Posnaniensia</title><title level="j" type="abbreviated">Stud. Ross. Posn.</title><idno type="ISSN">0081-6884</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Art</term><term>Music</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>Musique</term><term>Art</term><term>Siècle 19</term><term>Russe</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Musique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This paper examines three different approaches to the reflection of the Old Testament plots in Russian music of 1860-70s from the viewpoint of the national art conception. In their attempt to write secular music based on religious themes, A. Rubinstein and A. Serov revealed a new trend in opera dramaturgy, while M. Musorgsky invented a new type of choral music - choral pictures. These works enriched the means of musical expression and discovered the new ways to create the eastern images in Russian music.</div></front></TEI><affiliations><list><country><li>Israël</li></country></list><tree><country name="Israël"><noRegion><name sortKey="Dobrovetsky, Eda" sort="Dobrovetsky, Eda" uniqKey="Dobrovetsky E" first="Eda" last="Dobrovetsky">Eda Dobrovetsky</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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