Voice source comparison between modern singers of early music and opera.
Identifieur interne : 000D40 ( Main/Merge ); précédent : 000D39; suivant : 000D41Voice source comparison between modern singers of early music and opera.
Auteurs : Helena Daffern [Royaume-Uni] ; David M. HowardSource :
- Logopedics, phoniatrics, vocology ; 2010.
English descriptors
- KwdEn :
- MESH :
- physiology : Larynx, Voice.
- Electrodiagnosis, Female, Humans, Music, Speech Acoustics.
Abstract
An experiment was conducted comparing two subject groups, each comprised of eight professional singers specializing in a genre of classical music: early music or grand opera. Electroglottography was used to consider vocal characteristics idiomatic to each genre. Whilst there are clear differences in contact quotient between subjects, particularly when relationships between fundamental frequency (f0) and contact quotient (Qx) are considered, there is no apparent link between contact quotient behaviour and performance specialism based on the results of this sample.
DOI: 10.3109/14015439.2010.482861
PubMed: 20536378
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pubmed:20536378Le document en format XML
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<author><name sortKey="Daffern, Helena" sort="Daffern, Helena" uniqKey="Daffern H" first="Helena" last="Daffern">Helena Daffern</name>
<affiliation wicri:level="1"><nlm:affiliation>Audio Laboratory, Department of Electronics, University of York, Heslington, York, YO10 5DD, UK.</nlm:affiliation>
<country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea>Audio Laboratory, Department of Electronics, University of York, Heslington, York, YO10 5DD</wicri:regionArea>
<wicri:noRegion>YO10 5DD</wicri:noRegion>
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<author><name sortKey="Howard, David M" sort="Howard, David M" uniqKey="Howard D" first="David M" last="Howard">David M. Howard</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">Voice source comparison between modern singers of early music and opera.</title>
<author><name sortKey="Daffern, Helena" sort="Daffern, Helena" uniqKey="Daffern H" first="Helena" last="Daffern">Helena Daffern</name>
<affiliation wicri:level="1"><nlm:affiliation>Audio Laboratory, Department of Electronics, University of York, Heslington, York, YO10 5DD, UK.</nlm:affiliation>
<country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea>Audio Laboratory, Department of Electronics, University of York, Heslington, York, YO10 5DD</wicri:regionArea>
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<author><name sortKey="Howard, David M" sort="Howard, David M" uniqKey="Howard D" first="David M" last="Howard">David M. Howard</name>
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<series><title level="j">Logopedics, phoniatrics, vocology</title>
<idno type="e-ISSN">1651-2022</idno>
<imprint><date when="2010" type="published">2010</date>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Electrodiagnosis</term>
<term>Female</term>
<term>Humans</term>
<term>Larynx (physiology)</term>
<term>Music</term>
<term>Speech Acoustics</term>
<term>Voice (physiology)</term>
</keywords>
<keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Larynx</term>
<term>Voice</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Electrodiagnosis</term>
<term>Female</term>
<term>Humans</term>
<term>Music</term>
<term>Speech Acoustics</term>
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<front><div type="abstract" xml:lang="en">An experiment was conducted comparing two subject groups, each comprised of eight professional singers specializing in a genre of classical music: early music or grand opera. Electroglottography was used to consider vocal characteristics idiomatic to each genre. Whilst there are clear differences in contact quotient between subjects, particularly when relationships between fundamental frequency (f0) and contact quotient (Qx) are considered, there is no apparent link between contact quotient behaviour and performance specialism based on the results of this sample.</div>
</front>
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</record>
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