[The speaking fundamental frequency and the singing voice type].
Identifieur interne : 000D36 ( Main/Merge ); précédent : 000D35; suivant : 000D37[The speaking fundamental frequency and the singing voice type].
Auteurs : S I Chernobel'SkiSource :
- Vestnik otorinolaringologii [ 0042-4668 ] ; 2010.
English descriptors
- KwdEn :
- MESH :
- physiology : Voice, Voice Quality.
- Diagnosis, Computer-Assisted, Female, Human Activities, Humans, Male, Music, Phonetics, Speech Acoustics.
Abstract
The objective of this study was to determine the speaking fundamental frequency (SFO) in professional opera singers and its dependence on their voice type, if any. A total of 75 persons were available for observation using a special computer clinical program. Male voices were categorized into three groups (viz, tenor, baritone, and bass), female ones into 2 groups (soprano and mezzo-soprano). It was shown that borderlines between SFO types varied within a wide range in all study groups. Significant differences in SFO were documented between tenors, baritones, and basses and between sopranos and mezzo-sopranos; the differences were insignificant between baritones and basses. It is concluded that the speaking fundamental frequency depends on the type of the singing voice; however this characteristic may serve only as an auxiliary tool but can not be used for the classification of singing voices.
PubMed: 21311458
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pubmed:21311458Le document en format XML
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<author><name sortKey="Chernobel Ski, S I" sort="Chernobel Ski, S I" uniqKey="Chernobel Ski S" first="S I" last="Chernobel'Ski">S I Chernobel'Ski</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">[The speaking fundamental frequency and the singing voice type].</title>
<author><name sortKey="Chernobel Ski, S I" sort="Chernobel Ski, S I" uniqKey="Chernobel Ski S" first="S I" last="Chernobel'Ski">S I Chernobel'Ski</name>
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<series><title level="j">Vestnik otorinolaringologii</title>
<idno type="ISSN">0042-4668</idno>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Diagnosis, Computer-Assisted</term>
<term>Female</term>
<term>Human Activities</term>
<term>Humans</term>
<term>Male</term>
<term>Music</term>
<term>Phonetics</term>
<term>Speech Acoustics</term>
<term>Voice (physiology)</term>
<term>Voice Quality (physiology)</term>
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<keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Voice</term>
<term>Voice Quality</term>
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<keywords scheme="MESH" xml:lang="en"><term>Diagnosis, Computer-Assisted</term>
<term>Female</term>
<term>Human Activities</term>
<term>Humans</term>
<term>Male</term>
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<front><div type="abstract" xml:lang="en">The objective of this study was to determine the speaking fundamental frequency (SFO) in professional opera singers and its dependence on their voice type, if any. A total of 75 persons were available for observation using a special computer clinical program. Male voices were categorized into three groups (viz, tenor, baritone, and bass), female ones into 2 groups (soprano and mezzo-soprano). It was shown that borderlines between SFO types varied within a wide range in all study groups. Significant differences in SFO were documented between tenors, baritones, and basses and between sopranos and mezzo-sopranos; the differences were insignificant between baritones and basses. It is concluded that the speaking fundamental frequency depends on the type of the singing voice; however this characteristic may serve only as an auxiliary tool but can not be used for the classification of singing voices.</div>
</front>
</TEI>
</record>
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