Titre (en)
Exploration
Accueil
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Exploration
Accueil
Racine

Serveur d'exploration sur l'opéra - Exploration (Accueil)

Index « Titre (en) » - entrée « why »
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whose < why < whyte  Facettes :

List of bibliographic references indexed by why

Number of relevant bibliographic references: 10.
Ident.Authors (with country if any)Title
000004 (2016) Mathew A. White [Australie]Why won’t it Stick? Positive Psychology and Positive Education
000148 (2015) Kwok-Ying Chan [Hong Kong] ; Terence Yip [Hong Kong] ; Mau-Kwong Sham [Hong Kong] ; Benjamin Hon-Wai Cheng [Hong Kong] ; Cho-Wing Li [Hong Kong] ; Yim-Chi Wong [Hong Kong] ; Vikki Wai-Kee Lau [Hong Kong]Palliative Care for a Mentally Incompetent End Stage Renal Failure Patient: Why Is It Important?
000896 (2012) Maryanne L. Fisher [États-Unis]Why Who Shot J. R. Matters: Dallas as the Pinnacle of Human Evolutionary Television
000A37 (2011) Aniruddh D. Patel [États-Unis]Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis
001362 (2008) Eva Björkner [Suède]Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.
002185 (2001-05-04) Robert W. Harris [Royaume-Uni]Methods to quantify opera houses acoustics-Changes to why, what, and how?
002734 (1998-05) Nicholas Edwards ; David KahnWhy do traditional opera houses work so well for opera?
003672 (1987) Milton Goldin‘Why the Square?’: John D. Rockefeller 3rd and the Creation of Lincoln Center for the Performing Arts
003924 (1984) Hal BederInterorganizational cooperation: Why and how?
003B49 (1978) Mark Blaug [Royaume-Uni]Why are covent garden seat prices so high?

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