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List of bibliographic references indexed by wagner

Number of relevant bibliographic references: 32.
[0-20] [0 - 20][0 - 32][20-31][20-40]
Ident.Authors (with country if any)Title
000355 (2014) Anna Göbel [Allemagne] ; Carl H. Göbel [Allemagne] ; Hartmut Göbel [Allemagne]Phenotype of migraine headache and migraine aura of Richard Wagner.
000503 (2013-04-15) Mitchell Cohen [États-Unis]Verdi, Wagner, and Politics in Opera. Bicentennial Ruminations
000529 (2013) Moshe Bergstein [Israël]The wish for annihilation in 'love-death' as collapse of the need for recognition, in Wagner's Tristan und Isolde.
000622 (2013) Carl H. Göbel [Allemagne] ; Anna Göbel ; Hartmut Göbel"Compulsive plague! pain without end!" How Richard Wagner played out his migraine in the opera Siegfried.
000649 (2013) Moshe BergsteinThe wish for annihilation in 'love-death' as collapse of the need for recognition, in Wagner's Tristan und Isolde
000664 (2013) Carl H. Göbel [Allemagne] ; Anna Göbel [Allemagne] ; Hartmut Göbel [Allemagne]"Compulsive plague! pain without end!" How Richard Wagner played out his migraine in the opera Siegfried
000B59 (2011) Sanna PedersonRichard Wagner and His World – Edited by Thomas S. Grey
000D18 (2010-03-10) Matthieu Gledel [France]Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity
000E69 (2010) Solveig M. HeinzOpera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss
001144 (2009) Susan Von Rohr ScaffThe Vitality of Music in Mann and Joyce. Wagner in “Fullness of Harmony” and “Sirens”
001856 (2006) Matthew Bribitzer TullThe End of Die Feen and Wagner's Beginnings: Multiple Approaches to an Early Example of Double‐Tonic Complex, Associative Theme and Wagnerian Form
001862 (2006) K L DunnSickness, healing, and opera: Wagner’s Parsifal
001A25 (2005) John DeathridgeWagner’s “Pale” Senta
001A26 (2005) Carolyn AbbateWagner, Cinema, and Redemptive Glee
001A38 (2005) Jeffrey L. BullerThomas May: Decoding Wagner: An Invitation to His World of Music Drama
001A57 (2005) Jeffrey L. BullerReview: Wagner and Suicide
001A61 (2005) James L. ZychowiczReview: Opera and Modern Culture: Wagner and Strauss
001A65 (2005) John Louis DigaetaniReview: Death-Devoted Heart: Sex and the Sacred in Wagner’s “Tristan and Isolde”
001C48 (2004) Christopher HatchWagner's “Meistersinger”: Performance, History, Representation
001C49 (2004) Joe PearceWagner in Stockholm
001C62 (2004) Michael PuriReview: Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg

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