Serveur d'exploration sur l'opéra - Exploration (Accueil)

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List of bibliographic references indexed by voice

Number of relevant bibliographic references: 50.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000105 (2015) Johan Sundberg [Suède] ; Filipa M B. Lã [Portugal] ; Brian P Gill [États-Unis]Voice Source Variation Between Vowels in Male Opera Singers.
000133 (2015) M. Mat Baki [Malaisie] ; G. Wood ; M. Alston ; P. Ratcliffe ; G. Sandhu ; J S Rubin ; M A BirchallReliability of OperaVOX against Multidimensional Voice Program (MDVP).
000175 (2015) Alexander Mainka [Allemagne] ; Anton Poznyakovskiy [Allemagne] ; Ivan Platzek ; Mario Fleischer [Allemagne] ; Johan Sundberg [Suède] ; Dirk Mürbe [Allemagne]Lower Vocal Tract Morphologic Adjustments Are Relevant for Voice Timbre in Singing
000249 (2015) Klaus R. Scherer [Suisse] ; Johan Sundberg [Suède] ; Lucas Tamarit [Suisse] ; Gláucia L. Salomao [Suède]Comparing the acoustic expression of emotion in the speaking and the singing voice : Next Generation Computational Paralinguistics
000327 (2014) Steven R. Livingstone [Canada] ; Deanna H. Choi [Canada] ; Frank A. Russo [Canada]The influence of vocal training and acting experience on measures of voice quality and emotional genuineness
000439 (2014) David M. Howard [Royaume-Uni] ; Jenevora Williams [Royaume-Uni] ; Christian T. Herbst [Autriche]"Ring" in the solo child singing voice.
000440 (2014) John S. JenkinsThe Lost Voice: A History of the Castrato
000447 (2014) Yu-Wei Lin [Royaume-Uni] ; Alan E. Williams [Royaume-Uni]Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera
000497 (2013-06-11) Claire Pillot-Loiseau [France] ; Lise Crevier-Buchman [France]Hidden traditional and contemporary vocal articulations in singing voice
000588 (2013) Li Dong [République populaire de Chine] ; Johan Sundberg ; Jiangping KongFormant and voice source properties in two male Kunqu Opera roles: a pilot study.
000774 (2012) U. Cesari [Italie] ; M. Iengo ; P. ApisaQualitative and quantitative measurement of the singing voice.
000A34 (2011) J P Epron [France][Sacrifice was an art: the voice of the castrato].
000A62 (2011) Ingrid SykesSounding the ‘Citizen–Patient’: The Politics of Voice at the Hospice des Quinze-Vingts in Post-Revolutionary Paris
000A85 (2011) Matthew J. Schloneger [États-Unis]Graduate student voice use and vocal efficiency in an opera rehearsal week: a case study.
000B04 (2011) Aaron D. FriedmanAdiposity, estrogen, and voice: the opera has just begun.
000B56 (2011) Henk Van Den Belt [Pays-Bas]Scripture as the Voice of God: The Continuing Importance of Autopistia
000D28 (2010) S I Chernobel'Ski[The speaking fundamental frequency and the singing voice type].
000D32 (2010) Helena Daffern [Royaume-Uni] ; David M. HowardVoice source comparison between modern singers of early music and opera.
000D39 (2010) Anick Lamarche [Suède] ; Sten Ternström ; Peter PabonThe singer's voice range profile: female professional opera soloists.
000D51 (2010) Séverine Morange [France] ; Danièle Dubois ; Jean-Marc FontainePerception of recorded singing voice quality and expertise: cognitive linguistics and acoustic approaches.
001017 (2009-03-26) Anne-Madeleine Goulet [France]Participation au Workshop organisé par Elisabeth Belgrano au Centre culturel suédois à Paris: «Searching for Pure Voice in interpretations of 17th century vocal laments and mad scenes».

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