List of bibliographic references indexed by theatre
Number of relevant bibliographic references: 26.
[0-20] [
0 - 20][
0 - 26][
20-25][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000263 (2014-12-18) |
Vineet Gandhi [France] | Automatic Rush Generation with Application to Theatre Performances |
| 000916 (2012) |
Sophie Delahaye [États-Unis] | Le theatre n'existe pas, ou comment reconcilier le passé, le present et l'avenir de la Revolution française sur scène? |
| 000A24 (2011-01-24) |
Valeska Valipour [France] | Theatre practice in Germany during the second half of the 18th century (1760 - 1805) |
| 000B49 (2011) |
Valeria De Lucca | Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles |
| 001141 (2009) |
David Chandler | “What Do We Mean by Opera, Anyway?”: Lloyd Webber's Phantom of the Opera and “High‐Pop” Theatre |
| 001431 (2008) |
Panagiotis Pantidos [Grèce] ; Kostas Valakas [Grèce] ; Evangelos Vitoratos [Grèce] ; Konstantinos Ravanis [Grèce] | Towards applied semiotics: An analysis of iconic gestural signs regarding physics teaching in the light of theatre semiotics |
| 001434 (2008) |
Robert D. Hume | Theatre as Property in Eighteenth‐Century London |
| 001866 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 001A64 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
| 001B53 (2005) |
A. Rajer [États-Unis] | Preservation, people, and politics in the restoration of the National Theatre of Panama : a case study |
| 001F36 (2003) |
| Nicolas-Etienne Framery and lyric theatre in eighteenth-century France |
| 002058 (2002) |
Maria Galli Stampino [États-Unis] | Pierre Béhar / Helen Watanabe-O'Kelly (Hgg.), Spectaculum Europæum. Theatre and Spectacle in Europe (1580–1750). 1999 |
| 002347 (2001) |
Nana Navratilova [République tchèque] | Some Egyptianizing Theatre Decorations at the Stage of the National Theatre in Prague, 1883-1900 |
| 002382 (2000-01) |
Leo L. Beranek [États-Unis] ; Takayuki Hidaka [Japon] ; Sadahiro Masuda [Japon] | Acoustical design of the opera house of the New National Theatre, Tokyo, Japan |
| 002410 (2000) |
Beranek [Niger] ; Hidaka ; Masuda | Acoustical design of the opera house of the New National Theatre, Tokyo, Japan |
| 002480 (2000) |
C. Semidor [France] ; A. Barlet [France] | OBJECTIVE AND SUBJECTIVE SURVEYS OF OPERA HOUSE ACOUSTICS: EXAMPLE OF THE GRAND THEATRE DE BORDEAUX |
| 002741 (1998-05) |
Anders Chr. Gade ; Bo Mortensen | Compromises in orchestra pit design: A ten-year trench war in The Royal Theatre, Copenhagen |
| 002961 (1997) |
Ruth Freydank [Allemagne] | Unfinished Business: The Theatre Collections of Berlin |
| 002974 (1997) |
John K. Christiansen ; Peter Sk Rb K | Implementing budgetary control in the performing arts: games in the organizational theatre |
| 002B66 (1996) |
Y. Weijie | Nuoxi theatre in China |
| 002E59 (1994) |
V. Scott [États-Unis] | The fall of Phaeton: the son of the sun god in the theatre of the Sun King |
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