List of bibliographic references indexed by stage
Number of relevant bibliographic references: 32.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000019 (2016) |
Michael Trimble [Royaume-Uni] ; Dale C. Hesdorffer [États-Unis] | Representations of epilepsy on the stage: From the Greeks to the 20th century. |
| 000117 (2015) |
Jin Yong Jeon [Corée du Sud] ; Jae Ho Kim [Corée du Sud] ; Jong Kwan Ryu [Corée du Sud] | The effects of stage absorption on reverberation times in opera house seating areas. |
| 000148 (2015) |
Kwok-Ying Chan [Hong Kong] ; Terence Yip [Hong Kong] ; Mau-Kwong Sham [Hong Kong] ; Benjamin Hon-Wai Cheng [Hong Kong] ; Cho-Wing Li [Hong Kong] ; Yim-Chi Wong [Hong Kong] ; Vikki Wai-Kee Lau [Hong Kong] | Palliative Care for a Mentally Incompetent End Stage Renal Failure Patient: Why Is It Important? |
| 000371 (2014) |
Li Dong [République populaire de Chine] ; Jiangping Kong ; Johan Sundberg | Long-term-average spectrum characteristics of Kunqu Opera singers' speaking, singing and stage speech. |
| 000748 (2012) |
M. Paul [Pays-Bas] | [Death of the conductor - cardiovascular deaths on orchestra podium and opera stage]. |
| 000E61 (2010) |
Albrecht Classen | Sex on the Stage (and in the Library) of an Early Medieval Convent: Hrotsvit of Gandersheim |
| 000E81 (2010) |
Wendy Heller | Dancing Statues and the Myth of Venice: Ancient Sculpture on the Opera Stage |
| 001183 (2009) |
Jed Wentz | Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique |
| 001292 (2009) |
Barbara Nestola [France] | Italian Music, French Singers. Reception and performance practice on the Parisian stage at the Beginning of the 18th century |
| 001387 (2008) |
Maarten Peeters [Belgique] ; Ville Könönen [Finlande] ; Katja Verbeeck [Belgique] ; Sven Van Segbroeck [Belgique] ; Ann Nowé [Belgique] | Coordinated Exploration in Conflicting Multi-stage Games |
| 001505 (2008) |
Andrew Miller [États-Unis] | From Literary Page to Operatic Stage : Manon's Tragic Voice of Her Own |
| 001600 (2007) |
S Ahmad Sadat Noori [Iran] ; Hamideh Khalaj ; A Hosein Shirani Rad ; Iraj Alahdadi ; Gh Abbas Akbari ; M Reza Labafi H. Abadi | Investigation of seed vigor and germination of canola cultivars under less irrigation in padding stage and after it. |
| 001729 (2007) |
Linda Parati [Italie] ; Nicola Prodi [Italie] ; Roberto Pompoli [Italie] | Computer model investigations on the balance between stage and pit sources in opera houses |
| 001872 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 001A54 (2005) |
Axel Klein | Stage-Irish, or the National in Irish Opera, 1780–1925 |
| 001C76 (2004) |
Michael Burden | Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society |
| 001D38 (2004) |
H. Sakai [Japon] ; S.-I. Sato [Italie] ; N. Prodi [Italie] | Orthogonal factors for the stage and pit inside a historical opera house |
| 002011 (2002) |
Bernhard Richter [Allemagne] ; Erwin Löhle ; Bettina Knapp ; Matthias Weikert ; Josef Schlömicher-Thier ; Katherine Verdolini | Harmful substances on the opera stage: possible negative effects on singers' respiratory tracts. |
| 002120 (2002) |
S. Sato [Japon] ; H. Sakai [Japon] ; N. Prodi [Italie] | Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house |
| 002128 (2002) |
D. Noson [Japon, États-Unis] ; S. Sato [Japon] ; H. Sakai [Japon] ; Y. Ando [Japon] | Melisma singing and preferred stage acoustics for singers |
| 002178 (2001-05-04) |
Linda Parati [Italie] ; Roberto Pompoli [Italie] ; Nicola Prodi [Italie] | The control of balance between singer on the stage and orchestra in the pit by means of virtual opera house models |
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