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Serveur d'exploration sur l'opéra - Exploration (Accueil)

Index « Titre (en) » - entrée « preference »
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predisposition < preference < preferences  Facettes :

List of bibliographic references indexed by preference

Number of relevant bibliographic references: 11.
Ident.Authors (with country if any)Title
000B64 (2011) Rosemary Lowry ; Martin PetersonPURE TIME PREFERENCE
001344 (2008) Jin Yong Jeon [Corée du Sud] ; Yong Hee Kim ; Densil Cabrera ; John BassettThe effect of visual and auditory cues on seat preference in an opera theater.
001497 (2008) JIN YONG JEON [Corée du Sud] ; YONG HEE KIM [Corée du Sud] ; Densil Cabrera [Australie] ; John Bassett [Australie]The effect of visual and auditory cues on seat preference in an opera theater
002077 (2002) Bonita M. Kolb [États-Unis]Ethnic preference for the arts: the role of the social experience as attendance motivation
002120 (2002) S. Sato [Japon] ; H. Sakai [Japon] ; N. Prodi [Italie]Subjective preference for sound sources located on the stage and in the orchestra pit of an opera house
002129 (2002) Y. Soeta [Japon] ; S. Nakagawa [Japon] ; M. Tonoike [Japon] ; Y. Ando [Japon]Magnetoencephalographic responses corresponding to individual subjective preference of sound fields
002541 (2000) S. Sato [Japon] ; Y. Ando [Japon] ; S. Ota [Japon]Subjective preference of cellists for the delay time of a single reflection in a performance
002547 (2000) K. Mouri [Japon] ; K. Akiyama [Japon] ; Y. Ando [Japon]Relationship between subjective preference and the alpha-brain wave in relation to the initial time delay gap with vocal music
002551 (2000) J. Atagi [Japon] ; Y. Ando [Japon] ; Y. Ueda [Japon]On the effects of time-variant sound fields on subjective preference
002556 (2000) H. Sakai [Japon] ; Y. Ando [Japon] ; H. Setoguchi [Japon]Individual subjective preference of listeners to vocal music sources in relation to the subsequent reverberation time of sound fields
002901 (1997-11) Hiroyuki Sakai ; Hiroshi Setoguchi ; Yoichi AndoIndividual subjective preference of simulated sound fields by listeners for opera sound sources in relation to the subsequent reverberation time

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