List of bibliographic references indexed by operatic
Number of relevant bibliographic references: 24.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000035 (2016) |
Matthias Echternach [Allemagne] ; Sebastian Dippold [Allemagne] ; Bernhard Richter [Allemagne] | High-speed imaging using rigid laryngoscopy for the analysis of register transitions in professional operatic tenors. |
| 000115 (2015) |
Muzaffer Çorlu ; Pieter-Jan Maes ; Chris Muller ; Katty Kochman ; Marc Leman | The impact of cognitive load on operatic singers' timing performance |
| 000658 (2013) |
Paul Atkinson [Royaume-Uni] ; Richard Watermeyer [Royaume-Uni] ; Sara Delamont [Royaume-Uni] | Expertise, authority and embodied pedagogy: operatic masterclasses |
| 000A88 (2011) |
Felicia Rodica Balte [Roumanie] ; Julia Avram ; Mircea Miclea ; Andrei C. Miu | Emotions induced by operatic music: psychophysiological effects of music, plot, and acting: a scientist's tribute to Maria Callas. |
| 000C21 (2011) |
Felicia Rodica Baltes [Roumanie] ; Julia Avram [Roumanie] ; Mircea Miclea [Roumanie] ; Andrei C. Miu [Roumanie] | Emotions induced by operatic music: Psychophysiological effects of music, plot, and acting: A scientist's tribute to Maria Callas |
| 001061 (2009) |
Ingo R. Titze | Modeling source-filter interaction in belting and high-pitched operatic male singing |
| 001157 (2009) |
George Martin | SOME OVERLOOKED OPERATIC HISTORY |
| 001456 (2008) |
Enrique Sacau [Royaume-Uni] | Operatic Migrations: Transforming Works and Crossing Borders – Edited by Roberta Montemorra Marvin and Downing A |
| 001505 (2008) |
Andrew Miller [États-Unis] | From Literary Page to Operatic Stage : Manon's Tragic Voice of Her Own |
| 001591 (2007) |
Michael Hutcheon ; Linda Hutcheon | Pompous pedants, medical monsters, humane healers: operatic physicians |
| 001812 (2006) |
Jennifer M. Oates [Australie] ; Belinda Bain ; Pamela Davis ; Janice Chapman ; Dianna Kenny | Development of an auditory-perceptual rating instrument for the operatic singing voice. |
| 001891 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001A33 (2005) |
Daniel K. L. Chua | Untimely Reflections on Operatic Echoes: |
| 001C10 (2004) |
Patricia Howes [Australie] ; Jean Callaghan ; Pamela Davis ; Dianna Kenny ; William Thorpe | The relationship between measured vibrato characteristics and perception in Western operatic singing. |
| 001C76 (2004) |
Michael Burden | Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society |
| 001C78 (2004) |
Marcia J. Citron | Operatic Style and Structure in Coppola’s Godfather Trilogy |
| 001E88 (2003) |
Byron Nelson | Cinema's Illusions, Opera's Allure: The Operatic Impulse on Film |
| 002085 (2002) |
Niel Rishoi | Carousel, Rodgers and Hammerstein's Operatic Musical |
| 002602 (1999) |
M. Thomasson [Suède] ; J. Sundberg | Consistency of phonatory breathing patterns in professional operatic singers. |
| 002C97 (1995) |
Hervine Siegwart [Suisse] ; Klaus R. Scherer [Suisse] | Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi |
| 002E60 (1994) |
P. Kivy [États-Unis] | Speech, song, and the transparency of medium: a note on operatic metaphysics |
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