List of bibliographic references indexed by male
Number of relevant bibliographic references: 16.
Ident. | Authors (with country if any) | Title |
---|
000105 (2015) |
Johan Sundberg [Suède] ; Filipa M B. Lã [Portugal] ; Brian P Gill [États-Unis] | Voice Source Variation Between Vowels in Male Opera Singers. |
000519 (2013) |
Linda M. Niccolai [États-Unis] ; Elizabeth J. King [États-Unis] ; Ksenia Eritsyan [Russie] ; Liliya Safiullina [Russie] ; Maia M. Rusakova [Russie] | “In different situations, in different ways”: Male sex work in St. Petersburg, Russia |
000574 (2013) |
Laramie D. Taylor [États-Unis] | Male partner selectivity, romantic confidence, and media depictions of partner scarcity. |
000587 (2013) |
Johan Sundberg [Suède] ; Filipa M B. Lã ; Brian P. Gill | Formant tuning strategies in professional male opera singers. |
000588 (2013) |
Li Dong [République populaire de Chine] ; Johan Sundberg ; Jiangping Kong | Formant and voice source properties in two male Kunqu Opera roles: a pilot study. |
000834 (2012) |
Pedro Amarante Andrade [Royaume-Uni] | Analysis of male singers laryngeal vertical displacement during the first passaggio and its implications on the vocal folds vibratory pattern. |
000E77 (2010) |
Sarah S. Montgomery ; Michael D. Robinson | Empirical Evidence of the Effects of Marriage on Male and Female Attendance at Sports and Arts |
001061 (2009) |
Ingo R. Titze | Modeling source-filter interaction in belting and high-pitched operatic male singing |
001904 (2006) |
Charles Dill | Angels and Monsters: Male and Female Sopranos in the Story of Opera, 1600–1900. By Richard Somerset-Ward. pp. xiv + 325. (Yale University Press, New Haven and London, 2004, £25. ISBN 0‐300-09968-1.) |
002649 (1999) |
Eveline Golomer [France] ; Philippe Dupui [France] ; Philippe Séréni [France] ; Hughes Monod [France] | The contribution of vision in dynamic spontaneous sways of male classical dancers according to student or professional level |
002A45 (1996) |
C. Pillot [France] ; S. Quattrocchi | [Acoustic measurements, perceptive judgements and physiological correlates of the "singing-formant" in male and female opera singers]. |
002E56 (1994) |
D. G. Miller [Pays-Bas] ; H. K. Schutte | Toward a definition of male head' register, passaggio, and cover' in western operating singing |
002E90 (1993) |
J. Sundberg [Suède] ; I. Titze ; R. Scherer | Phonatory control in male singing: a study of the effects of subglottal pressure, fundamental frequency, and mode of phonation on the voice source. |
004A06 (????) |
Katrin Neumann [Allemagne] ; Patrick Schunda ; Sebastian Hoth ; Harald A. Euler | The interplay between glottis and vocal tract during the male passaggio. |
004A09 (????) |
E. Golomer [France] ; P. Dupui ; P. Séréni ; H. Monod | The contribution of vision in dynamic spontaneous sways of male classical dancers according to student or professional level. |
004A42 (????) |
P T Piotrow [États-Unis] ; D L Kincaid ; M J Hindin ; C L Lettenmaier ; I. Kuseka ; T. Silberman ; A. Zinanga ; F. Chikara ; D J Adamchak ; M T Mbizvo | Changing men's attitudes and behavior: the Zimbabwe Male Motivation Project. |
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