historic < historical < historiens

Facettes :

List of bibliographic references indexed by historical

Number of relevant bibliographic references: 29.
[0-20] [0 - 20][0 - 29][20-28][20-40]

Ident.	Authors (with country if any)	Title
000113 (2015)	Dragana Šumarac Pavlovi [Serbie] ; Miomir Miji [Serbie] ; Draško Mašovi [Serbie]	The influence of proscenium boxes on acoustic response in historical opera halls.
000240 (2015)	Nicola Prodi [Italie] ; Roberto Pompoli [Italie] ; Francesco Martellotta [Italie] ; Shin-Ichi Sato [Argentine]	Acoustics of Italian Historical Opera Houses.
000753 (2012)	Izet Masic [Bosnie-Herzégovine]	Thousand-year anniversary of the historical book: “Kitab al-Qanun fit-Tibb”- The Canon of Medicine, written by Abdullah ibn Sina
000B12 (2011)	M. Tonietti [Italie]	Music between Hearing and Counting (A Historical Case Chosen within Continuous Long-Lasting Conflicts)
000B54 (2011)	Ann Marie Rasmussen	Siegfried the Dragonslayer Meets the Web: Using Digital Media for Developing Historical Awareness and Advanced Language and Critical Thinking Skills
000B65 (2011)	Robert Ignatius Letellier	Old and new covenants: Historical and theological contexts in Scribe's and Halévy's La Juive
000E78 (2010)	Jenny E. E. Smedmark ; Torsten Eriksson [Suède] ; Birgitta Bremer [Suède]	Divergence time uncertainty and historical biogeography reconstruction – an example from Urophylleae (Rubiaceae)
001040 (2009)	John Studd [Royaume-Uni] ; Anneliese Schwenkhagen	The historical response to female sexuality.
001228 (2009)	John Studd [Royaume-Uni] ; Anneliese Schwenlchagen [Allemagne]	The historical response to female sexuality
001230 (2009)	Anna Makolkin [Canada]	The Pathway to the Ultimate in Verdi's Historical Opera Nabucco From the Biblical to the Romantic
001238 (2009)	Ivan R. V. Rumanek [Slovaquie]	NOH AS MUSICAL PERFORMANCE WITH REGARD TO HISTORICAL DEVELOPMENT
001791 (2006)	Christian Von Deuster	[How did the castratos sing? Historical observations].
001822 (2006)	Giuseppe D'Orsi [Italie] ; Paolo Tinuper	"I heard voices...": from semiology, a historical review, and a new hypothesis on the presumed epilepsy of Joan of Arc.
001B62 (2005)	Nicola Prodi [Italie] ; Sylvia Velecka [Italie]	A scale value for the balance inside a historical opera house
001D38 (2004)	H. Sakai [Japon] ; S.-I. Sato [Italie] ; N. Prodi [Italie]	Orthogonal factors for the stage and pit inside a historical opera house
001E28 (2003)	István Bejczy	‘Historia praestat omnibus disciplinis’: Juan Luis Vives on history and historical study
002118 (2002)	H. Sakai [Japon] ; Y. Ando [Japon] ; N. Prodi [Italie] ; R. Pompoli [Italie]	Temporal and spatial acoustical factors for listeners in the boxes of historical opera theatres
002124 (2002)	P. Fausti [Italie] ; N. Prodi [Italie]	On the testing of renovations inside historical opera houses
002193 (2001-05-04)	Shin-Ichi Sato [Italie, Japon] ; Nicola Prodi ; Hiroyuki Sakai	Acoustical measurements of sound fields between the stage and the orchestra pit inside an historical opera house
002195 (2001-05-04)	Nicola Prodi [Italie] ; Sylvia Velecka [Italie]	A scale value for the balance between stage and pit and inside an historical opera house
002489 (2000)	Roberto Pompoli [Italie] ; Nicola Prodi [Italie]	GUIDELINES FOR ACOUSTICAL MEASUREMENTS INSIDE HISTORICAL OPERA HOUSES: PROCEDURES AND VALIDATION

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