Serveur d'exploration sur l'opéra - Exploration (Accueil)

Index « Mesh.i » - entrée « Phonation »
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Phobic Disorders < Phonation < Phonetics  Facettes :

List of bibliographic references indexed by Phonation

Number of relevant bibliographic references: 26.
[0-20] [0 - 20][0 - 26][20-25][20-40]
Ident.Authors (with country if any)Title
000587 (2013) Johan Sundberg [Suède] ; Filipa M B. Lã ; Brian P. GillFormant tuning strategies in professional male opera singers.
000834 (2012) Pedro Amarante Andrade [Royaume-Uni]Analysis of male singers laryngeal vertical displacement during the first passaggio and its implications on the vocal folds vibratory pattern.
000A40 (2011) Matthias Echternach [Allemagne] ; Johan Sundberg ; Tobias Baumann ; Michael Markl ; Bernhard RichterVocal tract area functions and formant frequencies in opera tenors' modal and falsetto registers.
000A78 (2011) Densil Cabrera [Australie] ; Pamela J. Davis ; Anna ConnollyLong-term horizontal vocal directivity of opera singers: effects of singing projection and acoustic environment.
000A85 (2011) Matthew J. Schloneger [États-Unis]Graduate student voice use and vocal efficiency in an opera rehearsal week: a case study.
000D29 (2010) J P Epron [France] ; B. Coulombeau ; F. Fussi[Partiturogram: (new) tool in the evaluation of an opera roles].
000D39 (2010) Anick Lamarche [Suède] ; Sten Ternström ; Peter PabonThe singer's voice range profile: female professional opera soloists.
000D48 (2010) Matthias Echternach [Allemagne] ; Johan Sundberg ; Michael Markl ; Bernhard RichterProfessional opera tenors' vocal tract configurations in registers.
001044 (2009) Gillian Johnson [Nouvelle-Zélande] ; Margot Skinner [Nouvelle-Zélande]The demands of professional opera singing on cranio-cervical posture
001336 (2008) Hans Larsson [Suède] ; Stellan Herteg RdVocal fold dimensions in professional opera singers as measured by means of laser triangulation.
001362 (2008) Eva Björkner [Suède]Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.
001582 (2007) Katherine L P. Reid [Australie] ; Pamela Davis ; Jennifer Oates ; Densil Cabrera ; Sten Ternström ; Michael Black ; Janice ChapmanThe acoustic characteristics of professional opera singers performing in chorus versus solo mode.
001598 (2007) Stephen F. Austin [États-Unis]Jaw opening in novice and experienced classically trained singers.
001995 (2005) Mei Zhu [République populaire de Chine] ; Dao-Xing Zhang ; Yong-Xiang Liu ; Xiao-Ju Yang[Singing formant analysis of KunQu actors in their mutation and grown-up].
001998 (2005) Viggo Pettersen [Norvège] ; Rolf H. WestgaardThe activity patterns of neck muscles in professional classical singing.
001C14 (2004) V. Pettersen [Norvège] ; R H WestgaardThe association between upper trapezius activity and thorax movement in classical singing.
001C17 (2004) V. Pettersen [Norvège] ; R H WestgaardMuscle activity in professional classical singing: a study on muscles in the shoulder, neck and trunk.
002471 (2000) Meribeth Bunch [Royaume-Uni] ; Janice ChapmanTaxonomy of singers used as subjects in scientific research
002602 (1999) M. Thomasson [Suède] ; J. SundbergConsistency of phonatory breathing patterns in professional operatic singers.
002C08 (1995) D. Doskov [Bulgarie] ; T. Ivanov ; B. BoyanovComparative analysis of singer's high formant in different type of singing voices.
002E90 (1993) J. Sundberg [Suède] ; I. Titze ; R. SchererPhonatory control in male singing: a study of the effects of subglottal pressure, fundamental frequency, and mode of phonation on the voice source.

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