List of bibliographic references indexed by Human
Number of relevant bibliographic references: 127.
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Ident. | Authors (with country if any) | Title |
---|
000441 (2014) |
Fabienne Chetail [Belgique] ; Alain Content [Belgique] | What Is the Difference Between OASIS and OPERA? Roughly Five Pixels: Orthographic Structure Biases the Perceived Length of Letter Strings |
000444 (2014) |
Yuliya Zaytseva [Allemagne, Russie] ; Evgeny Gutyrchik [Allemagne] ; YAN BAO [Allemagne, République populaire de Chine] ; Ernst Pöppel [Allemagne, République populaire de Chine] ; SHIHUI HAN [Allemagne, République populaire de Chine] ; Georg Northoff [Canada] ; Lorenz Welker [Allemagne] ; Thomas Meindl [Allemagne] ; Janusch Blautzik [Allemagne] | Self processing in the brain: A paradigmatic fMRI case study with a professional singer |
000649 (2013) |
Moshe Bergstein | The wish for annihilation in 'love-death' as collapse of the need for recognition, in Wagner's Tristan und Isolde |
000651 (2013) |
Richard Rusbridger | Projective identification in Othello and Verdi's Otello |
000652 (2013) |
SHUWEI LUO [République populaire de Chine] ; WENBO LUO [République populaire de Chine] ; WEIQI HE [République populaire de Chine] ; XU CHEN [République populaire de Chine] ; YUEJIA LUO [République populaire de Chine] | P1 and N170 components distinguish human-like and animal-like makeup stimuli |
000889 (2012) |
Xanthoula Dakovanou [France, Grèce] | Quand l'âme chante. La voix mélodique et son pouvoir affectif |
000895 (2012) |
Hélène Baudoin | ABSORBER LA VIOLENCE |
000896 (2012) |
Maryanne L. Fisher [États-Unis] | Why Who Shot J. R. Matters: Dallas as the Pinnacle of Human Evolutionary Television |
000927 (2012) |
Tadios Chisango [Afrique du Sud] ; Gwatirera Javangwe [Zimbabwe] | Are People Better at Recognizing Ambivalent Sexism on the Basis of the Non-standard Profiles than the Standard ASI Ones? |
000935 (2012) |
Jean-Michel Vives ; Sophie Leighton | 'Little Hans': From his phobic episode to becoming an opera director |
000B38 (2011) |
Francis Grier [Royaume-Uni] | Thoughts on Rigoletto |
000C18 (2011) |
Michael Manns [Allemagne] ; Henk Reesink [Pays-Bas] ; Thomas Berg [Allemagne] ; Geoffrey Dusheiko [Royaume-Uni] ; Robert Flisiak [Pologne] ; Patrick Marcellin [France] ; Christophe Moreno [Belgique] ; Oliver Lenz [Belgique] ; Paul Meyvisch [Belgique] ; Monika Peeters [Belgique] ; Vanitha Sekar [États-Unis] ; Kenneth Simmen [Irlande (pays)] ; Rene Verloes [Belgique] | Rapid viral response of once-daily TMC435 plus pegylated interferon/ribavirin in hepatitis C genotype-1 patients: a randomized trial |
000C21 (2011) |
Felicia Rodica Baltes [Roumanie] ; Julia Avram [Roumanie] ; Mircea Miclea [Roumanie] ; Andrei C. Miu [Roumanie] | Emotions induced by operatic music: Psychophysiological effects of music, plot, and acting: A scientist's tribute to Maria Callas |
000F03 (2010) |
Dominique Fessaguet | Lascif Saint Sébastien |
000F05 (2010) |
M. Morin-Bompart | L'Enfant et les sortilèges et les angoisses de ses créateurs: Colette et Ravel |
000F09 (2010) |
J. Verdeau-Pailles [France] ; M.-F. Castarede ; P. Marchais ; P. Moutin ; P. Marchais | Giacomo Puccini: « Madame Butterfly, c'est moi ». Discussion |
000F20 (2010) |
Eric Van Belle [France] ; Jean Dallongeville [France] ; Eric Vicaut [France] ; Alexia Degrandsart [France] ; Cathrine Baulac [France] ; Gilles Montalescot [France] | Ischemia-modified albumin levels predict long-term outcome in patients with acute myocardial infarction. The French Nationwide OPERA study |
000F31 (2010) |
Ann H. Kelly [Royaume-Uni] ; David Ameh [Gambie] ; Silas Majambere [Tanzanie, Royaume-Uni] ; Steve Lindsay [Royaume-Uni] ; Margaret Pinder [Royaume-Uni, Gambie] | 'Like sugar and honey': The embedded ethics of a larval control project in The Gambia |
001226 (2009) |
Elizabeth Levy Paluck [États-Unis] | What's in a Norm? Sources and Processes of Norm Change |
001232 (2009) |
Elizabeth Levy Paluck [États-Unis] | Reducing Intergroup Prejudice and Conflict Using the Media : A Field Experiment in Rwanda |
001236 (2009) |
Susan Kavaler-Adler | OBJECT RELATIONS PERSPECTIVES ON "PHANTOM OF THE OPERA" AND ITS DEMON LOVER THEME: THE MODERN FILM |
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