Bits of perspective on the advent of digital music
Identifieur interne : 002D44 ( Main/Exploration ); précédent : 002D43; suivant : 002D45Bits of perspective on the advent of digital music
Auteurs : Michael Hawley [États-Unis]Source :
- Journal of the Acoustical Society of America [ 0001-4966 ] ; 1994-05.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Musique, Ordinateur.
English descriptors
- KwdEn :
Abstract
There has always been an interplay between musical tools and musical forms-a succession of instruments, from serpent horns to saxophones, and of styles, from chant to grand opera. All of this tends to echo aspects of the ambient technology infrastructure, for example, the rise of large buildings coincides to some extent with the breakup of Gregorian chant, and the development of steam engines and ironworks made possible the modern concert grand (and the globetrotting piano virtuoso). In much the same vein, broadcast and recorded media are associated with the wane of live concerts. This talk will discuss history and trends of music and technology. In particular, our culture is in the throes of a singular and massive transition from largely analog to largely digital media. The mass-deployment of MIDI and other computer-based music forms, and the diffusion of increasingly intelligent instruments, a symptom of that trend, has begun a drastic change that will lead...where?
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: 000A73
- to stream PascalFrancis, to step Curation: 000B22
- to stream PascalFrancis, to step Checkpoint: 000995
- to stream Main, to step Merge: 002E77
- to stream Main, to step Curation: 002D44
Le document en format XML
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<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Bits of perspective on the advent of digital music</title>
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<affiliation wicri:level="2"><inist:fA14 i1="01"><s1>MIT Media Laboratory, 20 Ames St., Rm. E15-489, Cambridge, MA 02139-4307</s1>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic equipment</term>
<term>Acoustic properties</term>
<term>Computers</term>
<term>Digital systems</term>
<term>Historical aspects</term>
<term>Music</term>
<term>Musical instruments</term>
<term>Reviews</term>
<term>Sound sources</term>
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<term>Musique</term>
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<term>Ordinateur</term>
<term>Source sonore</term>
<term>Equipement acoustique</term>
<term>Propriété acoustique</term>
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<front><div type="abstract" xml:lang="en">There has always been an interplay between musical tools and musical forms-a succession of instruments, from serpent horns to saxophones, and of styles, from chant to grand opera. All of this tends to echo aspects of the ambient technology infrastructure, for example, the rise of large buildings coincides to some extent with the breakup of Gregorian chant, and the development of steam engines and ironworks made possible the modern concert grand (and the globetrotting piano virtuoso). In much the same vein, broadcast and recorded media are associated with the wane of live concerts. This talk will discuss history and trends of music and technology. In particular, our culture is in the throes of a singular and massive transition from largely analog to largely digital media. The mass-deployment of MIDI and other computer-based music forms, and the diffusion of increasingly intelligent instruments, a symptom of that trend, has begun a drastic change that will lead...where?</div>
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