Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Bits of perspective on the advent of digital music

Identifieur interne : 002D44 ( Main/Exploration ); précédent : 002D43; suivant : 002D45

Bits of perspective on the advent of digital music

Auteurs : Michael Hawley [États-Unis]

Source :

RBID : Pascal:94-0322105

Descripteurs français

English descriptors

Abstract

There has always been an interplay between musical tools and musical forms-a succession of instruments, from serpent horns to saxophones, and of styles, from chant to grand opera. All of this tends to echo aspects of the ambient technology infrastructure, for example, the rise of large buildings coincides to some extent with the breakup of Gregorian chant, and the development of steam engines and ironworks made possible the modern concert grand (and the globetrotting piano virtuoso). In much the same vein, broadcast and recorded media are associated with the wane of live concerts. This talk will discuss history and trends of music and technology. In particular, our culture is in the throes of a singular and massive transition from largely analog to largely digital media. The mass-deployment of MIDI and other computer-based music forms, and the diffusion of increasingly intelligent instruments, a symptom of that trend, has begun a drastic change that will lead...where?


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en" level="a">Bits of perspective on the advent of digital music</title>
<author>
<name sortKey="Hawley, Michael" sort="Hawley, Michael" uniqKey="Hawley M" first="Michael" last="Hawley">Michael Hawley</name>
<affiliation wicri:level="2">
<inist:fA14 i1="01">
<s1>MIT Media Laboratory, 20 Ames St., Rm. E15-489, Cambridge, MA 02139-4307</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">États-Unis</country>
<placeName>
<region type="state">Massachusetts</region>
</placeName>
<wicri:cityArea>MIT Media Laboratory, 20 Ames St., Rm. E15-489, Cambridge</wicri:cityArea>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">INIST</idno>
<idno type="inist">94-0322105</idno>
<date when="1994-05">1994-05</date>
<idno type="stanalyst">PASCAL 94-0322105 AIP</idno>
<idno type="RBID">Pascal:94-0322105</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000A73</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000B22</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000995</idno>
<idno type="wicri:doubleKey">0001-4966:1994:Hawley M:bits:of:perspective</idno>
<idno type="wicri:Area/Main/Merge">002E77</idno>
<idno type="wicri:Area/Main/Curation">002D44</idno>
<idno type="wicri:Area/Main/Exploration">002D44</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="en" level="a">Bits of perspective on the advent of digital music</title>
<author>
<name sortKey="Hawley, Michael" sort="Hawley, Michael" uniqKey="Hawley M" first="Michael" last="Hawley">Michael Hawley</name>
<affiliation wicri:level="2">
<inist:fA14 i1="01">
<s1>MIT Media Laboratory, 20 Ames St., Rm. E15-489, Cambridge, MA 02139-4307</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">États-Unis</country>
<placeName>
<region type="state">Massachusetts</region>
</placeName>
<wicri:cityArea>MIT Media Laboratory, 20 Ames St., Rm. E15-489, Cambridge</wicri:cityArea>
</affiliation>
</author>
</analytic>
<series>
<title level="j" type="main">Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
<imprint>
<date when="1994-05">1994-05</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<title level="j" type="main">Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Acoustic equipment</term>
<term>Acoustic properties</term>
<term>Computers</term>
<term>Digital systems</term>
<term>Historical aspects</term>
<term>Music</term>
<term>Musical instruments</term>
<term>Reviews</term>
<term>Sound sources</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Article synthèse</term>
<term>4375W</term>
<term>Musique</term>
<term>Instrument musique</term>
<term>Aspect historique</term>
<term>Système numérique</term>
<term>Ordinateur</term>
<term>Source sonore</term>
<term>Equipement acoustique</term>
<term>Propriété acoustique</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr">
<term>Musique</term>
<term>Ordinateur</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">There has always been an interplay between musical tools and musical forms-a succession of instruments, from serpent horns to saxophones, and of styles, from chant to grand opera. All of this tends to echo aspects of the ambient technology infrastructure, for example, the rise of large buildings coincides to some extent with the breakup of Gregorian chant, and the development of steam engines and ironworks made possible the modern concert grand (and the globetrotting piano virtuoso). In much the same vein, broadcast and recorded media are associated with the wane of live concerts. This talk will discuss history and trends of music and technology. In particular, our culture is in the throes of a singular and massive transition from largely analog to largely digital media. The mass-deployment of MIDI and other computer-based music forms, and the diffusion of increasingly intelligent instruments, a symptom of that trend, has begun a drastic change that will lead...where?</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>États-Unis</li>
</country>
<region>
<li>Massachusetts</li>
</region>
</list>
<tree>
<country name="États-Unis">
<region name="Massachusetts">
<name sortKey="Hawley, Michael" sort="Hawley, Michael" uniqKey="Hawley M" first="Michael" last="Hawley">Michael Hawley</name>
</region>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002D44 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002D44 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     Pascal:94-0322105
   |texte=   Bits of perspective on the advent of digital music
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024