“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck
Identifieur interne : 000E49 ( Main/Exploration ); précédent : 000E48; suivant : 000E50“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck
Auteurs : Miranda StanyonSource :
- The German Quarterly [ 0016-8831 ] ; 2010-09.
Abstract
Hoffmann's Ritter Gluck portrays music as sublime. Overwhelming and violent, music both engulfs and empowers the subject. Hoffmann's musical sublime works through a dialectical relationship with script: music exists at the opposite end of a spectrum to a finite, material, textual world, yet paradoxically also has form in the physical world. This paradox illuminates the artist's dilemma and the curious status of written music in Ritter Gluck. In its unstable, slippery, self‐reflexive dramatizations of the musical sublime, the tale becomes an account of the aporias of relating the ideal to the real. This points towards an understanding of Hoffmann's engagement with Idealism, and suggests an interpretation of the story's climax, Gluck's sublime performance from an empty score. Inscribing music becomes a figure for representing and embodying the sublime in the finite world and in signs—a task impossible, yet imperative.
Url:
DOI: 10.1111/j.1756-1183.2010.00093.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001420
- to stream Istex, to step Curation: 001420
- to stream Istex, to step Checkpoint: 000221
- to stream Main, to step Merge: 000E59
- to stream Main, to step Curation: 000E49
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck</title><author><name sortKey="Stanyon, Miranda" sort="Stanyon, Miranda" uniqKey="Stanyon M" first="Miranda" last="Stanyon">Miranda Stanyon</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:C1458E9EB205B80572EA675B3C307025326EB191</idno><date when="2010" year="2010">2010</date><idno type="doi">10.1111/j.1756-1183.2010.00093.x</idno><idno type="url">https://api.istex.fr/document/C1458E9EB205B80572EA675B3C307025326EB191/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001420</idno><idno type="wicri:Area/Istex/Curation">001420</idno><idno type="wicri:Area/Istex/Checkpoint">000221</idno><idno type="wicri:doubleKey">0016-8831:2010:Stanyon M:rastrierte:bl:aber</idno><idno type="wicri:Area/Main/Merge">000E59</idno><idno type="wicri:Area/Main/Curation">000E49</idno><idno type="wicri:Area/Main/Exploration">000E49</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck</title><author><name sortKey="Stanyon, Miranda" sort="Stanyon, Miranda" uniqKey="Stanyon M" first="Miranda" last="Stanyon">Miranda Stanyon</name><affiliation><wicri:noCountry code="no comma">University of Melbourne</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j">The German Quarterly</title><idno type="ISSN">0016-8831</idno><idno type="eISSN">1756-1183</idno><imprint><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2010-09">2010-09</date><biblScope unit="volume">83</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="412">412</biblScope><biblScope unit="page" to="430">430</biblScope></imprint><idno type="ISSN">0016-8831</idno></series><idno type="istex">C1458E9EB205B80572EA675B3C307025326EB191</idno><idno type="DOI">10.1111/j.1756-1183.2010.00093.x</idno><idno type="ArticleID">GEQU93</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0016-8831</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Hoffmann's Ritter Gluck portrays music as sublime. Overwhelming and violent, music both engulfs and empowers the subject. Hoffmann's musical sublime works through a dialectical relationship with script: music exists at the opposite end of a spectrum to a finite, material, textual world, yet paradoxically also has form in the physical world. This paradox illuminates the artist's dilemma and the curious status of written music in Ritter Gluck. In its unstable, slippery, self‐reflexive dramatizations of the musical sublime, the tale becomes an account of the aporias of relating the ideal to the real. This points towards an understanding of Hoffmann's engagement with Idealism, and suggests an interpretation of the story's climax, Gluck's sublime performance from an empty score. Inscribing music becomes a figure for representing and embodying the sublime in the finite world and in signs—a task impossible, yet imperative.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Stanyon, Miranda" sort="Stanyon, Miranda" uniqKey="Stanyon M" first="Miranda" last="Stanyon">Miranda Stanyon</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000E49 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000E49 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:C1458E9EB205B80572EA675B3C307025326EB191
|texte= “Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck
}}
| This area was generated with Dilib version V0.6.21. |  |