Too Good to Be True: The Survival of English Everyday PoMo
Identifieur interne : 000B35 ( Main/Exploration ); précédent : 000B34; suivant : 000B36Too Good to Be True: The Survival of English Everyday PoMo
Auteurs : Kester RattenburySource :
- Architectural Design [ 0003-8504 ] ; 2011-09.
English descriptors
- KwdEn :
- Aldo van Eyck, Alison and Peter Smithson, Archigram, Architecture magazine, Bernard Rudofsky's Architecture Without Architects, Brutalism versus PoMo, Carl Laubin, Royal Opera House Covent Garden, Caruso St John's Arte Povera, Clifton Nurseries, Comyn Ching Triangle, Covent Garden Housing Project (CGHP), Newton Street Housing, Dixon Jones, Embankment Place, FAT, Farrell and Partners, Embankment Place, London, 1990, Foster + Partners' Hong Kong and Shanghai Bank, Furniture Manufacturer's Association Building, Greater London Council (GLC), Greenwich Village, Hardwick Hall, High Tech, Humphry Repton, James Stirling, Jane Jacobs, Jeremy Dixon, John Outram, Learning from Las Vegas, Lisson Gallery, MVRDV, Mansion House, Martin Lazenby, Martlett Court, Michael Wilford, Mies van der Rohe, Mike Webb, National Gallery extension, Neue Staatsgalerie, New Art Gallery, Walsall, Nottingham Contemporary Arts Centre, Peter Palumbo, Peter Zumthor, Philip Johnson's AT&T Corporate Headquarters, Piers Gough, Prince of Wales, Ralph Erskine's Byker Wall, Richard Rogers Partnership's Lloyd's of London, Robert Venturi, Robin Hood Gardens, Terry Farrell, The Language of Post‐Modern Architecture, Tony Fretton, Unmarried Mothers' Home, Venturi and Denise Scott Brown, Wil Alsop, William Hogarth, muf, polycarbonate shed, ‘Bowellism’, ‘But Today We Collect Ads’.
Abstract
‘Intelligent, eclectic, witty, profoundly humanistic, and keen to debunk an inflexible, elitist and dangerously authoritarian Modernism’: Kester Rattenbury evokes the spirit of early British Post‐Modernism. She reminds us of how in the early 1980s it spearheaded a spirited community architecture that played a strategic role in protest against wholesale, motorway‐led redevelopments and the survival of Convent Garden. Copyright © 2011 John Wiley & Sons, Ltd.
Url:
DOI: 10.1002/ad.1300
Affiliations:
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Le document en format XML
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She reminds us of how in the early 1980s it spearheaded a spirited community architecture that played a strategic role in protest against wholesale, motorway‐led redevelopments and the survival of Convent Garden. Copyright © 2011 John Wiley & Sons, Ltd.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Rattenbury, Kester" sort="Rattenbury, Kester" uniqKey="Rattenbury K" first="Kester" last="Rattenbury">Kester Rattenbury</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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