Redefining ‘Worlds’: the writerly ethics in the trailing temporality of J. M. Coetzee’s Disgrace
Identifieur interne : 000546 ( Main/Exploration ); précédent : 000545; suivant : 000547Redefining ‘Worlds’: the writerly ethics in the trailing temporality of J. M. Coetzee’s Disgrace
Auteurs : Narasimha Rao KedariSource :
- SpringerPlus ; 2013.
Abstract
South Africa going to second democratic elections saw two path-breaking works exploring disgraceful crimes and emotional commotions in an intriguing era. One is J.M. Coetzee’s
Url:
DOI: 10.1186/2193-1801-2-143
PubMed: 23607086
PubMed Central: 3629276
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en"><p>South Africa going to second democratic elections saw two path-breaking works exploring disgraceful crimes and emotional commotions in an intriguing era. One is J.M. Coetzee’s <italic>Disgrace</italic>
(1999) and Andre Brink’s <italic>The Rights of Desire</italic>
(2000). The Protagonists of both the works are middle-aged caught in the noose of <italic>Eros</italic>
and are seen resisting the change of tides and resigned to the fateful happenings in store for them. The novel portrays the transitional apprehensions of the whites, the power-wielders of the yester- years to adapt to the syndrome of power withdrawal and deprivation. The story depicts individual self-denigration in a changed political environment dictating a code of moral uprightness and ethics. The redeeming consolation of comic, grotesque and lunatic overtures that Beckett ingeniously provides in his fiction do not find a place in Coetzee. Instead Coetzee forces his readers to look into ineluctable gaps that mark the narration.</p>
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<back><div1 type="bibliography"><listBibl><biblStruct><analytic><author><name sortKey="Coetzee, Jm" uniqKey="Coetzee J">JM Coetzee</name>
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<author><name sortKey="Coetzee, Jm" uniqKey="Coetzee J">JM Coetzee</name>
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