OperaV1, Main, Curation, bibRecord, 001B52

Self-to-other ratios measured in an opera chorus in performance

Identifieur interne : 001B52 ( Main/Curation ); précédent : 001B51; suivant : 001B53

Self-to-other ratios measured in an opera chorus in performance

Auteurs : Sten Ternström [Suède] ; Densil Cabrera [Australie] ; Pamela Davis [Australie]

Source :

The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2005.

RBID : Pascal:06-0060033

Descripteurs français

Pascal (Inist)
- Audition, Opéra bâtiment.

English descriptors

KwdEn :
- Acoustic Stimulation, Acoustics, Adult, Auditory Perception (physiology), Bone Conduction (physiology), Hearing, Humans, Middle Aged, Music, Noise, Opera(building), Voice (physiology).
MESH :
- physiology : Auditory Perception, Bone Conduction, Voice.
- Acoustic Stimulation, Acoustics, Adult, Humans, Middle Aged, Music, Noise.

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Pascal:06-0060033

Le document en format XML

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<PubMed><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Self-to-other ratios measured in an opera chorus in performance.</title>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">Self-to-other ratios measured in an opera chorus in performance.</title>
<author><name sortKey="Ternstrom, Sten" sort="Ternstrom, Sten" uniqKey="Ternstrom S" first="Sten" last="Ternström">Sten Ternström</name>
<affiliation wicri:level="1"><nlm:affiliation>Department of Speech, Music and Hearing, Kungliga Tekniska Högskolan, Stockholm, Sweden.</nlm:affiliation>
<country xml:lang="fr">Suède</country>
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</affiliation>
</author>
<author><name sortKey="Cabrera, Densil" sort="Cabrera, Densil" uniqKey="Cabrera D" first="Densil" last="Cabrera">Densil Cabrera</name>
</author>
<author><name sortKey="Davis, Pamela" sort="Davis, Pamela" uniqKey="Davis P" first="Pamela" last="Davis">Pamela Davis</name>
</author>
</analytic>
<series><title level="j">The Journal of the Acoustical Society of America</title>
<idno type="ISSN">0001-4966</idno>
<imprint><date when="2005" type="published">2005</date>
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<term>Auditory Perception (physiology)</term>
<term>Bone Conduction (physiology)</term>
<term>Humans</term>
<term>Middle Aged</term>
<term>Music</term>
<term>Noise</term>
<term>Voice (physiology)</term>
</keywords>
<keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Auditory Perception</term>
<term>Bone Conduction</term>
<term>Voice</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Acoustic Stimulation</term>
<term>Acoustics</term>
<term>Adult</term>
<term>Humans</term>
<term>Middle Aged</term>
<term>Music</term>
<term>Noise</term>
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<front><div type="abstract" xml:lang="en">Four volunteer members of the chorus of Opera Australia, representing four different voice categories, wore binaural pairs of wireless microphones during a penultimate dress rehearsal on the Opera Theater stage of the Sydney Opera House. From the recordings, data were obtained on sound levels and on the self-to-other ratios (SORs). The sound levels were comparable to those found in loud music in chamber choir performance. The average SOR ranged from +10 to +15 dB. Compared to chamber choirs in other types of room, the SOR values were high. On a separate occasion, the stage support parameters ST1 (early reflections) and ST2 (late reflections) were measured over the whole stage area. ST1 was about -16 dB, which is typical for opera stages, and -20 dB for ST2, which is unusually low. It is concluded that the SOR in the opera chorus depends mostly on choir formation, which is highly variable, and that an opera chorus artist generally can hear his or her own voice very well, but little of the others and of the orchestra. This was confirmed by informal listening to the recordings.</div>
</front>
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Self-to-other ratios measured in an opera chorus in performance

Self-to-other ratios measured in an opera chorus in performance

Source :

Descripteurs français

English descriptors

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri