Serveur d'exploration sur l'opéra - Curation (Istex)

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List of bibliographic references

Number of relevant bibliographic references: 723.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000028 (2000) Pierre BellemareThe Internet
000029 (2007) Anne MidgetteThe Voice of American Opera
000039 (2009) Robert Savage [Australie]On Truth and Semblance in an Operatic and Extra-operatic Sense: Michael Tippett's The Midsummer Marriage
000047 (2005) George MartinVerdi Onstage in the United States
000052 (1995) Eugene H. CropseyMr. Crosby's Temple of Art The Inaugural Season Chicago, 1865
000057 (2010) Judith T. ZeitlinOperatic Ghosts on Screen: The Case of A Test of Love (1958)
000058 (2010) Melina Esse [États-Unis]Don't Look Now: Opera, Liveness, and the Televisual
000062 (2009) Heather Wiebe [Niger]The Rake's Progress as Opera Museum
000064 (2007) Katherine K. Preston [États-Unis]To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America
000067 (2010) Christopher Morris [Irlande (pays)]Digital Diva: Opera on Video
000069 (1990) Jeannie WilliamsA Sense of Awe
000070 (1983) Maria F. RichOPERA USA—PERSPECTIVE
000071 (2001) Eugene H. CropseyAmerican Premieres of Bellini's Lesser-Known Operas
000072 (2007) W. Anthony Sheppard [États-Unis]The Cambridge Companion to Twentieth-Century Opera
000074 (2010) Han ShangyiThe Design and Style of Opera Films
000075 (2010) Xinyu Dong [États-Unis]Meeting of the Eyes: Invented Gesture, Cinematic Choreography, and Mei Lanfang's Kun Opera Film
000076 (2008) Daniel Herwitz [États-Unis]Writing American Opera: William Bolcom on Music, Language, and Theater
000077 (2010) Paola Iovene [États-Unis]Chinese Operas on Stage and Screen: A Short Introduction
000080 (2010) Andrea S. Goldman [États-Unis]Joshua Goldstein: Drama Kings: Players and Publics in the Re-creation of Peking Opera, 18701937
000082 (2009) Sinad O'NeillGetting out of the House: Unorthodox Performance Spaces in Recent British and Irish Productions
000083 (1983) Maria F. RichOPERA USA—PERSPECTIVE

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