0027-4224 < 0027-4631 < 0027-4909

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 309.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000081 (1945)	Richard Engl Nder	THE STRUGGLE BETWEEN GERMAN AND ITALIAN OPERA AT THE TIME OF WEBER
000095 (1935)	Paul Bekker	THE OPERA WALKS NEW PATHS
000112 (1921)	George Cecil	IMPRESSIONS OF OPERA IN FRANCE
000127 (1929)	Franz Montgomery	EARLY CRITICISM OF ITALIAN OPERA IN ENGLAND
000128 (1959)	R. Morgan Longyear	NOTES ON THE RESCUE OPERA
000133 (1922)	W. J. Lawrence	EARLY IRISH BALLAD OPERA AND COMIC OPERA
000146 (2001)	Michael P. Steinberg	Opera and Cultural Analysis: The Case of Hans Pfitzner's Palestrina
000165 (2004)	Marcia J. Citron	Operatic Style and Structure in Coppola’s Godfather Trilogy
000169 (1951)	H. W. Heinsheimer	OPERA IN AMERICA TODAY
000198 (1946)	Donald Jay Grout	GERMAN BAROQUE OPERA
000202 (1973)	Pat Rogers	THE CRITIQUE OF OPERA IN POPE'S DUNCIAD
000205 (1966)	R. M. Longyear	SCHILLER AND OPERA
000218 (1945)	Siegmund A. E. Betz	THE OPERATIC CRITICISM OF THE TATLER AND SPECTATOR
000227 (1994)	Marcia J. Citron	A Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera
000241 (1939)	Paul-Marie Masson	RAMEAU AND WAGNER
000249 (1924)	Edgar Istel	FOR A REVERSION TO OPERA
000251 (1915)	Edgar Istel	GERMAN OPERA SINCE RICHARD WAGNER
000254 (1927)	William Saunders	NATIONAL OPERA, COMPARATIVELY CONSIDERED
000266 (1977)	Aubrey S. Garlington	GERMAN ROMANTIC OPERA AND THE PROBLEM OF ORIGINS
000284 (1997)	Todd S. Gilman	Handels Hercules and Its Semiosis
000287 (1946)	François Raguenet	A COMPARISON BETWEEN THE FRENCH AND ITALIAN MUSIC

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