0016-8025 < 0016-8777 < 0016-8831

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 22.
[0-20] [0 - 20][0 - 22][20-21][20-40]

Ident.	Authors (with country if any)	Title
000078 (2007)	Áine Mcmurtry	Reading Tristan in Ingeborg Bachmann's Ich weiss keine bessere Welt and Malina
000114 (2004)	Meg Mumford	Pina Bausch Choreographs Blaubart: A Transgressive or Regressive Act?
000121 (1973)	Charles Findlay	THE OPERA AND OPERATIC ELEMENTS IN THE FRAGMENTARY BIOGRAPHY OF JOHANNES KREISLER
000184 (1993)	Sarah Colvin	THE CLASSICAL WITCH AND THE CHRISTIAN MARTYR: TWO IDEAS OF WOMAN IN HAMBURG BAROQUE OPERA LIBRETTI
000197 (1982)	Helen Watanabe Kelly	BARTHOLD FEIND'S LIBRETTO OCTAVIA (1705) AND THE ‘SCHULDRAMA’ TRADITION
000449 (1939)	Herma Fiedler	GERMAN MUSICIANS IN ENGLAND AND THEIR INFLUENCE TO THE END OF THE EIGHTEENTH CENTURY
000522 (2008)	Simon Richter	The Return of the Queen of the Night: Joseph von Sternberg's Der blaue Engel and Die Zauberflöte
000569 (1975)	Peter Branscombe	AN OLD VIENNESE OPERA PARODY AND A NEW NESTROY MANUSCRIPT
000596 (1985)	John Osborne	LENZ, ZIMMERMANN, KIPPHARDT: ADAPTATION AS CLOSURE
000A36 (1988)	John Warren	ERNST KRENEK AND MAX BRAND ‐ TWO AUSTRIANS AT THE ‘COURT’ OF WEIMAR
000A38 (1957)	Roy Pascal	FOUR FAUSTS: FROM W. S. GILBERT TO FERRUCCIO BUSONI
000E74 (1955)	Ursula Scharf	HOFMANNSTHAL'S LIBRETTI
001070 (1966)	E. M. Batley	THE INCEPTION OF ‘SINGSPIEL’ IN EIGHTEENTH‐CENTURY SOUTHERN GERMANY
001219 (1965)	Christopher Middleton	A TALK ON ATHENERKOMÖDIE
001303 (1995)	Derek Mcculloch	A LESSON ON THE KING OF PRUSSIA: A NEW LOOK AT THE COMPOSITIONS OF FREDERICK THE GREAT
001633 (1939)	A. Gillers ; L. A. Willoughby	NOTES ON NEW BOOKS
001642 (1950)	A. Gillers ; L. A. Willoughby	NOTES ON NEW BOOKS
001756 (1982)	J. P. Wieczorek	‘DIE GROSSEN TATEN IN VERSCHIEDENEN ZUNGEN’. JOHANNES BOBROWSKI'S LITAUISCHE CLAVIERE
001975 (1972)	M. B. Benn	COMMENTS OF AN ADVOCATUS DIABOLI  ON MÖRIKE'S MOZART AUF DER REISE NACH PRAG
001A56 (1996)	Mark M. Anderson	‘JEWISH’ MIMESIS? IMITATION AND ASSIMILATION IN THOMAS MANN'S ‘WÄLSUNGENBLUT’ AND LUDWIG JACOBOWSKI'S WERTHER, DER JUDE
001A58 (1975)	A. F. Bance	THE KASPAR HAUSER LEGEND AND ITS LITERARY SURVIVAL

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