The internal world of Don Giovanni
Identifieur interne : 000136 ( Istex/Curation ); précédent : 000135; suivant : 000137The internal world of Don Giovanni
Auteurs : Richard Rusbridger [Royaume-Uni]Source :
- The International Journal of Psychoanalysis [ 0020-7578 ] ; 2008-02.
English descriptors
Abstract
The author tries to account for the disturbing impact of Mozart’s opera Don Giovanni. Some writers idealize Don Giovanni’s power and vitality. The author view is that Mozart’s music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part‐objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.
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DOI: 10.1111/j.1745-8315.2007.00004.x
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ISTEX:E0EFE05CAE96183C8270AD99792684C4A7AD4702Le document en format XML
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<front><div type="abstract" xml:lang="en">The author tries to account for the disturbing impact of Mozart’s opera Don Giovanni. Some writers idealize Don Giovanni’s power and vitality. The author view is that Mozart’s music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part‐objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.</div>
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