An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)
Identifieur interne : 001875 ( Istex/Corpus ); précédent : 001874; suivant : 001876An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)
Auteurs : Bruno FormentSource :
- Early Music [ 0306-1078 ] ; 2010-08.
Url:
DOI: 10.1093/em/caq067
Links to Exploration step
ISTEX:A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title><author wicri:is="90%"><name sortKey="Forment, Bruno" sort="Forment, Bruno" uniqKey="Forment B" first="Bruno" last="Forment">Bruno Forment</name><affiliation><mods:affiliation>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and Francqui fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music and Studi musicali. In 2009, the Swiss Musicological Society awarded him the first Jacques-Handschin Preis fr Musikforschung.</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: bruno@brunoforment.be</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536</idno><date when="2010" year="2010">2010</date><idno type="doi">10.1093/em/caq067</idno><idno type="url">https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001875</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title><author wicri:is="90%"><name sortKey="Forment, Bruno" sort="Forment, Bruno" uniqKey="Forment B" first="Bruno" last="Forment">Bruno Forment</name><affiliation><mods:affiliation>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and Francqui fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music and Studi musicali. In 2009, the Swiss Musicological Society awarded him the first Jacques-Handschin Preis fr Musikforschung.</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: bruno@brunoforment.be</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Early Music</title><idno type="ISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date type="published" when="2010-08">2010-08</date><biblScope unit="volume">38</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="387">387</biblScope><biblScope unit="page" to="402">402</biblScope></imprint><idno type="ISSN">0306-1078</idno></series><idno type="istex">A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536</idno><idno type="DOI">10.1093/em/caq067</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0306-1078</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader></TEI><istex><corpusName>oup</corpusName><author><json:item><name>Bruno Forment</name><affiliations><json:string>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and Francqui fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music and Studi musicali. In 2009, the Swiss Musicological Society awarded him the first Jacques-Handschin Preis fr Musikforschung.</json:string><json:string>E-mail: bruno@brunoforment.be</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>ARTICLES</value></json:item></subject><language><json:string>eng</json:string></language><qualityIndicators><score>5.012</score><pdfVersion>1.3</pdfVersion><pdfPageSize>536 x 697 pts</pdfPageSize><refBibsNative>false</refBibsNative><keywordCount>1</keywordCount><abstractCharCount>0</abstractCharCount><pdfWordCount>6653</pdfWordCount><pdfCharCount>41762</pdfCharCount><pdfPageCount>16</pdfPageCount><abstractWordCount>1</abstractWordCount></qualityIndicators><title>An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title><genre><json:string>research-article</json:string></genre><host><volume>38</volume><pages><last>402</last><first>387</first></pages><issn><json:string>0306-1078</json:string></issn><issue>3</issue><genre></genre><language><json:string>unknown</json:string></language><eissn><json:string>1741-7260</json:string></eissn><title>Early Music</title></host><categories><wos><json:string>MUSIC</json:string></wos></categories><publicationDate>2010</publicationDate><copyrightDate>2010</copyrightDate><doi><json:string>10.1093/em/caq067</json:string></doi><id>A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536</id><fulltext><json:item><original>true</original><mimetype>application/pdf</mimetype><extension>pdf</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/fulltext/pdf</uri></json:item><json:item><original>false</original><mimetype>application/zip</mimetype><extension>zip</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a">An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title><respStmt xml:id="ISTEX-API" resp="Références bibliographiques récupérées via GROBID" name="ISTEX-API (INIST-CNRS)"></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher>Oxford University Press</publisher><availability><p>OUP</p></availability><date>2010</date></publicationStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a">An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title><author><persName><forename type="first">Bruno</forename><surname>Forment</surname></persName><email>bruno@brunoforment.be</email><affiliation>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and Francqui fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music and Studi musicali. In 2009, the Swiss Musicological Society awarded him the first Jacques-Handschin Preis fr Musikforschung.</affiliation></author></analytic><monogr><title level="j">Early Music</title><idno type="pISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date type="published" when="2010-08"></date><biblScope unit="volume">38</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="387">387</biblScope><biblScope unit="page" to="402">402</biblScope></imprint></monogr><idno type="istex">A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536</idno><idno type="DOI">10.1093/em/caq067</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2010</date></creation><langUsage><language ident="en">en</language></langUsage><textClass><keywords scheme="keyword"><list><item><term>ARTICLES</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2010-08">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2016-3-14">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><original>false</original><mimetype>text/plain</mimetype><extension>txt</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus oup" wicri:toSee="no header"><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article"><front><journal-meta><journal-id journal-id-type="hwp">earlyj</journal-id><journal-id journal-id-type="publisher-id">earlyj</journal-id><journal-title>Early Music</journal-title><issn pub-type="epub">1741-7260</issn><issn pub-type="ppub">0306-1078</issn><publisher><publisher-name>Oxford University Press</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1093/em/caq067</article-id><article-categories><subj-group><subject>ARTICLES</subject></subj-group></article-categories><title-group><article-title>An enigmatic souvenir of Venetian opera: Alessandro Piazza's <italic>Teatro</italic> (1702)</article-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Forment</surname><given-names>Bruno</given-names></name></contrib></contrib-group><aff>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and ‘Francqui’ fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for <italic>Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music</italic> and <italic>Studi musicali</italic>. In 2009, the Swiss Musicological Society awarded him the first ‘Jacques-Handschin Preis für Musikforschung’. <email>bruno@brunoforment.be</email></aff><pub-date pub-type="ppub"><month>08</month><year>2010</year></pub-date><volume>38</volume><issue>3</issue><fpage>387</fpage><lpage>402</lpage><permissions><copyright-statement><italic>Early Music</italic>, Vol. XXXVIII, No. 3 © The Author 2010. Published by Oxford University Press. All rights reserved.</copyright-statement><copyright-year>2010</copyright-year></permissions></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo><title>An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)</title></titleInfo><name type="personal"><namePart type="given">Bruno</namePart><namePart type="family">Forment</namePart><affiliation>Bruno Forment is a postdoctoral fellow of the Flemish Fund for Scientific Research at Ghent University, Belgium. In the recent past, he visited the University of Southern California as a Fulbright-Hays grantee and Francqui fellow of the Belgian American Educational Foundation. Forment's current research centres on the role of memory in the production and consumption of opera seria. His publications include articles for Rivista italiana di musicologia, Music in art, Journal of Seventeenth-century Music and Studi musicali. In 2009, the Swiss Musicological Society awarded him the first Jacques-Handschin Preis fr Musikforschung.</affiliation><affiliation>E-mail: bruno@brunoforment.be</affiliation></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article"></genre><subject><topic>ARTICLES</topic></subject><originInfo><publisher>Oxford University Press</publisher><dateIssued encoding="w3cdtf">2010-08</dateIssued><copyrightDate encoding="w3cdtf">2010</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><relatedItem type="host"><titleInfo><title>Early Music</title></titleInfo><genre type="Journal">journal</genre><identifier type="ISSN">0306-1078</identifier><identifier type="eISSN">1741-7260</identifier><identifier type="PublisherID">earlyj</identifier><identifier type="PublisherID-hwp">earlyj</identifier><part><date>2010</date><detail type="volume"><caption>vol.</caption><number>38</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>387</start><end>402</end></extent></part></relatedItem><identifier type="istex">A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536</identifier><identifier type="DOI">10.1093/em/caq067</identifier><accessCondition type="use and reproduction" contentType="copyright">Early Music, Vol. XXXVIII, No. 3 The Author 2010. Published by Oxford University Press. All rights reserved.</accessCondition><recordInfo><recordContentSource>OUP</recordContentSource></recordInfo></mods></metadata><covers><json:item><original>true</original><mimetype>image/tiff</mimetype><extension>tiff</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/covers/tiff</uri></json:item></covers><annexes><json:item><original>true</original><mimetype>image/jpeg</mimetype><extension>jpeg</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/annexes/jpeg</uri></json:item><json:item><original>true</original><mimetype>image/gif</mimetype><extension>gif</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/annexes/gif</uri></json:item><json:item><original>true</original><mimetype>application/pdf</mimetype><extension>pdf</extension><uri>https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/annexes/pdf</uri></json:item></annexes><enrichments><istex:catWosTEI uri="https://api.istex.fr/document/A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536/enrichments/catWos"><teiHeader><profileDesc><textClass><classCode scheme="WOS">MUSIC</classCode></textClass></profileDesc></teiHeader></istex:catWosTEI></enrichments><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001875 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 001875 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:A80B4C1FDBE3C1BCD229A141F5FD927BB78EA536
|texte= An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702)
}}
| This area was generated with Dilib version V0.6.21. |  |