Sound=Space Opera: choreographing life within an interactive musical environment
Identifieur interne : 001176 ( Istex/Corpus ); précédent : 001175; suivant : 001177Sound=Space Opera: choreographing life within an interactive musical environment
Auteurs : Ana Paula Almeida ; Luis Miguel Girão ; Rolf Gehlhaar ; Paulo Maria Rodrigues ; Helena Rodrigues ; Paulo Neto ; Maria M NicaSource :
- International Journal on Disability and Human Development [ 2191-1231 ] ; 2011-03-01.
Abstract
This paper aims to describe the different stages of the artistic project SOUND=SPACE Opera, held at Casa da Música, Porto, Portugal and presented during the festival Ao Alcance de Todos (Accessible to All) during 15–19 April, 2008. A series of creative workshops using an interactive musical environment, created by Rolf Gehlhaar in 1984, were run for several weeks with a group of six adolescents with special needs, mainly suffering from Down Syndrome. The translation of their day-by-day experiences into sounds and movements resulted in two final performances which were the public surface of a very empowering and rewarding process that intended to improve the quality of life of those who participated.
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DOI: 10.1515/ijdhd.2011.006
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Portugal</mods:affiliation></affiliation></author><author><name sortKey="Rodrigues, Paulo Maria" sort="Rodrigues, Paulo Maria" uniqKey="Rodrigues P" first="Paulo Maria" last="Rodrigues">Paulo Maria Rodrigues</name><affiliation><mods:affiliation>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</mods:affiliation></affiliation></author><author><name sortKey="Rodrigues, Helena" sort="Rodrigues, Helena" uniqKey="Rodrigues H" first="Helena" last="Rodrigues">Helena Rodrigues</name><affiliation><mods:affiliation>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</mods:affiliation></affiliation></author><author><name sortKey="Neto, Paulo" sort="Neto, Paulo" uniqKey="Neto P" first="Paulo" last="Neto">Paulo Neto</name><affiliation><mods:affiliation>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de 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A series of creative workshops using an interactive musical environment, created by Rolf Gehlhaar in 1984, were run for several weeks with a group of six adolescents with special needs, mainly suffering from Down Syndrome. The translation of their day-by-day experiences into sounds and movements resulted in two final performances which were the public surface of a very empowering and rewarding process that intended to improve the quality of life of those who participated.</div></front></TEI><istex><corpusName>degruyter-journals</corpusName><author><json:item><name>Ana Paula Almeida</name><affiliations><json:string>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</json:string></affiliations></json:item><json:item><name>Luis Miguel Girão</name></json:item><json:item><name>Rolf Gehlhaar</name><affiliations><json:string>Artshare Lda., Incubadora de Empresas da Universidade de Aveiro, Campus Universitário Santiago, Aveiro, Portugal</json:string></affiliations></json:item><json:item><name>Paulo Maria Rodrigues</name><affiliations><json:string>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</json:string></affiliations></json:item><json:item><name>Helena Rodrigues</name><affiliations><json:string>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</json:string></affiliations></json:item><json:item><name>Paulo Neto</name><affiliations><json:string>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</json:string></affiliations></json:item><json:item><name>Maria Mónica</name><affiliations><json:string>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>Original Articles</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>cooperation</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>daily life experiences</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>interaction</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>musical topologies</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>participation</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>perceptive embodied awareness</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>taking ownership</value></json:item></subject><language><json:string>eng</json:string></language><abstract>This paper aims to describe the different stages of the artistic project SOUND=SPACE Opera, held at Casa da Música, Porto, Portugal and presented during the festival Ao Alcance de Todos (Accessible to All) during 15–19 April, 2008. 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A series of creative workshops using an interactive musical environment, created by Rolf Gehlhaar in 1984, were run for several weeks with a group of six adolescents with special needs, mainly suffering from Down Syndrome. The translation of their day-by-day experiences into sounds and movements resulted in two final performances which were the public surface of a very empowering and rewarding process that intended to improve the quality of life of those who participated.</p></abstract><textClass><keywords scheme="keyword"><list><item><term>Original Articles</term></item></list></keywords></textClass><textClass><keywords scheme="keyword"><list><head>Keywords</head><item><term>cooperation</term></item><item><term>daily life experiences</term></item><item><term>interaction</term></item><item><term>musical topologies</term></item><item><term>participation</term></item><item><term>perceptive embodied awareness</term></item><item><term>taking ownership</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2011-03-09">Created</change><change when="2011-03-01">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2016-3-13">References 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Gruyter</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">ijdhd.2011.006</article-id><article-id pub-id-type="doi">10.1515/ijdhd.2011.006</article-id><article-categories><subj-group><subject>Original Articles</subject></subj-group></article-categories><title-group><article-title><italic>Sound=Space Opera</italic>: choreographing life within an interactive musical environment</article-title></title-group><contrib-group><contrib contrib-type="author"><name name-style="western"><given-names>Ana Paula</given-names><x> </x><surname>Almeida</surname></name><email>ap.rochalmeida@gmail.com</email><xref ref-type="aff" rid="aff1"><sup>1</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Luis Miguel</given-names><x> </x><surname>Girão</surname></name><xref ref-type="aff" rid="aff2 aff3"><sup>2,3</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Rolf</given-names><x> </x><surname>Gehlhaar</surname></name><xref ref-type="aff" rid="aff2"><sup>2</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Paulo Maria</given-names><x> </x><surname>Rodrigues</surname></name><xref ref-type="aff" rid="aff4"><sup>4</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Helena</given-names><x> </x><surname>Rodrigues</surname></name><xref ref-type="aff" rid="aff1"><sup>1</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Paulo</given-names><x> </x><surname>Neto</surname></name><xref ref-type="aff" rid="aff4"><sup>5</sup></xref><x>, </x></contrib><contrib contrib-type="author"><name name-style="western"><given-names>Maria</given-names><x> </x><surname>Mónica</surname></name><xref ref-type="aff" rid="aff4"><sup>5</sup></xref><x>, </x></contrib><aff id="aff1"><sup>1</sup>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</aff><aff id="aff2"><sup>2</sup>Artshare Lda., Incubadora de Empresas da Universidade de Aveiro, Campus Universitário Santiago, Aveiro, Portugal</aff><aff id="aff3"><sup>3</sup>Planetary Collegium, CaiiA Hub, Faculty of Technology, University of Plymouth, Plymouth, UK</aff><aff id="aff4"><sup>4</sup>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</aff><aff id="aff5"><sup>5</sup>Education Service, Fundação Casa da Música, Porto, Portugal</aff></contrib-group><author-notes><corresp>Corresponding author: Ana Paula Almeida, BA, MA, PhD Student, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, CESEM, LAMCI, Av. de Berna, 26, C, 1069-061 Lisbon, Portugal</corresp></author-notes><pub-date pub-type="ppub"><day>1</day><month>3</month><year>2011</year><string-date>March 2011</string-date></pub-date><pub-date pub-type="epub"><day>09</day><month>03</month><year>2011</year></pub-date><volume>10</volume><issue>1</issue><issue-title>Special Issue on Disability, Virtual Reality, ArtAbilitation and Music Editors: Anthony L. Brooks, Paul Sharkey and Joav Merrick</issue-title><fpage>49</fpage><lpage>53</lpage><history><date date-type="received"><day>1</day><month>11</month><year>2010</year></date><date date-type="accepted"><day>1</day><month>12</month><year>2010</year></date></history><copyright-statement>©2011 by Walter de Gruyter Berlin New York</copyright-statement><copyright-year>2011</copyright-year><related-article related-article-type="pdf" xlink:href="ijdhd.2011.006.pdf"></related-article><abstract><title>Abstract</title><p>This paper aims to describe the different stages of the artistic project <italic>SOUND=SPACE Opera</italic>, held at Casa da Música, Porto, Portugal and presented during the festival <italic>Ao Alcance de Todos</italic> (Accessible to All) during 15–19 April, 2008. A series of creative workshops using an interactive musical environment, created by Rolf Gehlhaar in 1984, were run for several weeks with a group of six adolescents with special needs, mainly suffering from Down Syndrome. The translation of their day-by-day experiences into sounds and movements resulted in two final performances which were the public surface of a very empowering and rewarding process that intended to improve the quality of life of those who participated.</p></abstract><kwd-group><title>Keywords</title><kwd>cooperation</kwd><x>, </x><kwd>daily life experiences</kwd><x>, </x><kwd>interaction</kwd><x>, </x><kwd>musical topologies</kwd><x>, </x><kwd>participation</kwd><x>, </x><kwd>perceptive embodied awareness</kwd><x>, </x><kwd>taking ownership</kwd></kwd-group><counts><fig-count count="3"></fig-count><table-count count="0"></table-count><ref-count count="5"></ref-count></counts></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Sound=Space Opera: choreographing life within an interactive musical environment</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Sound=Space Opera: choreographing life within an interactive musical environment</title></titleInfo><name type="personal"><namePart type="given">Ana Paula</namePart><namePart type="family">Almeida</namePart><affiliation>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Luis Miguel</namePart><namePart type="family">Girão</namePart><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Rolf</namePart><namePart type="family">Gehlhaar</namePart><affiliation>Artshare Lda., Incubadora de Empresas da Universidade de Aveiro, Campus Universitário Santiago, Aveiro, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Paulo Maria</namePart><namePart type="family">Rodrigues</namePart><affiliation>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Helena</namePart><namePart type="family">Rodrigues</namePart><affiliation>CESEM, Musical Development in Infancy and Early Childhood Project, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Lisbon, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Paulo</namePart><namePart type="family">Neto</namePart><affiliation>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Maria</namePart><namePart type="family">Mónica</namePart><affiliation>Universidade de Aveiro, Departamento de Comunicação e Arte, Campus Universitário de Santiago, Aveiro, Portugal</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article"></genre><subject><topic>Original Articles</topic></subject><originInfo><publisher>Walter de Gruyter</publisher><dateIssued encoding="w3cdtf">2011-03-01</dateIssued><dateCreated encoding="w3cdtf">2011-03-09</dateCreated><copyrightDate encoding="w3cdtf">2011</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType><extent unit="figures">3</extent><extent unit="references">5</extent></physicalDescription><abstract lang="en">This paper aims to describe the different stages of the artistic project SOUND=SPACE Opera, held at Casa da Música, Porto, Portugal and presented during the festival Ao Alcance de Todos (Accessible to All) during 15–19 April, 2008. A series of creative workshops using an interactive musical environment, created by Rolf Gehlhaar in 1984, were run for several weeks with a group of six adolescents with special needs, mainly suffering from Down Syndrome. The translation of their day-by-day experiences into sounds and movements resulted in two final performances which were the public surface of a very empowering and rewarding process that intended to improve the quality of life of those who participated.</abstract><note type="author-notes">Corresponding author: Ana Paula Almeida, BA, MA, PhD Student, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, CESEM, LAMCI, Av. de Berna, 26, C, 1069-061 Lisbon, Portugal</note><subject><genre>Keywords</genre><topic>cooperation</topic><topic>daily life experiences</topic><topic>interaction</topic><topic>musical topologies</topic><topic>participation</topic><topic>perceptive embodied awareness</topic><topic>taking ownership</topic></subject><relatedItem type="host"><titleInfo><title>International Journal on Disability and Human Development</title></titleInfo><titleInfo type="abbreviated"><title>International Journal on Disability and Human Development</title></titleInfo><genre type="Journal">journal</genre><identifier type="ISSN">2191-1231</identifier><identifier type="eISSN">2191-0367</identifier><identifier type="PublisherID">ijdhd</identifier><part><date>2011</date><detail type="title"><title>Special Issue on Disability, Virtual Reality, ArtAbilitation and Music Editors: Anthony L. Brooks, Paul Sharkey and Joav Merrick</title></detail><detail type="volume"><caption>vol.</caption><number>10</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>49</start><end>53</end></extent></part></relatedItem><relatedItem type="reviewOf"><genre>pdf</genre><identifier type="pdf">ijdhd.2011.006.pdf</identifier></relatedItem><identifier type="istex">E9B3738AEB1153F81530C4978A7AD8E346C7E583</identifier><identifier type="DOI">10.1515/ijdhd.2011.006</identifier><identifier type="ArticleID">ijdhd.2011.006</identifier><identifier type="Related-article-Href">ijdhd.2011.006.pdf</identifier><accessCondition type="use and reproduction" contentType="copyright">©2011 by Walter de Gruyter Berlin New York</accessCondition><recordInfo><recordContentSource>De Gruyter</recordContentSource></recordInfo></mods></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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