Hearing Ability in Orchestral Musicians
Identifieur interne : 000D13 ( Istex/Corpus ); précédent : 000D12; suivant : 000D14Hearing Ability in Orchestral Musicians
Auteurs : Małgorzata Pawlaczyk-Łuszczy Ska ; Adam Dudarewicz ; Małgorzata Zamojska ; Mariola Liwi Ska-KowalskaSource :
- Archives of Acoustics [ 0137-5075 ] ; 2010-12-01.
English descriptors
- KwdEn :
Abstract
Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.
Url:
DOI: 10.2478/v10168-010-0044-y
Links to Exploration step
ISTEX:5A64EE31359334035FB5DD7EFAAAABE33593BDF9Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Hearing Ability in Orchestral Musicians</title><author><name sortKey="Pawlaczyk Uszczy Ska, Malgorzata" sort="Pawlaczyk Uszczy Ska, Malgorzata" uniqKey="Pawlaczyk Uszczy Ska M" first="Małgorzata" last="Pawlaczyk-Łuszczy Ska">Małgorzata Pawlaczyk-Łuszczy Ska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey="Dudarewicz, Adam" sort="Dudarewicz, Adam" uniqKey="Dudarewicz A" first="Adam" last="Dudarewicz">Adam Dudarewicz</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey="Zamojska, Malgorzata" sort="Zamojska, Malgorzata" uniqKey="Zamojska M" first="Małgorzata" last="Zamojska">Małgorzata Zamojska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey=" Liwi Ska Kowalska, Mariola" sort=" Liwi Ska Kowalska, Mariola" uniqKey=" Liwi Ska Kowalska M" first="Mariola" last=" Liwi Ska-Kowalska">Mariola Liwi Ska-Kowalska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:5A64EE31359334035FB5DD7EFAAAABE33593BDF9</idno><date when="2010-12-24" year="2010">2010-12-24</date><idno type="doi">10.2478/v10168-010-0044-y</idno><idno type="url">https://api.istex.fr/document/5A64EE31359334035FB5DD7EFAAAABE33593BDF9/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000D13</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Hearing Ability in Orchestral Musicians</title><author><name sortKey="Pawlaczyk Uszczy Ska, Malgorzata" sort="Pawlaczyk Uszczy Ska, Malgorzata" uniqKey="Pawlaczyk Uszczy Ska M" first="Małgorzata" last="Pawlaczyk-Łuszczy Ska">Małgorzata Pawlaczyk-Łuszczy Ska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey="Dudarewicz, Adam" sort="Dudarewicz, Adam" uniqKey="Dudarewicz A" first="Adam" last="Dudarewicz">Adam Dudarewicz</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey="Zamojska, Malgorzata" sort="Zamojska, Malgorzata" uniqKey="Zamojska M" first="Małgorzata" last="Zamojska">Małgorzata Zamojska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author><author><name sortKey=" Liwi Ska Kowalska, Mariola" sort=" Liwi Ska Kowalska, Mariola" uniqKey=" Liwi Ska Kowalska M" first="Mariola" last=" Liwi Ska-Kowalska">Mariola Liwi Ska-Kowalska</name><affiliation><mods:affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Archives of Acoustics</title><idno type="ISSN">0137-5075</idno><imprint><publisher>Versita</publisher><date type="published" when="2010-12-01">2010-12-01</date><biblScope unit="volume">35</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="579">579</biblScope><biblScope unit="page" to="594">594</biblScope></imprint><idno type="ISSN">0137-5075</idno></series><idno type="istex">5A64EE31359334035FB5DD7EFAAAABE33593BDF9</idno><idno type="DOI">10.2478/v10168-010-0044-y</idno><idno type="ArticleID">v10168-010-0044-y</idno><idno type="Related-article-Href">v10168-010-0044-y.pdf</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0137-5075</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>exposure to orchestral noise</term><term>hearing impairment</term><term>musicians</term><term>pure-tone audiometry</term><term>transient-evoked otoacoustic emissions</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.</div></front></TEI><istex><corpusName>degruyter-journals</corpusName><author><json:item><name>Małgorzata Pawlaczyk-Łuszczyńska</name><affiliations><json:string>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</json:string></affiliations></json:item><json:item><name>Adam Dudarewicz</name><affiliations><json:string>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</json:string></affiliations></json:item><json:item><name>Małgorzata Zamojska</name><affiliations><json:string>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</json:string></affiliations></json:item><json:item><name>Mariola Śliwińska-Kowalska</name><affiliations><json:string>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>musicians</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>exposure to orchestral noise</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>hearing impairment</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>pure-tone audiometry</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>transient-evoked otoacoustic emissions</value></json:item></subject><language><json:string>eng</json:string></language><abstract>Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.</abstract><qualityIndicators><score>8.185</score><pdfVersion>1.6</pdfVersion><pdfPageSize>595 x 842 pts (A4)</pdfPageSize><refBibsNative>false</refBibsNative><keywordCount>5</keywordCount><abstractCharCount>1122</abstractCharCount><pdfWordCount>4825</pdfWordCount><pdfCharCount>32471</pdfCharCount><pdfPageCount>16</pdfPageCount><abstractWordCount>155</abstractWordCount></qualityIndicators><title>Hearing Ability in Orchestral Musicians</title><genre><json:string>research-article</json:string></genre><host><volume>35</volume><pages><last>594</last><first>579</first></pages><issn><json:string>0137-5075</json:string></issn><issue>4</issue><genre></genre><language><json:string>unknown</json:string></language><title>Archives of Acoustics</title></host><publicationDate>2010</publicationDate><doi><json:string>10.2478/v10168-010-0044-y</json:string></doi><id>5A64EE31359334035FB5DD7EFAAAABE33593BDF9</id><fulltext><json:item><original>true</original><mimetype>application/pdf</mimetype><extension>pdf</extension><uri>https://api.istex.fr/document/5A64EE31359334035FB5DD7EFAAAABE33593BDF9/fulltext/pdf</uri></json:item><json:item><original>false</original><mimetype>application/zip</mimetype><extension>zip</extension><uri>https://api.istex.fr/document/5A64EE31359334035FB5DD7EFAAAABE33593BDF9/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/5A64EE31359334035FB5DD7EFAAAABE33593BDF9/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Hearing Ability in Orchestral Musicians</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher>Versita</publisher><availability><p>De Gruyter</p></availability><date>2010-12-24</date></publicationStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Hearing Ability in Orchestral Musicians</title><author><persName><forename type="first">Małgorzata</forename><surname>Pawlaczyk-Łuszczyńska</surname></persName><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation></author><author><persName><forename type="first">Adam</forename><surname>Dudarewicz</surname></persName><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation></author><author><persName><forename type="first">Małgorzata</forename><surname>Zamojska</surname></persName><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation></author><author><persName><forename type="first">Mariola</forename><surname>Śliwińska-Kowalska</surname></persName><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation></author></analytic><monogr><title level="j">Archives of Acoustics</title><idno type="pISSN">0137-5075</idno><imprint><publisher>Versita</publisher><date type="published" when="2010-12-01"></date><biblScope unit="volume">35</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="579">579</biblScope><biblScope unit="page" to="594">594</biblScope></imprint></monogr><idno type="istex">5A64EE31359334035FB5DD7EFAAAABE33593BDF9</idno><idno type="DOI">10.2478/v10168-010-0044-y</idno><idno type="ArticleID">v10168-010-0044-y</idno><idno type="Related-article-Href">v10168-010-0044-y.pdf</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2010-12-24</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.</p></abstract><textClass xml:lang="en"><keywords scheme="keyword"><list><head>Keywords</head><item><term>musicians</term></item><item><term>exposure to orchestral noise</term></item><item><term>hearing impairment</term></item><item><term>pure-tone audiometry</term></item><item><term>transient-evoked otoacoustic emissions</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2010-12-24">Created</change><change when="2010-12-01">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><original>false</original><mimetype>text/plain</mimetype><extension>txt</extension><uri>https://api.istex.fr/document/5A64EE31359334035FB5DD7EFAAAABE33593BDF9/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus degruyter-journals" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="utf-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v3.0 20080202//EN" URI="journalpublishing3.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article" dtd-version="3.0" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">AOA</journal-id><journal-title-group><abbrev-journal-title abbrev-type="full">Archives of Acoustics</abbrev-journal-title></journal-title-group><issn pub-type="ppub">0137-5075</issn><publisher><publisher-name>Versita</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">v10168-010-0044-y</article-id><article-id pub-id-type="doi">10.2478/v10168-010-0044-y</article-id><title-group><article-title>Hearing Ability in Orchestral Musicians</article-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Pawlaczyk-Łuszczyńska</surname><given-names>Małgorzata</given-names></name><xref ref-type="aff" rid="A1"><sup>1</sup></xref></contrib><contrib contrib-type="author"><name><surname>Dudarewicz</surname><given-names>Adam</given-names></name><xref ref-type="aff" rid="A1"><sup>1</sup></xref></contrib><contrib contrib-type="author"><name><surname>Zamojska</surname><given-names>Małgorzata</given-names></name><xref ref-type="aff" rid="A1"><sup>1</sup></xref></contrib><contrib contrib-type="author"><name><surname>Śliwińska-Kowalska</surname><given-names>Mariola</given-names></name><xref ref-type="aff" rid="A1"><sup>1</sup></xref></contrib><aff id="A1"><sup>1</sup>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</aff></contrib-group><author-notes><corresp></corresp></author-notes><pub-date pub-type="ppub"><day>1</day><month>12</month><year>2010</year></pub-date><pub-date pub-type="epub"><day>24</day><month>12</month><year>2010</year></pub-date><volume>35</volume><issue>4</issue><fpage>579</fpage><lpage>594</lpage><permissions><license license-type="open-access"><license-p>This content is open access.</license-p></license></permissions><related-article related-article-type="pdf" xlink:href="v10168-010-0044-y.pdf"></related-article><abstract xml:lang="en"><title>Abstract</title><p>Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.</p></abstract><kwd-group xml:lang="en"><title>Keywords</title><kwd>musicians</kwd><kwd>exposure to orchestral noise</kwd><kwd>hearing impairment</kwd><kwd>pure-tone audiometry</kwd><kwd>transient-evoked otoacoustic emissions</kwd></kwd-group></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Hearing Ability in Orchestral Musicians</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Hearing Ability in Orchestral Musicians</title></titleInfo><name type="personal"><namePart type="given">Małgorzata</namePart><namePart type="family">Pawlaczyk-Łuszczyńska</namePart><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Adam</namePart><namePart type="family">Dudarewicz</namePart><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Małgorzata</namePart><namePart type="family">Zamojska</namePart><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Mariola</namePart><namePart type="family">Śliwińska-Kowalska</namePart><affiliation>Department of Physical Hazards, Nofer Institute of Occupational Medicine, św. Teresy 8, 91-348 Łódź, Poland</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article"></genre><originInfo><publisher>Versita</publisher><dateIssued encoding="w3cdtf">2010-12-01</dateIssued><dateCreated encoding="w3cdtf">2010-12-24</dateCreated></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><abstract lang="en">Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.</abstract><subject lang="en"><genre>Keywords</genre><topic>musicians</topic><topic>exposure to orchestral noise</topic><topic>hearing impairment</topic><topic>pure-tone audiometry</topic><topic>transient-evoked otoacoustic emissions</topic></subject><relatedItem type="host"><titleInfo><title>Archives of Acoustics</title></titleInfo><genre type="Journal">journal</genre><identifier type="ISSN">0137-5075</identifier><identifier type="PublisherID">AOA</identifier><part><date>2010</date><detail type="volume"><caption>vol.</caption><number>35</number></detail><detail type="issue"><caption>no.</caption><number>4</number></detail><extent unit="pages"><start>579</start><end>594</end></extent></part></relatedItem><relatedItem type="reviewOf"><genre>pdf</genre><identifier type="pdf">v10168-010-0044-y.pdf</identifier></relatedItem><identifier type="istex">5A64EE31359334035FB5DD7EFAAAABE33593BDF9</identifier><identifier type="DOI">10.2478/v10168-010-0044-y</identifier><identifier type="ArticleID">v10168-010-0044-y</identifier><identifier type="Related-article-Href">v10168-010-0044-y.pdf</identifier><accessCondition type="use and reproduction" contentType="open-access">This content is open access.</accessCondition><recordInfo><recordContentSource>De Gruyter</recordContentSource></recordInfo></mods></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000D13 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000D13 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:5A64EE31359334035FB5DD7EFAAAABE33593BDF9
|texte= Hearing Ability in Orchestral Musicians
}}
| This area was generated with Dilib version V0.6.21. |  |