Il corpus oraziano fra editoria e scuole umanistiche nei secoli XV e XVI
Identifieur interne : 000B58 ( Istex/Corpus ); précédent : 000B57; suivant : 000B59Il corpus oraziano fra editoria e scuole umanistiche nei secoli XV e XVI
Auteurs : Antonio IurilliSource :
- International Journal of the Classical Tradition [ 1073-0508 ] ; 1996-09-01.
Abstract
Abstract: It is difficult to reconstruct the beginnings of the printing history of Horace as they appear to be marked by uncertain attributions, some bibliographical ghosts, and strange episodes of bibliomania, often justified by a desire to backdate an initial publication considered too late for a classical author like Horace, who came to print only in 1470, despite the appearance of one of the most ambiguous documents of Horatian Epicureanism (the famous OdeDiffugere nives …) as an appendix to the first edition of the chief work of Roman stoic ethics, Cicero'sDe officiis, which was printed by Fust and Schöffer in Mainz in 1465. this confirms, on the editorial level, the scant interest shown by early Humanism in Horace's work, which also conforms with its subordinate role in teaching at the time. But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (theEnchiridio), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.
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DOI: 10.1007/BF02677912
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ISTEX:E5AC5F8597003CD0E9950F5137E7BF6FEB78AF08Le document en format XML
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But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (theEnchiridio), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.</div></front></TEI><istex><corpusName>springer</corpusName><author><json:item><name>Antonio Iurilli</name><affiliations><json:string>Dipartimento di Linguistica, Letteratura e Filologia Moderna, Università degli Studi-Bari, Via De Rossi 233, I-70124, Bari, Italy</json:string></affiliations></json:item></author><articleId><json:string>Art2</json:string><json:string>BF02677912</json:string></articleId><language><json:string>eng</json:string></language><abstract>Abstract: It is difficult to reconstruct the beginnings of the printing history of Horace as they appear to be marked by uncertain attributions, some bibliographical ghosts, and strange episodes of bibliomania, often justified by a desire to backdate an initial publication considered too late for a classical author like Horace, who came to print only in 1470, despite the appearance of one of the most ambiguous documents of Horatian Epicureanism (the famous OdeDiffugere nives …) as an appendix to the first edition of the chief work of Roman stoic ethics, Cicero'sDe officiis, which was printed by Fust and Schöffer in Mainz in 1465. this confirms, on the editorial level, the scant interest shown by early Humanism in Horace's work, which also conforms with its subordinate role in teaching at the time. But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (theEnchiridio), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.</abstract><qualityIndicators><score>7.244</score><pdfVersion>1.3</pdfVersion><pdfPageSize>489.28 x 720 pts</pdfPageSize><refBibsNative>false</refBibsNative><keywordCount>0</keywordCount><abstractCharCount>1151</abstractCharCount><pdfWordCount>8424</pdfWordCount><pdfCharCount>39296</pdfCharCount><pdfPageCount>12</pdfPageCount><abstractWordCount>187</abstractWordCount></qualityIndicators><title>Il corpus oraziano fra editoria e scuole umanistiche nei secoli XV e 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But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (theEnchiridio), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.</p></abstract><textClass><keywords scheme="Journal Subject"><list><head>Humanities / Arts</head><item><term>Languages and Literature</term></item><item><term>Classical Studies</term></item><item><term>Arts</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="1996-09-01">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2016-3-2">References 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Language="En"><Heading>Abstract</Heading><Para>It is difficult to reconstruct the beginnings of the printing history of Horace as they appear to be marked by uncertain attributions, some bibliographical ghosts, and strange episodes of bibliomania, often justified by a desire to backdate an initial publication considered too late for a classical author like Horace, who came to print only in 1470, despite the appearance of one of the most ambiguous documents of Horatian Epicureanism (the famous Ode<Emphasis Type="Italic">Diffugere nives</Emphasis> …) as an appendix to the first edition of the chief work of Roman stoic ethics, Cicero's<Emphasis Type="Italic">De officiis</Emphasis>, which was printed by Fust and Schöffer in Mainz in 1465. this confirms, on the editorial level, the scant interest shown by early Humanism in Horace's work, which also conforms with its subordinate role in teaching at the time. But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (the<Emphasis Type="Italic">Enchiridio</Emphasis>), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.</Para></Abstract><AbbreviationGroup><Heading>Abbreviazioni</Heading><DefinitionList><DefinitionListEntry><Term>BMC</Term><Description><Para>British Museum, Department of Printed Books.<Emphasis Type="Italic">Catalogue of Books printed in the XVth century now in the British Museum</Emphasis>, London 1908–1985</Para></Description></DefinitionListEntry><DefinitionListEntry><Term>HCR</Term><Description><Para><Emphasis Type="Italic">consensus</Emphasis> Ludwig Friedrich Theodor Hain,<Emphasis Type="Italic">Repertorium bibliographicum, in quo libri omnes … usque ad annum MD typis expressi ordine alphabetico vel simpliciter enumerantur vel adcuratius recensentur</Emphasis> 1–4, Stuttgartiae et Lutetiae Parisiorum, 1826–1838; Walter Arthur Copinger,<Emphasis Type="Italic">Supplement to Hain's Repertorium bibliographicum, or, Collections toward a new edition of that work</Emphasis>, 2 vols. in 3, London 1895–1902 (rist. Leipzig 1926); Dietrich Reichling,<Emphasis Type="Italic">Appendices ad Hainii-Copingeri Repertorium bibliographicum, additiones et emendationes</Emphasis> 1–7, Monachii 1905–1911, rist. Milano 1944; Id.,<Emphasis Type="Italic">Supplementum (maximam partem e bibliothecis Helvetiae collectum)</Emphasis>, Monasterii Guestphalorum, 1914</Para></Description></DefinitionListEntry><DefinitionListEntry><Term>IAL</Term><Description><Para>Frederick Richmond Goff,<Emphasis Type="Italic">Incunabula in American Libraries. A third census of fifteenth-century books recorded in North American collections</Emphasis>, New York 1964, rist. New York, 1984.</Para></Description></DefinitionListEntry><DefinitionListEntry><Term>ISTC</Term><Description><Para><Emphasis Type="Italic">Incunable Short-Title Catalogue</Emphasis> (base dati in allestimento dal 1979 a cura della British Library di Londra)</Para></Description></DefinitionListEntry><DefinitionListEntry><Term>IGI</Term><Description><Para><Emphasis Type="Italic">Indice generale degli incunabuli delle biblioteche d'Italia</Emphasis>, T. Guarnaschelli, E. Valenziani, E. Cerulli, P. Veneziani (edd.), Roma, 1943–1981</Para></Description></DefinitionListEntry><DefinitionListEntry><Term>IERS</Term><Description><Para><Emphasis Type="Italic">Indice delle edizioni romane a stampa (1467–1500)</Emphasis>, P. Casciano et al. (edd.), in appendice a<Emphasis Type="Italic">Scrittura, biblioteche e stampa a Roma nel Quattrocento. Aspetti e problemi</Emphasis>, Città del Vaticano, 1980</Para></Description></DefinitionListEntry></DefinitionList></AbbreviationGroup><ArticleNote Type="PresentedAt"><SimplePara>Contributo basato su una relazione presentata al terzo congresso dell'ISCT, svoltosi nell'Università di Boston (Boston University) nel marzo 1995.</SimplePara></ArticleNote></ArticleHeader><NoBody></NoBody></Article></Issue></Volume></Journal></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="it"><title>Il corpus oraziano fra editoria e scuole umanistiche nei secoli XV e XVI</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="it"><title>Ilcorpus oraziano fra editoria e scuole umanistiche nei secoli XV e XVI</title></titleInfo><name type="personal"><namePart type="given">Antonio</namePart><namePart type="family">Iurilli</namePart><affiliation>Dipartimento di Linguistica, Letteratura e Filologia Moderna, Università degli Studi-Bari, Via De Rossi 233, I-70124, Bari, Italy</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="OriginalPaper"></genre><originInfo><publisher>Springer-Verlag</publisher><place><placeTerm type="text">New York</placeTerm></place><dateIssued encoding="w3cdtf">1996-09-01</dateIssued><copyrightDate encoding="w3cdtf">1996</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><abstract lang="en">Abstract: It is difficult to reconstruct the beginnings of the printing history of Horace as they appear to be marked by uncertain attributions, some bibliographical ghosts, and strange episodes of bibliomania, often justified by a desire to backdate an initial publication considered too late for a classical author like Horace, who came to print only in 1470, despite the appearance of one of the most ambiguous documents of Horatian Epicureanism (the famous OdeDiffugere nives …) as an appendix to the first edition of the chief work of Roman stoic ethics, Cicero'sDe officiis, which was printed by Fust and Schöffer in Mainz in 1465. this confirms, on the editorial level, the scant interest shown by early Humanism in Horace's work, which also conforms with its subordinate role in teaching at the time. But the revival of Horace as a lyric poet already initiated by Petrarch is evident not only in the brilliant enterprise of Aldo Manuzio (theEnchiridio), but also in the interest shown by European editors (above all Christophe Plantin) in the philological restoration of the Horatian text as well as in the reception of its first translations.</abstract><note>Contributo basato su una relazione presentata al terzo congresso dell'ISCT, svoltosi nell'Università di Boston (Boston University) nel marzo 1995.</note><relatedItem type="host"><titleInfo><title>International Journal of the Classical Tradition</title></titleInfo><titleInfo type="abbreviated"><title>International Journal of the Classical Tradition</title></titleInfo><genre type="Journal" displayLabel="Archive Journal"></genre><originInfo><dateIssued encoding="w3cdtf">1996-09-01</dateIssued><copyrightDate encoding="w3cdtf">1996</copyrightDate></originInfo><subject><genre>Humanities / Arts</genre><topic>Languages and Literature</topic><topic>Classical Studies</topic><topic>Arts</topic></subject><identifier type="ISSN">1073-0508</identifier><identifier type="eISSN">1874-6292</identifier><identifier type="JournalID">12138</identifier><identifier type="IssueArticleCount">9</identifier><identifier type="VolumeIssueCount">4</identifier><part><date>1996</date><detail type="volume"><number>3</number><caption>vol.</caption></detail><detail type="issue"><number>2</number><caption>no.</caption></detail><extent unit="pages"><start>147</start><end>158</end></extent></part><recordInfo><recordOrigin>Springer, 1996</recordOrigin></recordInfo></relatedItem><identifier type="istex">E5AC5F8597003CD0E9950F5137E7BF6FEB78AF08</identifier><identifier type="DOI">10.1007/BF02677912</identifier><identifier type="ArticleID">Art2</identifier><identifier type="ArticleID">BF02677912</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer</accessCondition><recordInfo><recordContentSource>SPRINGER</recordContentSource><recordOrigin>Springer, 1996</recordOrigin></recordInfo></mods></metadata><enrichments><istex:refBibTEI uri="https://api.istex.fr/document/E5AC5F8597003CD0E9950F5137E7BF6FEB78AF08/enrichments/refBib"><teiHeader></teiHeader><text><front></front><body></body><back><listBibl><biblStruct xml:id="b0"><monogr><title level="m" type="main">Sul Muret cf., oltre al vecchio saggio di C. Dejob, Marc-Antoine MuretDe Joachim du Bellay a Pierre Daru: les traductions et adaptations fran~aises de l'ode Exegi monumentum (III,30) ant6rieures au XIX si6cle</title><author><persName><forename type="first">Quinti</forename><surname>Horatii Flacci Opera Cum Scholiis Marci Antonii</surname></persName></author><author><persName><surname>Mureti</surname></persName></author><author><persName><forename type="first">Aldum</forename><surname>Venetiis</surname></persName></author><author><persName><forename type="first">1551</forename><surname>Manutium</surname></persName></author><author><persName><surname>Ii Muret Presso Gli Studi Di</surname></persName></author><author><persName><surname>Venezia</surname></persName></author><author><persName><surname>Padova E Roma</surname></persName></author><imprint><date type="published" when="0191"></date><biblScope unit="page" from="184" to="191"></biblScope><pubPlace>Paris ; II, Cambridge ; poi New York-London</pubPlace></imprint></monogr><note>Muret. 1526-Roma 1585) fu anche oratore. Insegn6 a Bordeaux e a Parigi, prima di fuggire in Italia. Joseph. Ijsewijn, "M. Antonius Muretus epistolographus. Sulla. polemica Muret-Lambin cf. J. E. Sandys, A history of classical scholarship. Publications. de l'Universitd de Tours, Tours, 1988 [ma 1989]</note></biblStruct><biblStruct xml:id="b1"><analytic><title level="a" type="main">Denis Lambin (Montreuil sur merc. 1520, Parigi 1572) form6 la sua cultura filologica nel Collegio del cardinale Lemoine, istituzione scolastica di prim'ordine nella Francia rinascimentale. Frail 1549 e il 1553 e dal 1555 al 1560 fu in Italia al seguito del cardinale di Tournon e nel 1561, sull'onda dei consensi ricevuti per l Mir6 a recuperare l'Aristotele della Politica e dell'Etica a Nicomaco, delle quali propose una riedizione commentata</title></analytic><monogr><title level="m">Comment6 numerosi classici, fra i quali Lucrezio (1563), Cicerone (1565- 1566</title><imprint><date type="published" when="1561"></date><biblScope unit="page" from="12" to="1572"></biblScope></imprint></monogr><note>Prosateurs. latins en France all XVI si~cle, a cura di A. Michel, Paris</note></biblStruct><biblStruct xml:id="b2"><analytic><title level="a" type="main">uscito appunto in quell'anno dall'officina plantiniana; Quinti Horatii Flacci Poemata omnia quibus respondet index Thomae Treteri nuper excusus, Antuerpiae, ex officina Christophori Plantini, 1576; Ars Poetica Horatii Flacci et in earn paraphrasis et parekbolai; sive commentariolum Ioannis Sambuci Tirnaviensis Pannonii, Antuerpiae, ex officina Christophori Plantini, 1564. Sulle edizioni oraziane curate da Plantin cf. Maurice SabbeEssai de bibliographie des 6ditions d'Horace publi6es par Christophe Plantin et ses successeursUHumanisme aux Pays-Bas au temps de Plantin Roersch, L'Humanisme beige ?l l'dpoque de la Renaissance II: The management of a printing and publishing house in Renaissance and Baroque</title><author><persName><surname>Cf</surname></persName></author><author><persName><surname>Antuerpiae</surname></persName></author><author><persName><forename type="first">Christophori</forename><surname>Ex Officina</surname></persName></author><author><persName><surname>Plantini</surname></persName></author></analytic><monogr><title level="m">Quinctus Horatius Flaccus Theodori Pulmanni studio curaque emendatus. Aldi Manutii de metris horatianis Gedenkboek der Plantin-Dagen (1555-1955) The Golden Compasses. A History and Evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp in two volumes: h Christophe Plantin and the Moretuses, their lives and their world Ex Officina Plantiniana: studia in memoriam Christophori Plantini</title><meeting><address><addrLine>Antwerpen ; Bruxelles ; Amsterdam, London, New York ; Antwerpen</addrLine></address></meeting><imprint><date type="published" when="1910"></date><biblScope unit="page" from="9" to="1564"></biblScope></imprint></monogr><note>Facult6. de philosophie e lettres de l'Universit4 de Bruxelles t. VIII, Bruxelles. Sui. rapporti e sull'influenza esercitata da Plantin sull'Umanesimo nei Paesi Bassi cf. Marie Delcourt. cf. . anche A. a. cura di Marcus De Schepper e Francine De Nave</note></biblStruct><biblStruct xml:id="b3"><monogr><title></title><author><persName><forename type="first">Barbara</forename><surname>G6rska</surname></persName></author><author><persName><surname>Krzystofplantin I Officina</surname></persName></author><author><persName><forename type="first">Wroklaw</forename><surname>Plantiniana</surname></persName></author><imprint><date type="published" when="1968"></date><publisher>Claude Sorgeloos</publisher><biblScope unit="page" from="1589" to="1989"></biblScope><pubPlace>Brussel ; Nendeln</pubPlace></imprint></monogr><note>Sulla. corrispondanza cf. J. Denuc6, Correspondance de Christophe Plantin</note></biblStruct><biblStruct xml:id="b4"><monogr><title level="m" type="main">spesso (troppo spesso per i suoi detrattori) assoggettato a disinvolte emendationes ope ingenii: un estremo frutto, indubbiamente, di una stagione filologica partita proprio daUe sistemazioni, spesso velleitarie, dei filologi cinquecenteschi , che avrebbe ceduto il passo alle sistemazioni filologiche di scuola lachmanniana. 24 Ma di questo</title><author><persName><forename type="first">Orazio</forename><surname>Ard Bentley Nel Suo</surname></persName></author><imprint></imprint></monogr><note>come. di molte altre cose qui omesse</note></biblStruct><biblStruct xml:id="b5"><monogr><title level="m" type="main">Quintus Horatius Flaccus ex recensione et cum notis atque emendationibus Richardi Bentleii, Cantabrigiae</title><imprint><biblScope unit="page">1711</biblScope></imprint></monogr></biblStruct></listBibl></back></text></istex:refBibTEI></enrichments><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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