Cultural Uplift and Double-Consciousness: African American Responses to the 1935 Opera Porgy and Bess
Identifieur interne : 000314 ( Istex/Corpus ); précédent : 000313; suivant : 000315Cultural Uplift and Double-Consciousness: African American Responses to the 1935 Opera Porgy and Bess
Auteurs : Ray Allen ; George P. CunninghamSource :
- The Musical Quarterly [ 0027-4631 ] ; 2005.
Url:
DOI: 10.1093/musqtl/gdi018
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<italic>Singing in the Spirit: African-American Sacred Quartets in New York City</italic> (University of Pennsylvania Press, 1991) and coeditor of <italic>Island Sounds in the Global City</italic> (University of Illinois Press, 2001). E-mail address: <ext-link xlink:href="raylaur@earthlink.net" ext-link-type="email">raylaur@earthlink.net</ext-link>.</aff><aff>George P. Cunningham is professor and chairperson of the Africana Studies Department at Brooklyn College, City University of New York, where he teaches African American and American literature and culture.He writes on the intersection of gender, race, and culture, and he is the editor of <italic>Representing Black Men</italic> (Routledge, 1995).</aff></contrib-group><pub-date pub-type="ppub"><season>Fall</season><year>2005</year></pub-date><volume>88</volume><issue>3</issue><fpage>342</fpage><lpage>369</lpage><permissions><copyright-statement>© The Author 2006. Published by Oxford University Press. All rights reserved. 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