List of bibliographic references
Number of relevant bibliographic references: 18.
| Ident. | Authors (with country if any) | Title |
|---|
| 000114 (2011) |
Sanna Pederson | Richard Wagner and His World – Edited by Thomas S. Grey |
| 000241 (2010) |
Solveig M. Heinz | Opera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss |
| 000328 (2009) |
Susan Von Rohr Scaff | The Vitality of Music in Mann and Joyce. Wagner in “Fullness of Harmony” and “Sirens” |
| 000624 (2006) |
Matthew Bribitzer Tull | The End of Die Feen and Wagner's Beginnings: Multiple Approaches to an Early Example of Double‐Tonic Complex, Associative Theme and Wagnerian Form |
| 000630 (2006) |
K L Dunn | Sickness, healing, and opera: Wagner’s Parsifal |
| 000684 (2005) |
John Deathridge | Wagner’s “Pale” Senta |
| 000685 (2005) |
Carolyn Abbate | Wagner, Cinema, and Redemptive Glee |
| 000700 (2005) |
Jeffrey L. Buller | Thomas May: Decoding Wagner: An Invitation to His World of Music Drama |
| 000720 (2005) |
Jeffrey L. Buller | Review: Wagner and Suicide |
| 000724 (2005) |
James L. Zychowicz | Review: Opera and Modern Culture: Wagner and Strauss |
| 000728 (2005) |
John Louis Digaetani | Review: Death-Devoted Heart: Sex and the Sacred in Wagner’s “Tristan and Isolde” |
| 000808 (2004) |
Christopher Hatch | Wagner's “Meistersinger”: Performance, History, Representation |
| 000809 (2004) |
Joe Pearce | Wagner in Stockholm |
| 000825 (2004) |
Michael Puri | Review: Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg |
| 000874 (2003) |
Tom Kaufman | Wagner vs. Meyerbeer |
| 000904 (2003) |
Stephen Eddins | Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg |
| 000924 (2003) |
Stephen A. Willier | German Opera: From the Beginnings to Wagner |
| 000D27 (1998) |
Rolf Sternberg | FANTASY, GEOGRAPHY, WAGNER, AND OPERA |
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