Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli
Identifieur interne : 000914 ( Hal/Corpus ); précédent : 000913; suivant : 000915Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli
Auteurs : Camillo FaverzaniSource :
Descripteurs français
- mix :
Abstract
This article compares Victor Hugo's drama Marion de Lorme and Amilcare Ponchielli's opera Marion Delorme. The libretto and the original drama are analysed extracting four elements of the texts: (1) the use of stage directions, (2) passages where the libretto remains close to Hugo's original text, (3) those where the libretto changes the text moderately so as to create new situations and, (4) those where the librettist changes the original text significantly. The document includes some information about the initial operatic production and subsequent productions in Italy and elsewhere throughout the 19th and 20th centuries. There are also notes on the structures of the drama and the libretto.
Url:
Links to Exploration step
Hal:hal-00683769Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="it">Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli</title><author><name sortKey="Faverzani, Camillo" sort="Faverzani, Camillo" uniqKey="Faverzani C" first="Camillo" last="Faverzani">Camillo Faverzani</name><affiliation><hal:affiliation type="laboratory" xml:id="struct-204591" status="VALID"><orgName>Laboratoire d'études romanes</orgName><desc><address><addrLine>UFR LLCE-LEA 2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine><country key="FR"></country></address><ref type="url">http://www.univ-paris8.fr/laboratoire-etudes-romanes</ref></desc><listRelation><relation name="EA4385" active="#struct-11141" type="direct"></relation></listRelation><tutelles><tutelle name="EA4385" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"><orgName>Université Paris 8, Vincennes-Saint-Denis</orgName><orgName type="acronym">UP8</orgName><desc><address><addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine><country key="FR"></country></address><ref type="url">http://www.univ-paris8.fr/</ref></desc></org></tutelle></tutelles></hal:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">HAL</idno><idno type="RBID">Hal:hal-00683769</idno><idno type="halId">hal-00683769</idno><idno type="halUri">https://hal.archives-ouvertes.fr/hal-00683769</idno><idno type="url">https://hal.archives-ouvertes.fr/hal-00683769</idno><date when="2011">2011</date><idno type="wicri:Area/Hal/Corpus">000914</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="it">Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli</title><author><name sortKey="Faverzani, Camillo" sort="Faverzani, Camillo" uniqKey="Faverzani C" first="Camillo" last="Faverzani">Camillo Faverzani</name><affiliation><hal:affiliation type="laboratory" xml:id="struct-204591" status="VALID"><orgName>Laboratoire d'études romanes</orgName><desc><address><addrLine>UFR LLCE-LEA 2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine><country key="FR"></country></address><ref type="url">http://www.univ-paris8.fr/laboratoire-etudes-romanes</ref></desc><listRelation><relation name="EA4385" active="#struct-11141" type="direct"></relation></listRelation><tutelles><tutelle name="EA4385" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"><orgName>Université Paris 8, Vincennes-Saint-Denis</orgName><orgName type="acronym">UP8</orgName><desc><address><addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine><country key="FR"></country></address><ref type="url">http://www.univ-paris8.fr/</ref></desc></org></tutelle></tutelles></hal:affiliation></affiliation></author></analytic></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="mix" xml:lang="fr"><term>Ghislanzoni</term><term>Golisciani</term><term>Hugo</term><term>Ponchielli</term><term>littératures comparées</term><term>littératures française du XIXe siècle</term><term>opéra</term><term>réception</term><term>réécriture</term><term>sources françaises dans l'opéra italien</term><term>théâtre</term><term>transferts culturels</term><term>échanges artistiques</term><term>échanges littéraires</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This article compares Victor Hugo's drama Marion de Lorme and Amilcare Ponchielli's opera Marion Delorme. The libretto and the original drama are analysed extracting four elements of the texts: (1) the use of stage directions, (2) passages where the libretto remains close to Hugo's original text, (3) those where the libretto changes the text moderately so as to create new situations and, (4) those where the librettist changes the original text significantly. The document includes some information about the initial operatic production and subsequent productions in Italy and elsewhere throughout the 19th and 20th centuries. There are also notes on the structures of the drama and the libretto.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="it">Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli</title><author role="aut"><persName><forename type="first">Camillo</forename><surname>Faverzani</surname></persName><email>camillo.faverzani@univ-paris8.fr</email><ptr type="url" target="http://www.ufr-langues.univ-paris8.fr/Camillo-FAVERZANI"></ptr><idno type="halauthor">658928</idno><affiliation ref="#struct-204591"></affiliation></author><editor role="depositor"><persName><forename>Camillo</forename><surname>Faverzani</surname></persName><email>camillo.faverzani@univ-paris8.fr</email></editor></titleStmt><editionStmt><edition n="v1" type="current"><date type="whenSubmitted">2012-03-29 19:13:23</date><date type="whenWritten">2009</date><date type="whenModified">2012-12-12 14:32:40</date><date type="whenReleased">2012-03-29 19:13:23</date><date type="whenProduced">2011</date></edition><respStmt><resp>contributor</resp><name key="166194"><persName><forename>Camillo</forename><surname>Faverzani</surname></persName><email>camillo.faverzani@univ-paris8.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">hal-00683769</idno><idno type="halUri">https://hal.archives-ouvertes.fr/hal-00683769</idno><idno type="halBibtex">faverzani:hal-00683769</idno><idno type="halRefHtml">La Torre di Babele, 2011, pp.61-73</idno><idno type="halRef">La Torre di Babele, 2011, pp.61-73</idno></publicationStmt><seriesStmt><idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno><idno type="stamp" n="UNIV-PARIS8">Université Paris VIII Vincennes-Saint Denis</idno><idno type="stamp" n="204591" p="UNIV-PARIS8">Laboratoire d'études romanes</idno></seriesStmt><notesStmt><note type="audience" n="2">International</note><note type="popular" n="0">No</note><note type="peer" n="1">Yes</note></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="it">Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli</title><author role="aut"><persName><forename type="first">Camillo</forename><surname>Faverzani</surname></persName><email>camillo.faverzani@univ-paris8.fr</email><ptr type="url" target="http://www.ufr-langues.univ-paris8.fr/Camillo-FAVERZANI"></ptr><idno type="halAuthorId">658928</idno><affiliation ref="#struct-204591"></affiliation></author></analytic><monogr><idno type="halJournalId" status="INCOMING">72543</idno><title level="j">La Torre di Babele</title><imprint><biblScope unit="issue">7</biblScope><biblScope unit="pp">61-73</biblScope><date type="datePub">2011</date></imprint></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="en">English</language></langUsage><textClass><keywords scheme="author"><term xml:lang="fr">Ponchielli</term><term xml:lang="fr">transferts culturels</term><term xml:lang="fr">Hugo</term><term xml:lang="fr">réécriture</term><term xml:lang="fr">échanges littéraires</term><term xml:lang="fr">échanges artistiques</term><term xml:lang="fr">théâtre</term><term xml:lang="fr">opéra</term><term xml:lang="fr">littératures comparées</term><term xml:lang="fr">Ghislanzoni</term><term xml:lang="fr">Golisciani</term><term xml:lang="fr">littératures française du XIXe siècle</term><term xml:lang="fr">réception</term><term xml:lang="fr">sources françaises dans l'opéra italien</term></keywords><classCode scheme="halDomain" n="shs.litt">Humanities and Social Sciences/Literature</classCode><classCode scheme="halTypology" n="ART">Journal articles</classCode></textClass><abstract xml:lang="en">This article compares Victor Hugo's drama Marion de Lorme and Amilcare Ponchielli's opera Marion Delorme. The libretto and the original drama are analysed extracting four elements of the texts: (1) the use of stage directions, (2) passages where the libretto remains close to Hugo's original text, (3) those where the libretto changes the text moderately so as to create new situations and, (4) those where the librettist changes the original text significantly. The document includes some information about the initial operatic production and subsequent productions in Italy and elsewhere throughout the 19th and 20th centuries. There are also notes on the structures of the drama and the libretto.</abstract><abstract xml:lang="it">L'articolo mette a confronto il dramma di Victor Hugo Marion de Lorme e l'opera di Amilcare Ponchielli Marion Delorme. Il libretto e il dramma originale sono analizzati a partire da quattro elementi del testo: (1) l'uso delle indicazioni sceniche, (2) i brani dove il libretto rimane fedele al testo originale di Hugo, (3) quelli dove il libretto cambia leggermente il modello per creare nuove situazioni e (4) quelli in cui il librettista lo modifica in modo sostanziale. Lo studio include alcune informazioni sugli allestimenti dell'opera in Italia e altrove lungo i secoli XIX e XX. Vi sono anche alcune osservazioni sulle strutture del dramma e del libretto.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Hal/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000914 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Hal/Corpus/biblio.hfd -nk 000914 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= Hal
|étape= Corpus
|type= RBID
|clé= Hal:hal-00683769
|texte= Chiaroscuri di un adattamento: dalla "Marion de Lorme" di Victor Hugo alla "Marion Delorme" di Amilcare Ponchielli
}}
| This area was generated with Dilib version V0.6.21. |  |