"Barbari noi / Chiama la vostra Europa". Il personaggio esotico quale intruso della librettistica italiana ottocentesca
Identifieur interne : 000895 ( Hal/Corpus ); précédent : 000894; suivant : 000896"Barbari noi / Chiama la vostra Europa". Il personaggio esotico quale intruso della librettistica italiana ottocentesca
Auteurs : Camillo FaverzaniSource :
Abstract
The focus of this article is the exotic character as an intruder in both oriental and western contexts; it involves an analysis of three kinds of librettos: those having plots that are wholly exotic and where some characters are exotic with respect to the general background; exotic dramas in which at least one non-exotic character appears; plots that are not exotic but in which at least one exotic character is present. The document evaluates these characters as they evolve in a 'different' world. Librettos that describe exotic landscapes are not considered in the study. We examine both opera seria and opera buffa, chiefly in early 19th century productions written for Rossini, Bellini, Donizetti and Verdi, but going so far as Puccini. It also includes some librettos written for other composers such as Spontini, Gomes, Franchetti and Busoni. French operas when composed by Italian musicians are also part of our analysis.
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The document evaluates these characters as they evolve in a 'different' world. Librettos that describe exotic landscapes are not considered in the study. We examine both opera seria and opera buffa, chiefly in early 19th century productions written for Rossini, Bellini, Donizetti and Verdi, but going so far as Puccini. It also includes some librettos written for other composers such as Spontini, Gomes, Franchetti and Busoni. French operas when composed by Italian musicians are also part of our analysis.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="it">"Barbari noi / Chiama la vostra Europa". 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L'esotismo nella letteratura italiana moderna (XXIV, 2), pp.74-96</idno><idno type="halRef">Studi di italianistica nell'Africa australe / Italian Studies in Southern Africa, 2011, Altri mondi. L'esotismo nella letteratura italiana moderna (XXIV, 2), pp.74-96</idno></publicationStmt><seriesStmt><idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno><idno type="stamp" n="UNIV-PARIS8">Université Paris VIII Vincennes-Saint Denis</idno><idno type="stamp" n="204591" p="UNIV-PARIS8">Laboratoire d'études romanes</idno></seriesStmt><notesStmt><note type="audience" n="2">International</note><note type="popular" n="0">No</note><note type="peer" n="1">Yes</note></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="it">"Barbari noi / Chiama la vostra Europa". Il personaggio esotico quale intruso della librettistica italiana ottocentesca</title><author role="aut"><persName><forename type="first">Camillo</forename><surname>Faverzani</surname></persName><email>camillo.faverzani@univ-paris8.fr</email><ptr type="url" target="http://www.ufr-langues.univ-paris8.fr/Camillo-FAVERZANI"></ptr><idno type="halAuthorId">658928</idno><affiliation ref="#struct-204591"></affiliation></author></analytic><monogr><idno type="halJournalId" status="INCOMING">72128</idno><title level="j">Studi di italianistica nell'Africa australe / Italian Studies in Southern Africa</title><imprint><biblScope unit="volume">Altri mondi. L'esotismo nella letteratura italiana moderna</biblScope><biblScope unit="issue">XXIV, 2</biblScope><biblScope unit="pp">74-96</biblScope><date type="datePub">2011</date></imprint></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="it">Italian</language></langUsage><textClass><keywords scheme="author"><term xml:lang="it">Rossini</term><term xml:lang="it">Verdi</term><term xml:lang="it">Gomes</term><term xml:lang="it">Donizetti</term><term xml:lang="it">Spontini</term><term xml:lang="it">Bellini</term><term xml:lang="it">Busoni</term><term xml:lang="it">Franchetti</term><term xml:lang="it">Puccini</term><term xml:lang="it">transferts culturels</term><term xml:lang="it">opéra</term><term xml:lang="it">exotisme</term></keywords><classCode scheme="halDomain" n="shs.litt">Humanities and Social Sciences/Literature</classCode><classCode scheme="halTypology" n="ART">Journal articles</classCode></textClass><abstract xml:lang="en">The focus of this article is the exotic character as an intruder in both oriental and western contexts; it involves an analysis of three kinds of librettos: those having plots that are wholly exotic and where some characters are exotic with respect to the general background; exotic dramas in which at least one non-exotic character appears; plots that are not exotic but in which at least one exotic character is present. The document evaluates these characters as they evolve in a 'different' world. Librettos that describe exotic landscapes are not considered in the study. We examine both opera seria and opera buffa, chiefly in early 19th century productions written for Rossini, Bellini, Donizetti and Verdi, but going so far as Puccini. It also includes some librettos written for other composers such as Spontini, Gomes, Franchetti and Busoni. French operas when composed by Italian musicians are also part of our analysis.</abstract><abstract xml:lang="fr">Cet article aborde le personnage exotique en tant qu'intrus à la fois dans un contexte oriental et occidental ; il implique l'analyse de trois sortes de livrets : ceux qui ont une trame entièrement exotique dans laquelle les personnages sont exotiques par rapport à l'arrière-plan général ; des pièces exotiques où apparaît au moins un personnage non exotique ; des trames qui ne sont pas exotiques où il y a au moins un personnage exotique. Il analyse ces personnages lorsqu'ils évoluent dans un monde 'différent'. Les livrets qui décrivent un paysage exotique ne sont pas pris en considération. Sont en revanche considérés à la fois l'opera seria et l'opera buffa, principalement dans des productions de la première moitié du XIXe siècle pour Rossini, Bellini, Donizetti et Verdi, mais aussi jusqu'à Puccini. D'autres livrets pour des compositeurs tels que Spontini, Gomes, Franchetti et Busoni sont également étudiés, ainsi que des opéras français ayant été composés par des musiciens italiens.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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