Tambours-bourdons en France au XVIIIe siècle
Identifieur interne : 000834 ( Hal/Corpus ); précédent : 000833; suivant : 000835Tambours-bourdons en France au XVIIIe siècle
Auteurs : Florence GétreauSource :
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Abstract
The word "snare drum" is used to describe the membranophone "Tambourin de Provence" and the cordophone "Tambourin de Béarn", all typically played by one musician together with a flute. They appear in the iconography as soon as the Renaissance in several European countries, and develop in the French provinces through the 17th Century. During the French Regency, the tambourin de Provence starts a career in the Opera, and knows its heyday with Rameau. It will be followed by the "Tambourin de Béarn".
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They appear in the iconography as soon as the Renaissance in several European countries, and develop in the French provinces through the 17th Century. During the French Regency, the tambourin de Provence starts a career in the Opera, and knows its heyday with Rameau. It will be followed by the "Tambourin de Béarn".</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="fr">Tambours-bourdons en France au XVIIIe siècle</title><author role="aut"><persName><forename type="first">Florence</forename><surname>Gétreau</surname></persName><email>getreau.cnrs@bnf.fr</email><idno type="halauthor">75806</idno><affiliation ref="#struct-512"></affiliation></author><editor role="depositor"><persName><forename>Florence</forename><surname>Gétreau</surname></persName><email>florence.getreau@cnrs.fr</email></editor></titleStmt><editionStmt><edition n="v1" type="current"><date type="whenSubmitted">2006-03-07 02:10:20</date><date type="whenModified">2006-03-08 14:27:55</date><date type="whenReleased">2006-03-08 14:27:55</date><date type="whenProduced">2005</date></edition><respStmt><resp>contributor</resp><name key="107988"><persName><forename>Florence</forename><surname>Gétreau</surname></persName><email>florence.getreau@cnrs.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">halshs-00009453</idno><idno type="halUri">https://halshs.archives-ouvertes.fr/halshs-00009453</idno><idno type="halBibtex">getreau:halshs-00009453</idno><idno type="halRefHtml">Musique-Images-Instruments, CNRS Editions, 2005, 7, pp.66-85</idno><idno type="halRef">Musique-Images-Instruments, CNRS Editions, 2005, 7, pp.66-85</idno></publicationStmt><seriesStmt><idno type="stamp" n="IRPMF">Institut de recherche sur le patrimoine musical en France</idno><idno type="stamp" n="CNRS">CNRS - Centre national de la recherche scientifique</idno><idno type="stamp" n="AO-GEOGRAPHIE">Archives ouvertes de la Géographie</idno><idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno><idno type="stamp" n="AO-MUSICOLOGIE" p="SHS">AO-MUSICOLOGIE</idno><idno type="stamp" n="GIP-BE">GIP Bretagne Environnement</idno><idno type="stamp" n="BNF">Bibliothèque nationale de France</idno><idno type="stamp" n="BNF_IRPMF" p="BNF">Institut de recherche sur le patrimoine musical en France</idno></seriesStmt><notesStmt><note type="audience" n="3">National</note><note type="popular" n="0">No</note><note type="peer" n="1">Yes</note></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="fr">Tambours-bourdons en France au XVIIIe siècle</title><author role="aut"><persName><forename type="first">Florence</forename><surname>Gétreau</surname></persName><email>getreau.cnrs@bnf.fr</email><idno type="halAuthorId">75806</idno><affiliation ref="#struct-512"></affiliation></author></analytic><monogr><idno type="halJournalId" status="INCOMING">26079</idno><title level="j">Musique-Images-Instruments</title><title level="m">Musique-Images-Instruments</title><meeting><title>Musique-Images-Instruments</title><settlement>Paris</settlement><country key="FR">France</country></meeting><imprint><publisher>CNRS Editions</publisher><biblScope unit="volume">7</biblScope><biblScope unit="pp">66-85</biblScope><date type="datePub">2005</date></imprint></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="fr">French</language></langUsage><textClass><keywords scheme="author"><term xml:lang="fr">membranophone</term><term xml:lang="fr">cordophone</term><term xml:lang="fr">flûte à trois doigts</term><term xml:lang="fr">Provence</term><term xml:lang="fr">Béarn</term><term xml:lang="fr">tambourin</term><term xml:lang="fr">bal</term><term xml:lang="fr">opéra</term><term xml:lang="fr">Mouret</term><term xml:lang="fr">Rameau</term></keywords><classCode scheme="halDomain" n="shs.art">Humanities and Social Sciences/Art and art history</classCode><classCode scheme="halDomain" n="shs.musiq">Humanities and Social Sciences/Musicology and performing arts</classCode><classCode scheme="halDomain" n="shs.geo">Humanities and Social Sciences/Geography</classCode><classCode scheme="halTypology" n="ART">Journal articles</classCode></textClass><abstract xml:lang="en">The word "snare drum" is used to describe the membranophone "Tambourin de Provence" and the cordophone "Tambourin de Béarn", all typically played by one musician together with a flute. They appear in the iconography as soon as the Renaissance in several European countries, and develop in the French provinces through the 17th Century. During the French Regency, the tambourin de Provence starts a career in the Opera, and knows its heyday with Rameau. It will be followed by the "Tambourin de Béarn".</abstract><abstract xml:lang="fr">La dénomination "tambours-bourdons" regroupe des instruments membranophones et idiophones ayant en commun d'être joués par un même musicien en association avec une flûte. Présents dans l'iconographie dès la Renaissance dans plusieurs pays d'Europe, ils connaissent un développement français régional au XVIIe siècle. Sous la Régence, le tambourin de Provence commence une carrière à l'Opéra et atteint son apogée avec Rameau. Il entraînera à sa suite le tambourin à cordes.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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