OperaV1, Hal, Corpus, bibRecord, 000225

Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity

Identifieur interne : 000225 ( Hal/Corpus ); précédent : 000224; suivant : 000226

Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity

Auteurs : Matthieu Gledel

Source :

RBID : Hal:tel-00481309

Descripteurs français

mix :
- Culpabilité, Drame, Identification, Mélancolie, Psychose, Signifiant, Suppléance, Wagner, Écriture musicale.

English descriptors

mix :
- Culpability, Drama, Melancholy, Musical writing, Psychosis, Signifier.

Abstract

Richard Wagner's poetic and musical writing involve stakes which cannot be ignored and which enlighten a unique creation the implications of which exceed the simple frame of the opera. However, their revealing can only take place if the melancholy of Wagner is taken into account, and if the confusions which still persist in the apprehension of this psychopathology are abandoned. The current considerations indeed let few hope to the notion of melancholic creativity. Nevertheless, within a particular psychic logic, the Master of Bayreuth chose to create a music which was going to be able to support the being of its subject in a world which was for him totally decadent

Url:

https://tel.archives-ouvertes.fr/tel-00481309

Links to Exploration step

Hal:tel-00481309

Le document en format XML

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<title xml:lang="fr">Richard Wagner et l'Opéra de la Rédemption : contribution à la question de la créativité mélancolique</title>
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<term>Mélancolie</term>
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<term>Signifiant</term>
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<front><div type="abstract" xml:lang="en">Richard Wagner's poetic and musical writing involve stakes which cannot be ignored and which enlighten a unique creation the implications of which exceed the simple frame of the opera. However, their revealing can only take place if the melancholy of Wagner is taken into account, and if the confusions which still persist in the apprehension of this psychopathology are abandoned. The current considerations indeed let few hope to the notion of melancholic creativity. Nevertheless, within a particular psychic logic, the Master of Bayreuth chose to create a music which was going to be able to support the being of its subject in a world which was for him totally decadent</div>
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<hal api="V3"><titleStmt><title xml:lang="en">Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity</title>
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<editor role="depositor"><persName><forename>Laurence</forename>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity</title>
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<author role="aut"><persName><forename type="first">Matthieu</forename>
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<authority type="supervisor">François Sauvagnat</authority>
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<authority type="jury">Laurent OTTAVI. Professeur, université de Rennes 2.</authority>
<authority type="jury">François NICOLAS. Compositeur, IRCAM.</authority>
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<textClass><keywords scheme="author"><term xml:lang="en">Melancholy</term>
<term xml:lang="en">Drama</term>
<term xml:lang="en">Musical writing</term>
<term xml:lang="en">Signifier</term>
<term xml:lang="en">Psychosis</term>
<term xml:lang="en">Culpability</term>
<term xml:lang="fr">Mélancolie</term>
<term xml:lang="fr">Suppléance</term>
<term xml:lang="fr">Wagner</term>
<term xml:lang="fr">Drame</term>
<term xml:lang="fr">Écriture musicale</term>
<term xml:lang="fr">Signifiant</term>
<term xml:lang="fr">Psychose</term>
<term xml:lang="fr">Identification</term>
<term xml:lang="fr">Culpabilité</term>
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<abstract xml:lang="en">Richard Wagner's poetic and musical writing involve stakes which cannot be ignored and which enlighten a unique creation the implications of which exceed the simple frame of the opera. However, their revealing can only take place if the melancholy of Wagner is taken into account, and if the confusions which still persist in the apprehension of this psychopathology are abandoned. The current considerations indeed let few hope to the notion of melancholic creativity. Nevertheless, within a particular psychic logic, the Master of Bayreuth chose to create a music which was going to be able to support the being of its subject in a world which was for him totally decadent</abstract>
<abstract xml:lang="fr">L'écriture poétique et musicale de Richard Wagner repose sur un certain nombre d'enjeux qui ne peuvent être ignorés et qui éclairent une création unique dont les implications dépassent le simple cadre de l'opéra. Toutefois, leur mise en évidence ne peut s'opérer qu'à la condition de prendre en compte la mélancolie de Wagner, tout en évitant les confusions qui persistent dans l'appréhension de cette psychopathologie. Aujourd'hui encore, celles-ci laissent en effet paraître une place bien problématique à la notion de créativité mélancolique. Pourtant, au sein d'une logique psychique particulière, le Maître de Bayreuth fit bien le choix de créer une musique qui allait être à même de supporter l'être de son sujet dans l'enfer d'un monde dont il percevait la décadence</abstract>
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Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity

Richard Wagner and the Redemption's opera : contribution to the question of the melancholic creativity

Source :

Descripteurs français

English descriptors

Abstract

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri