Captation vidéo et analyse génétique du théâtre : l'informatique au service de la recherche théâtrale.
Identifieur interne : 000145 ( Hal/Checkpoint ); précédent : 000144; suivant : 000146Captation vidéo et analyse génétique du théâtre : l'informatique au service de la recherche théâtrale.
Auteurs : Rémi Ronfard [France]Source :
Descripteurs français
Abstract
My contribution presents two ongoing research project at INRIA on the theme of video analysis of theatre performances. The first project, Scenoptique investigates novel techniques for recording and analyzing ultra-high definition, allowing to reframe and edit the recordings into interactive movies. The second project, Spectacle En Ligne(s), is targeted on the creation and diffusion of an original data set of integral video recordings of theatre and opera rehearsals. The data set is naturally suited to researchers interested in the creation process and the genetic analysis of dramatic art and mise en scene. To support research in this area, the project proposes novel tools for recording, annotating, publishing and sharing the data. The project thus introduces dedicated annotation and indexing schemes suitable for both for online and offline use. The project also investigates how such data sets can be presented to the general public on the theatre web sites and social networks, and collaboratively enriched by personal annotations , comments and studies. The data sets and associated tools will be presented and distributed to interested researchers from all relevant fields in France and internationally as they become available. In such experimental work, high quality video recordings make it possible to track the audio-visual shape of the genetic evolution of the performance, which becomes an object of scientific study as well as an object of aesthestic appreciation.
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The data sets and associated tools will be presented and distributed to interested researchers from all relevant fields in France and internationally as they become available. In such experimental work, high quality video recordings make it possible to track the audio-visual shape of the genetic evolution of the performance, which becomes an object of scientific study as well as an object of aesthestic appreciation.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="fr">Captation vidéo et analyse génétique du théâtre : l'informatique au service de la recherche théâtrale.</title><author role="crp"><persName><forename type="first">Rémi</forename><surname>Ronfard</surname></persName><email>remi.ronfard@inria.fr</email><ptr type="url" target="https://team.inria.fr/imagine/remi-ronfard/"></ptr><idno type="idhal">remironfard</idno><idno type="halauthor">1125103</idno><orgName ref="#struct-300009"></orgName><affiliation ref="#struct-174814"></affiliation></author><editor role="depositor"><persName><forename>Remi</forename><surname>Ronfard</surname></persName><email>remi.ronfard@inria.fr</email></editor><funder>Projet Scénoptique de la Région Rhone-Alpes (programme CIBLE)</funder></titleStmt><editionStmt><edition n="v1" type="current"><date type="whenSubmitted">2014-01-09 18:00:24</date><date type="whenModified">2014-09-14 22:21:56</date><date type="whenReleased">2014-01-13 14:29:49</date><date type="whenProduced">2013-07-21</date><date type="whenEndEmbargoed">2014-01-09</date><ref type="file" target="https://hal.inria.fr/hal-00841579/document"><date notBefore="2014-01-09"></date></ref><ref type="annex" subtype="figure" n="1" target="https://hal.inria.fr/hal-00841579/file/firt2013.png"><date notBefore="2014-01-09"></date></ref><ref type="file" subtype="author" n="1" target="https://hal.inria.fr/hal-00841579/file/remi_ronfard_iftr_2013-0.pdf"><date notBefore="2014-01-09"></date></ref></edition><respStmt><resp>contributor</resp><name key="147607"><persName><forename>Remi</forename><surname>Ronfard</surname></persName><email>remi.ronfard@inria.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">hal-00841579</idno><idno type="halUri">https://hal.inria.fr/hal-00841579</idno><idno type="halBibtex">ronfard:hal-00841579</idno><idno type="halRefHtml">Boris Daussa-Pastor and Merce Saumell. International Federation for Theatre Research, Jul 2013, Barcelone, Spain. 2013, Creative processes: genetic of performance</idno><idno type="halRef">Boris Daussa-Pastor and Merce Saumell. International Federation for Theatre Research, Jul 2013, Barcelone, Spain. 2013, Creative processes: genetic of performance</idno></publicationStmt><seriesStmt><idno type="stamp" n="CNRS">CNRS - Centre national de la recherche scientifique</idno><idno type="stamp" n="INRIA">INRIA - Institut National de Recherche en Informatique et en Automatique</idno><idno type="stamp" n="UNIV-GRENOBLE1" p="UGA">Université Joseph Fourier - Grenoble I</idno><idno type="stamp" n="INRIA-RHA">INRIA Grenoble - Rhône-Alpes</idno><idno type="stamp" n="LJK" p="UGA">Laboratoire Jean Kuntzmann</idno><idno type="stamp" n="LJK_GI" p="LJK">Département Géométrie et Images</idno><idno type="stamp" n="LJK_GI_IMAGINE" p="LJK_GI">IMAGINE</idno><idno type="stamp" n="UGA">HAL Grenoble Alpes</idno><idno type="stamp" n="INPG" p="UGA">Institut polytechnique de Grenoble</idno></seriesStmt><notesStmt><note type="audience" n="2">International</note><note type="invited" n="0">No</note><note type="popular" n="0">No</note><note type="peer" n="1">Yes</note><note type="proceedings" n="0">No</note></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="fr">Captation vidéo et analyse génétique du théâtre : l'informatique au service de la recherche théâtrale.</title><author role="crp"><persName><forename type="first">Rémi</forename><surname>Ronfard</surname></persName><email>remi.ronfard@inria.fr</email><ptr type="url" target="https://team.inria.fr/imagine/remi-ronfard/"></ptr><idno type="idHal">remironfard</idno><idno type="halAuthorId">1125103</idno><orgName ref="#struct-300009"></orgName><affiliation ref="#struct-174814"></affiliation></author></analytic><monogr><meeting><title>International Federation for Theatre Research</title><date type="start">2013-07-21</date><date type="end">2013-07-26</date><settlement>Barcelone</settlement><country key="ES">Spain</country></meeting><respStmt><resp>conferenceOrganizer</resp><name>International Federation for Theatre Research</name></respStmt><editor>Boris Daussa-Pastor and Merce Saumell</editor><imprint><biblScope unit="serie">Creative processes: genetic of performance</biblScope><date type="datePub">2013-07-22</date></imprint></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="en">English</language></langUsage><textClass><keywords scheme="author"><term xml:lang="fr">Analyse de spectacles</term><term xml:lang="fr">captation vidéo</term><term xml:lang="fr">informatique theatrale</term><term xml:lang="fr">Narration</term></keywords><classCode scheme="halDomain" n="info.info-cv">Computer Science [cs]/Computer Vision and Pattern Recognition [cs.CV]</classCode><classCode scheme="halTypology" n="COMM">Conference papers</classCode></textClass><abstract xml:lang="en">My contribution presents two ongoing research project at INRIA on the theme of video analysis of theatre performances. The first project, Scenoptique investigates novel techniques for recording and analyzing ultra-high definition, allowing to reframe and edit the recordings into interactive movies. The second project, Spectacle En Ligne(s), is targeted on the creation and diffusion of an original data set of integral video recordings of theatre and opera rehearsals. The data set is naturally suited to researchers interested in the creation process and the genetic analysis of dramatic art and mise en scene. To support research in this area, the project proposes novel tools for recording, annotating, publishing and sharing the data. The project thus introduces dedicated annotation and indexing schemes suitable for both for online and offline use. The project also investigates how such data sets can be presented to the general public on the theatre web sites and social networks, and collaboratively enriched by personal annotations , comments and studies. The data sets and associated tools will be presented and distributed to interested researchers from all relevant fields in France and internationally as they become available. In such experimental work, high quality video recordings make it possible to track the audio-visual shape of the genetic evolution of the performance, which becomes an object of scientific study as well as an object of aesthestic appreciation.</abstract><abstract xml:lang="fr">Ma communication porte sur deux projets de recherche en cours sur la captation vidéo de spectacles de théâtre et leur exploitation informatique. Le projet Scénoptique est une investigation des nouvelles techniques de captation en ultra haute définition qui permettent le recadrage et le montage en post-production. Le projet Spectacle En Ligne(s) poursuit l'objectif de constituer pour les chercheurs, les enseignants et le public un corpus original de captations de répétitions de théâtre et d'opéra afin d'aborder un champ de recherche encore peu exploré faute de corpus adapté : celui de l'analyse génétique des oeuvres. Les captations matérialisent la forme visuelle et sonore de l'évolution génétique du spectacle, qui devient un objet d'étude scientifique en même temps qu'un objet d'appréciation esthétique. Ce type de recherche nécessite une méthodologie de captation, un dispositif audiovisuel industriel à bas coût et des méthodes d'indexation adaptées à la constitution d'un corpus audiovisuel très interopérable, ouvert à des publications scientifiques, pédagogiques et grand public dans un contexte contributif où le public amateur aspire à de nouvelles situations de confrontation aux oeuvres.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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