Music, Mechanism, and the “Sonic Turn” in Physical Diagnosis
Identifieur interne : 000033 ( Pmc/Curation ); précédent : 000032; suivant : 000034Music, Mechanism, and the “Sonic Turn” in Physical Diagnosis
Auteurs : Peter PesicSource :
- Journal of the History of Medicine and Allied Sciences [ 0022-5045 ] ; 2015.
Abstract
The sonic diagnostic techniques of percussion and mediate auscultation advocated by Leopold von Auenbrugger and R. T. H. Laennec developed within larger musical contexts of practice, notation, and epistemology. Earlier, François-Nicolas Marquet proposed a musical notation of pulse that connected felt pulsation with heard music. Though contemporary vitalists rejected Marquet's work, mechanists such as Albrecht von Haller included it into the larger discourse about the physiological manifestations of bodily fluids and fibers. Educated in that mechanistic physiology, Auenbrugger used musical vocabulary to present his work on thoracic percussion; Laennec's musical experience shaped his exploration of the new timbres involved in mediate auscultation.
Url:
DOI: 10.1093/jhmas/jrv030
PubMed: 26349757
PubMed Central: 4887604
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<front><div type="abstract" xml:lang="en"><p>The sonic diagnostic techniques of percussion and mediate auscultation advocated by Leopold von Auenbrugger and R. T. H. Laennec developed within larger musical contexts of practice, notation, and epistemology. Earlier, François-Nicolas Marquet proposed a musical notation of pulse that connected felt pulsation with heard music. Though contemporary vitalists rejected Marquet's work, mechanists such as Albrecht von Haller included it into the larger discourse about the physiological manifestations of bodily fluids and fibers. Educated in that mechanistic physiology, Auenbrugger used musical vocabulary to present his work on thoracic percussion; Laennec's musical experience shaped his exploration of the new timbres involved in mediate auscultation.</p>
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<front><journal-meta><journal-id journal-id-type="nlm-ta">J Hist Med Allied Sci</journal-id>
<journal-id journal-id-type="iso-abbrev">J Hist Med Allied Sci</journal-id>
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<title-group><article-title>Music, Mechanism, and the “Sonic Turn” in Physical Diagnosis</article-title>
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<author-notes><corresp>St. John's College, 1160 Camino Cruz Blanca, Santa Fe, New Mexico 87505-4511. Email: <email>ppesic@sjc.edu</email>
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<pub-date pub-type="ppub"><month>4</month>
<year>2016</year>
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<pub-date pub-type="epub"><day>07</day>
<month>9</month>
<year>2015</year>
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<volume>71</volume>
<issue>2</issue>
<fpage>144</fpage>
<lpage>172</lpage>
<permissions><copyright-statement>© The Author 2015. Published by Oxford University Press. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com</copyright-statement>
<copyright-year>2015</copyright-year>
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<abstract><p>The sonic diagnostic techniques of percussion and mediate auscultation advocated by Leopold von Auenbrugger and R. T. H. Laennec developed within larger musical contexts of practice, notation, and epistemology. Earlier, François-Nicolas Marquet proposed a musical notation of pulse that connected felt pulsation with heard music. Though contemporary vitalists rejected Marquet's work, mechanists such as Albrecht von Haller included it into the larger discourse about the physiological manifestations of bodily fluids and fibers. Educated in that mechanistic physiology, Auenbrugger used musical vocabulary to present his work on thoracic percussion; Laennec's musical experience shaped his exploration of the new timbres involved in mediate auscultation.</p>
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<kwd>Théophile de Bordeu</kwd>
<kwd>Joseph-Jacques Ménuret de Chambaud</kwd>
<kwd>Albrecht von Haller</kwd>
<kwd>Gerard van Swieten</kwd>
<kwd>Leopold von Auenbrugger</kwd>
<kwd>R. T. H. Laennec</kwd>
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