MusiqueCeltiqueV1, PascalFrancis, Curation, bibRecord, 000012

Irish Button Accordion: From Press and Draw and Back Again

Identifieur interne : 000012 ( PascalFrancis/Curation ); précédent : 000011; suivant : 000013

Irish Button Accordion: From Press and Draw and Back Again

Auteurs : Graeme Smith [Australie]

Source :

World of music : (Wilhelmshaven) [ 0043-8774 ] ; 2008.

RBID : Francis:10-0149172

Descripteurs français

Pascal (Inist)
- Accordéon, Accordéon diatonique, Histoire, Instrument de musique, Irlande, Europe occidentale, Innovation, Style, Contexte social.
Wicri :
- topic : Histoire, Instrument de musique, Innovation.

English descriptors

KwdEn :
- Accordion, Diatonic accordion, History, Innovation, Ireland, Musical instrument, Style, Western Europe.

Abstract

Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.

A01	`01`	`1`		`@0 0043-8774`
A03		`1`		`@0 World music : (Wilhelmshav.)`
A05				`@2 50`
A06				`@2 3`
A08	`01`	`1`	`ENG`	`@1 Irish Button Accordion: From Press and Draw and Back Again`
A09	`01`	`1`	`ENG`	`@1 Accordion Culture`
A11	`01`	`1`		`@1 SMITH (Graeme)`
A12	`01`	`1`		`@1 JACOBSON (Marion S.) @9 ed.`
A14	`01`			`@1 School of Music, Monash University @3 AUS @Z 1 aut.`
A20				`@1 15-36`
A21				`@1 2008`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 25041 @5 354000171681550020`
A44				`@0 0000 @1 © 2010 INIST-CNRS. All rights reserved.`
A45				`@0 2 p.1/4`
A47	`01`	`1`		`@0 10-0149172`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 World of music : (Wilhelmshaven)`
A66	`01`			`@0 DEU`
A68	`01`	`1`	`FRE`	`@1 L'accordéon à boutons irlandais`
A99				`@0 15 notes`
C01	`01`		`ENG`	@0 Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.
C02	`01`	`N`		`@0 52991 @1 VII`
C02	`02`	`N`		`@0 529`
C03	`01`	`N`	`FRE`	`@0 Accordéon @5 01`
C03	`01`	`N`	`ENG`	`@0 Accordion @5 01`
C03	`02`	`N`	`FRE`	`@0 Accordéon diatonique @5 02`
C03	`02`	`N`	`ENG`	`@0 Diatonic accordion @5 02`
C03	`03`	`N`	`FRE`	`@0 Histoire @5 03`
C03	`03`	`N`	`ENG`	`@0 History @5 03`
C03	`04`	`N`	`FRE`	`@0 Instrument de musique @5 04`
C03	`04`	`N`	`ENG`	`@0 Musical instrument @5 04`
C03	`05`	`N`	`FRE`	`@0 Irlande @2 NG @5 05`
C03	`05`	`N`	`ENG`	`@0 Ireland @2 NG @5 05`
C03	`06`	`N`	`FRE`	`@0 Europe occidentale @2 NG @5 06`
C03	`06`	`N`	`ENG`	`@0 Western Europe @2 NG @5 06`
C03	`07`	`N`	`FRE`	`@0 Innovation @5 07`
C03	`07`	`N`	`ENG`	`@0 Innovation @5 07`
C03	`08`	`N`	`FRE`	`@0 Style @5 08`
C03	`08`	`N`	`ENG`	`@0 Style @5 08`
C03	`09`	`N`	`FRE`	`@0 Contexte social @4 INC @5 26`
N21				`@1 095`

Links toward previous steps (curation, corpus...)

to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000013

Links to Exploration step

Francis:10-0149172

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Irish Button Accordion: From Press and Draw and Back Again</title>
<author><name sortKey="Smith, Graeme" sort="Smith, Graeme" uniqKey="Smith G" first="Graeme" last="Smith">Graeme Smith</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>School of Music, Monash University</s1>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Australie</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">10-0149172</idno>
<date when="2008">2008</date>
<idno type="stanalyst">FRANCIS 10-0149172 INIST</idno>
<idno type="RBID">Francis:10-0149172</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000013</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000012</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Irish Button Accordion: From Press and Draw and Back Again</title>
<author><name sortKey="Smith, Graeme" sort="Smith, Graeme" uniqKey="Smith G" first="Graeme" last="Smith">Graeme Smith</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>School of Music, Monash University</s1>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Australie</country>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">World of music : (Wilhelmshaven)</title>
<title level="j" type="abbreviated">World music : (Wilhelmshav.)</title>
<idno type="ISSN">0043-8774</idno>
<imprint><date when="2008">2008</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">World of music : (Wilhelmshaven)</title>
<title level="j" type="abbreviated">World music : (Wilhelmshav.)</title>
<idno type="ISSN">0043-8774</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Accordion</term>
<term>Diatonic accordion</term>
<term>History</term>
<term>Innovation</term>
<term>Ireland</term>
<term>Musical instrument</term>
<term>Style</term>
<term>Western Europe</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Accordéon</term>
<term>Accordéon diatonique</term>
<term>Histoire</term>
<term>Instrument de musique</term>
<term>Irlande</term>
<term>Europe occidentale</term>
<term>Innovation</term>
<term>Style</term>
<term>Contexte social</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Histoire</term>
<term>Instrument de musique</term>
<term>Innovation</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0043-8774</s0>
</fA01>
<fA03 i2="1"><s0>World music : (Wilhelmshav.)</s0>
</fA03>
<fA05><s2>50</s2>
</fA05>
<fA06><s2>3</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>Irish Button Accordion: From Press and Draw and Back Again</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>Accordion Culture</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>SMITH (Graeme)</s1>
</fA11>
<fA12 i1="01" i2="1"><s1>JACOBSON (Marion S.)</s1>
<s9>ed.</s9>
</fA12>
<fA14 i1="01"><s1>School of Music, Monash University</s1>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA20><s1>15-36</s1>
</fA20>
<fA21><s1>2008</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>25041</s2>
<s5>354000171681550020</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2010 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>2 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>10-0149172</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>World of music : (Wilhelmshaven)</s0>
</fA64>
<fA66 i1="01"><s0>DEU</s0>
</fA66>
<fA68 i1="01" i2="1" l="FRE"><s1>L'accordéon à boutons irlandais</s1>
</fA68>
<fA99><s0>15 notes</s0>
</fA99>
<fC01 i1="01" l="ENG"><s0>Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.</s0>
</fC01>
<fC02 i1="01" i2="N"><s0>52991</s0>
<s1>VII</s1>
</fC02>
<fC02 i1="02" i2="N"><s0>529</s0>
</fC02>
<fC03 i1="01" i2="N" l="FRE"><s0>Accordéon</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="N" l="ENG"><s0>Accordion</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="N" l="FRE"><s0>Accordéon diatonique</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="N" l="ENG"><s0>Diatonic accordion</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="N" l="FRE"><s0>Histoire</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="N" l="ENG"><s0>History</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="N" l="FRE"><s0>Instrument de musique</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="N" l="ENG"><s0>Musical instrument</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="N" l="FRE"><s0>Irlande</s0>
<s2>NG</s2>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG"><s0>Ireland</s0>
<s2>NG</s2>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE"><s0>Europe occidentale</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG"><s0>Western Europe</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="N" l="FRE"><s0>Innovation</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="N" l="ENG"><s0>Innovation</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Style</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Style</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="N" l="FRE"><s0>Contexte social</s0>
<s4>INC</s4>
<s5>26</s5>
</fC03>
<fN21><s1>095</s1>
</fN21>
</pA>
</standard>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MusiqueCeltiqueV1/Data/PascalFrancis/Curation

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000012 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000012 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    MusiqueCeltiqueV1
   |flux=    PascalFrancis
   |étape=   Curation
   |type=    RBID
   |clé=     Francis:10-0149172
   |texte=   Irish Button Accordion: From Press and Draw and Back Again
}}

This area was generated with Dilib version V0.6.38.
Data generation: Sat May 29 22:04:25 2021. Site generation: Sat May 29 22:08:31 2021

	Serveur d'exploration sur la musique celtique
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur la musique celtique

Irish Button Accordion: From Press and Draw and Back Again

Irish Button Accordion: From Press and Draw and Back Again

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri