Auden, Translation, Betrayal: Radical Poetics and Translation from Old English
Identifieur interne : 000192 ( Main/Merge ); précédent : 000191; suivant : 000193Auden, Translation, Betrayal: Radical Poetics and Translation from Old English
Auteurs : Daniel C. RemeinSource :
- Literature Compass [ 1741-4113 ] ; 2011-11.
Descripteurs français
- Wicri :
- topic : Traduction.
English descriptors
- KwdEn :
- American literature, Analytic therapy, Anne klinck, Auden, Blackwell, Blackwell publishing, Bogus guide, Boyer, Boyer interviews, Bucknell, Causative form, Chris jones, Clarendon press, Collective edition, Columbia univ, Columbia university, Columbia university libraries, Complete translation, Complete works, Conservative poetics, Conservative tendency, Contemporary poetics, Contemporary poetry, Cuny poetics documents initiative, David hadbawnik, Deconstruction, Derrida, Derrida specters, Dictional ambiguity, Dominant forms, Eadwacer, Earliest english poems, Early work, Edward mendelson, Elaine treharne, English elegies, English poem, English poetry, English prosody, English studies, English verse, Exeter, Exeter book, Experimental poetics, Experimental poetry, Ezra pound, Fenne biworpen, Foreign text, Galley proofs, George philip krapp, Gieddum wrixlan, Good deal, Great deal, Greg delanty, Heaney, Homo sacer, Homogenizing operation, Intrusive presence, Juvenilia, Katherine bucknell, Katherine cambridge, Kathleen davis, Kirk dobbie, Last line, Lawrence venuti, Literary transference, Literary translation, Literature compass, Marijane osborn, Martin stanton, Medieval literature, Medieval scandinavian world, Medieval studies, Michael matto, Mines widlastum wenum dogode, Modern english, Modern scholarship, Modernist poem, Natural speech, Neville coghill, Ninth edition, Norman davis, Oxford letters, Oxford university press, Paperback edition, Partial stories, Poetic records, Poetics, Princeton university press, Projective verse, Punctum books, Radical poetics, Random house, Rare book, Reat cyme, Relevant translation, Renig weder, Riddle, Sarah larratt keefer, Seamus heaney, Sean reynolds, Secret agent, Shorter poems, Special collections, Stanford university press, Street music, Strong verb, Term giedd, Thomas meyer, Toronto press, Trans, Transference, Translation, Translation studies reader, Translation theory, Translator, Uncer giedd geador, Venuti, Violent crowd, Weak forms, Whole night, Word exchange, Wrixlan, Wulf, Wulf line, York university, York university press, Young poet.
- Teeft :
- American literature, Analytic therapy, Anne klinck, Auden, Blackwell, Blackwell publishing, Bogus guide, Boyer, Boyer interviews, Bucknell, Causative form, Chris jones, Clarendon press, Collective edition, Columbia univ, Columbia university, Columbia university libraries, Complete translation, Complete works, Conservative poetics, Conservative tendency, Contemporary poetics, Contemporary poetry, Cuny poetics documents initiative, David hadbawnik, Deconstruction, Derrida, Derrida specters, Dictional ambiguity, Dominant forms, Eadwacer, Earliest english poems, Early work, Edward mendelson, Elaine treharne, English elegies, English poem, English poetry, English prosody, English studies, English verse, Exeter, Exeter book, Experimental poetics, Experimental poetry, Ezra pound, Fenne biworpen, Foreign text, Galley proofs, George philip krapp, Gieddum wrixlan, Good deal, Great deal, Greg delanty, Heaney, Homo sacer, Homogenizing operation, Intrusive presence, Juvenilia, Katherine bucknell, Katherine cambridge, Kathleen davis, Kirk dobbie, Last line, Lawrence venuti, Literary transference, Literary translation, Literature compass, Marijane osborn, Martin stanton, Medieval literature, Medieval scandinavian world, Medieval studies, Michael matto, Mines widlastum wenum dogode, Modern english, Modern scholarship, Modernist poem, Natural speech, Neville coghill, Ninth edition, Norman davis, Oxford letters, Oxford university press, Paperback edition, Partial stories, Poetic records, Poetics, Princeton university press, Projective verse, Punctum books, Radical poetics, Random house, Rare book, Reat cyme, Relevant translation, Renig weder, Riddle, Sarah larratt keefer, Seamus heaney, Sean reynolds, Secret agent, Shorter poems, Special collections, Stanford university press, Street music, Strong verb, Term giedd, Thomas meyer, Toronto press, Trans, Transference, Translation, Translation studies reader, Translation theory, Translator, Uncer giedd geador, Venuti, Violent crowd, Weak forms, Whole night, Word exchange, Wrixlan, Wulf, Wulf line, York university, York university press, Young poet.
Abstract
This essay addresses the state of the translation of poetry from Anglo‐Saxon and Old English in Anglo‐Saxon and Old English studies. As an alternative to a conservative tendency in the state of translation from Old English the essay points to the usefulness of thinking about Old English poetry and its translation from the position of the more radical moments of 20th and 21st century poetics. Translation from Old English poetry tends to result in or follow the direction of dominant and conservative poetics. The essay first examines this conservative tendency as it can be made legible by relatively recent theoretical languages from translation theory with reference to deconstruction. The essay then turns to a philologically minded reading of W. H. Auden’s poem sometimes titled ‘The Secret Agent’ in its relation to the Old English poem called Wulf and Eadwacer as an example of a way to conceive of translating the medieval more broadly and radically. In the case of Auden’s poem, to employ or even to think a more radical poetics of translating Old English would demand a willingness to queerly compromise the bounds of the proper, to learn from and follow not only dominant and conservative poetics but also modern and contemporary avant‐garde and experimental poetics. The essay outlines the possibility of translating the medieval as a betrayal of globally hegemonic modern English, allowing the medieval to infiltrate the present.
Url:
DOI: 10.1111/j.1741-4113.2011.00855.x
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<term>Contemporary poetry</term>
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<term>Katherine bucknell</term>
<term>Katherine cambridge</term>
<term>Kathleen davis</term>
<term>Kirk dobbie</term>
<term>Last line</term>
<term>Lawrence venuti</term>
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<term>Literary translation</term>
<term>Literature compass</term>
<term>Marijane osborn</term>
<term>Martin stanton</term>
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<term>Medieval studies</term>
<term>Michael matto</term>
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<term>Natural speech</term>
<term>Neville coghill</term>
<term>Ninth edition</term>
<term>Norman davis</term>
<term>Oxford letters</term>
<term>Oxford university press</term>
<term>Paperback edition</term>
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<term>Poetic records</term>
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<front><div type="abstract" xml:lang="en">This essay addresses the state of the translation of poetry from Anglo‐Saxon and Old English in Anglo‐Saxon and Old English studies. As an alternative to a conservative tendency in the state of translation from Old English the essay points to the usefulness of thinking about Old English poetry and its translation from the position of the more radical moments of 20th and 21st century poetics. Translation from Old English poetry tends to result in or follow the direction of dominant and conservative poetics. The essay first examines this conservative tendency as it can be made legible by relatively recent theoretical languages from translation theory with reference to deconstruction. The essay then turns to a philologically minded reading of W. H. Auden’s poem sometimes titled ‘The Secret Agent’ in its relation to the Old English poem called Wulf and Eadwacer as an example of a way to conceive of translating the medieval more broadly and radically. In the case of Auden’s poem, to employ or even to think a more radical poetics of translating Old English would demand a willingness to queerly compromise the bounds of the proper, to learn from and follow not only dominant and conservative poetics but also modern and contemporary avant‐garde and experimental poetics. The essay outlines the possibility of translating the medieval as a betrayal of globally hegemonic modern English, allowing the medieval to infiltrate the present.</div>
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