List of bibliographic references indexed by 0261-1430
Number of relevant bibliographic references: 29.
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Ident. | Authors (with country if any) | Title |
---|
000230 (2010) |
Helen O'Shea [Australie] | |
000608 (2005) |
Allan Moore | Ten Little Title Tunes: Towards a Musicology of the Mass Media . By Philip Tagg and Bob Clarida. New York: Mass Media Music Scholars' Press, 2003. xvi+898 pp.ISBN 0-9701684-2-x (paperback). |
000613 (2005) |
Paul Carr | Satchmo: The Lewis Armstrong Encyclopaedia . By Michael Meckna. Connecticut: Greenwood Press, 2004. x+432 pp. ISBN 0 31330137 9 (hardback). |
000619 (2005) |
Galeet Dardashti [États-Unis] | Popular Music & National Culture in Israel . By Motti Regev and Edwin Seroussi. Berkeley: University of California Press, 2004. 298 pp. ISBN 0-520-23654-8 (paperback). |
000631 (2005) |
Peter Franklin [Royaume-Uni] | Hollywood Theory, Non-Hollywood Practice. Cinema Soundtracks in the 1980s and 1990s . By Annette Davison. Aldershot: Ashgate, 2004. 232 pp. ISBN 0 7546 0582 5 (hardback). |
000636 (2005) |
Allan Moore | Celtic Modern: Music at the Global Fringe . Edited by Martin Stokes and Philip V. Bohlman. Lanham, MD: The Scarecrow Press, 2003. 293 pp. ISBN 0-8108-4781-7 (paperback). |
000858 (2002) |
Allan Moore | The Musical Work – Reality or Invention? Edited by Michael Talbot. Liverpool University Press, 2000. vii + 260 pp. |
000859 (2002) |
Gerry Smyth | The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp |
000860 (2002) |
Marcia M. Loo | Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes. By Zoila S. Mendoza. Chicago and London: University of Chicago Press, 2000. 285 pp |
000863 (2002) |
Hugh Dauncey | Chanson: the French Singer-Songwriter from Aristide Bruant to the Present Day. By Peter Hawkins. Aldershot: Ashgate, 2000. xi + 234 pp |
000865 (2002) |
Tôru Mitsui | Booklist |
000962 (2000) |
Meic Llewellyn | Popular music in the Welsh language and the affirmation of youth identities |
000966 (2000) |
Michelle Duffy | Lines of drift: festival participation and performing a sense of place |
000972 (2000) |
Noel Mclaughlin ; Martin Mcloone | Hybridity and national musics: the case of Irish rock music |
000976 (2000) |
Tôru Mitsui | Booklist |
000A22 (1999) |
Kevin Dawe | Minotaurs or musonauts? ‘World Music’ and Cretan Music |
000A30 (1999) |
Tôru Mitsui | Booklist |
000A67 (1998) |
Tôru Mitsui | Booklist |
000B98 (1996) |
Lars Lilliestam | On playing by ear |
000C26 (1996) |
Jan Fairley [Royaume-Uni] | |
000C46 (1995) |
Allan Moore | The so-called ‘flattened seventh’ in rock |
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