List of bibliographic references indexed by century
Number of relevant bibliographic references: 143.
[0-20] [
0 - 20][
0 - 50][
20-40]
Ident. | Authors (with country if any) | Title |
---|
000008 (2016) |
Sarah Chaney | ‘No “Sane” Person Would Have Any Idea’: Patients’ Involvement in Late Nineteenth-century British Asylum Psychiatry |
000046 (2015) |
Aleksey Nikolsky | Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric |
000062 (2014-12-05) |
Baptiste Delrue [France] | Antiquity in the French constitutional debate in the nineteenth century |
000063 (2014-07-07) |
J.-P Dalmont [France] ; G. Le Vey [France] | The irish Uillean pipe: a story of lore, hell and hard D |
000071 (2014) |
Katherine Fennelly [Royaume-Uni] | Out of sound, out of mind: noise control in early nineteenth-century lunatic asylums in England and Ireland |
000079 (2013-09-21) |
Armelle Faby-Audic [France] | Breton language in Arradon during the XXth century : a sociolinguistic reflection about the history of Breton through a particular example |
000084 (2013) |
Yves Gallet [France] | Une voûte à clef pendante du XIIIe siècle à Saint-Urbain de Troyes |
000097 (2013) |
Erick Falc'Her-Poyroux [France] | Irish Music Redefined, An Outsider's Viewpoint |
000102 (2012-04-02) |
Virginie Privas-Bréauté [France] | "Words, always words, but no action"...? The actor's body as a heterotopic language calling for reconciliations in Bill Morrison's "The Marriage" (1993) |
000106 (2012) |
James M. Davidson [États-Unis] | “They Laid Planks ‘Crost the Coffins”: The African Origin of Grave Vaulting in the United States |
000111 (2012) |
Juliet Shields [États-Unis] | Situating Scotland in Eighteenth‐Century Studies |
000128 (2012) |
Murray Campbell [Royaume-Uni] ; John Kenny [Royaume-Uni] | Acoustical and musical properties of the Deskford carnyx reconstruction |
000135 (2011-04-01) |
Virginie Privas-Bréauté [France] | "How to 'reshape the Contours of Northern Irish Drama'? The Neo-Brechtian Use of Music in The Belle of The Belfast City by Christina Reid" |
000136 (2011-03-30) |
François Picard [France] ; Ana Koprivica [France] | Gelbart, The Invention of "Folk Music" and "Art Music". |
000169 (2011) |
Mike Cronin [Irlande (pays)] ; Brian Conchubhair | Ní cothram na Féinne é sin: Cricket, Lexicography and Cultural Purity in Ireland |
000174 (2011) |
Gregory Castle | Irish Revivalism: Critical Trends and New Directions |
000193 (2011) |
Daniel C. Remein | Auden, Translation, Betrayal: Radical Poetics and Translation from Old English |
000219 (2010) |
Peter Lenz | ‘Not all of them are Paddies’: Irish-Americans and the (Un-/Re-)Embracing of Irish Identity |
000231 (2010) |
Diane Negra [Irlande (pays)] | URBAN SPACE, LUXURY RETAILING AND THE NEW IRISHNESS |
000234 (2010) |
Yann Bevant [France] | The influence of Scotland and Ireland on Breton traditional music in the second part of the 20th Century |
000235 (2010) |
Anne-Marie O'Connell [France] | GRÁINNE NÍ MHÁILLE OR « GRANUAILE », AN IRISH WOMAN , A CHIEFTAIN & A NATIONAL SYMBOL |
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