List of bibliographic references indexed by argues
Number of relevant bibliographic references: 20.
| Ident. | Authors (with country if any) | Title |
|---|
| 000008 (2016) |
Sarah Chaney | ‘No “Sane” Person Would Have Any Idea’: Patients’ Involvement in Late Nineteenth-century British Asylum Psychiatry |
| 000016 (2016) |
Daniel Silver [Canada] ; Monica Lee [États-Unis] ; C. Clayton Childress [Canada] | Genre Complexes in Popular Music |
| 000106 (2012) |
James M. Davidson [États-Unis] | “They Laid Planks ‘Crost the Coffins”: The African Origin of Grave Vaulting in the United States |
| 000107 (2012) |
Corrinne Harol | Whig Ballads and the Past Passive Jacobite |
| 000200 (2011) |
Jack Santino [France, États-Unis] | The Carnivalesque and the Ritualesque |
| 000499 (2007) |
Richard Firth Green [États-Unis] | Did Chaucer know the ballad of Glen Kindy ? |
| 000571 (2006) |
Dafydd Moore | Tennyson, Malory and the Ossianic Mode: The Poems of Ossian and ‘The Death of Arthur’ |
| 000649 (2005) |
Lois Roberts | Steve Striffler, In the Shadows of State and Capital: The United Fruit Company, Popular Struggle, and Agrarian Restructuring in Ecuador, 1900–1995 . Durham and London: Duke University Press, 2002. 242 pp. $64.95 cloth; $19.95 paper |
| 000650 (2005) |
Jeffrey Glasco | Stephen Heathorn, For Home, Country, and Race: Constructing Gender, Class, and Englishness in the Elementary School, 1880–1914. Toronto: University of Toronto Press, 2000. 288 pp. $50.00 cloth |
| 000704 (2005) |
Robert O. Self | Daniel Kryder, Divided Arsenal: Race and the American State During World War II. New York: Cambridge University Press, 2000. 320 pp. $30.00 cloth; $19.00 paper |
| 000780 (2004) |
Gregory Gilbert | Robert Motherwell's World War Two Collages: Signifying War as Topical Spectacle in Abstract Expressionist Art |
| 000881 (2002) |
Katie Pickles [Nouvelle-Zélande] | Kiwi Icons and the Re‐Settlement of New Zealand as Colonial Space |
| 000885 (2002) |
Adrienne Scullion [Royaume-Uni] | Glasgow Unity Theatre: The Necessary Contradictions of Scottish Political Theatre |
| 000918 (2001) |
Hazel V. Carby | What is this ‘black’ in Irish popular culture? |
| 000982 (2000) |
Brian O'Neill | `Lifting the veil': the arts, broadcasting and Irish society |
| 000A45 (1999) |
Douglas Bicket | Fictional Scotland: A “Realm of the Imagination” in Film Drama and Literature |
| 000A46 (1999) |
Leslie Armour | Economics and civilisation |
| 000B69 (1997) |
Judith Okely [Royaume-Uni] | Non-Territorial Culture as The Rationale for the Assimilation of Gypsy Children |
| 000E21 (1992) |
John Conway O'Brien | The Social Economist Hankers after Values A Collection of Essays |
| 000E49 (1991) |
Nick Ramondo | Cultural Issues in Therapy: On the Fringe |
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